Dawoud Bey: The Portrait in a Community ContextSaturday and Sunday, December 6-7, 2014 10:00 a.m.–5:00 p.m., both days Aperture Foundation
547 West 27th Street, 4th Floor
New York, N.Y.
In Dawoud Bey’s portraits, he depicts both individuals and communities. Through series such as Class Pictures, Character Project, and most recently, The Birmingham Project, Bey explores collective individuality while guiding viewers through social and historical spaces.
Join Bey for a workshop on how to create effective portraits within a community context. The workshop will begin at Aperture, with an introductory review of students’ portfolios. In addition to providing personalized feedback and tasks for improvement, Bey will present his own work and experiences as an artist. The discussion will present conceptual and practical strategies for making new work, followed by a full-day site visit to a church, school, community center, or shelter where students will work directly with subjects to photograph them in the context of their shared environment and community. Students should have a strong working knowledge of their cameras, as well as basic working knowledge of artificial lighting.
Topics for discussion will include:
• What is your interest in the subject(s)?
• What is it you want to say about your subject(s)?
• What is the relationship between the subject(s) and the space you photograph them in?
• How do you establish narrative in the photographic portrait?
• How to collaborate with and direct your subject(s)
• Location setup and lighting: what works and how to do it
Dawoud Bey (born in New York, 1953) began his career as a photographer in 1975 with a series of photographs called Harlem, USA, which was later exhibited in his first one-person exhibition at the Studio Museum in Harlem in 1979. He has since had numerous exhibitions worldwide at such institutions as the Art Institute of Chicago; Barbican Centre in London; Cleveland Museum of Art; Los Angeles County Museum of Art; Detroit Institute of Arts; High Museum of Art, Atlanta; GA; National Portrait Gallery, London; and the Whitney Museum of American Art, New York, among many others. The Walker Art Center, Minneapolis, organized a mid-career survey of his work, Dawoud Bey: Portraits 1975–1995, which then traveled to institutions throughout the United States and Europe. A major publication of the same title was also published in conjunction with that exhibition. Class Pictures was published by Aperture in 2007, and a traveling exhibition of this work toured to museums throughout the country from 2007 to 2011.
“I like when people look at this picture of me and be like, ‘Oh, he looks like he’ll do something bad like this.’ Some people might be like, ‘Oh, he looks like a bad kid,’ or . . . like, ‘I can picture him beatin’ up somebody or taking something from somebody,’ whereas that’s not me at all. I guess there is a certain look, ’cause I’ve experienced it before. Like, teachers in school, they’re like, ‘Oh, I thought you was a bad kid, but you’re all right,’ you know. ’Cause I like to prove people wrong so I can make me look better in the end. ’Cause as they get to know me, then they’ll see—like I said, I’m a funny person—and they’ll see I’m a funny person.”
Tuition: $500 ($450 for currently enrolled photography students and Aperture members at the Dual/Friend level and above)
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General Terms and Conditions
Please refer to all information provided regarding individual workshop details and requirements. Registration in any workshop will constitute your agreement to the terms and conditions outlined.
Aperture workshops are intended for adults 18 years or older.
If the workshop includes lunch, attendees are asked to notify Aperture at the time of registration regarding any special dietary requirements.
Release and Waiver of Liability
Aperture reserves the right to take photographs or videos during the operation of any educational course or part thereof, and to use the resulting photographs and videos for promotional purposes.
By booking a workshop with Aperture Foundation, participants agree to allow their likenesses to be used for promotional purposes and in media; participants who prefer that their likenesses not be used are asked to identify themselves to Aperture staff.
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