Chris Boot became executive director of Aperture Foundation in 2010. Previously he was director of London’s Photo Co-op (since renamed Photofusion), an independent photography education center; director of Magnum Photos, first in London, and then in New York; and editorial director at Phaidon Press. His company Chris Boot Ltd., launched in 2001, published the award-winning photobooks Lodz Ghetto Album (2004) and Things as They Are: Photojournalism in Context Since 1955 (2005). He is the author and editor of Magnum Stories (Phaidon, 2004).
Sarah Anne McNear, deputy director, has thirty years of experience in museums and cultural non-profits, with a specialization in photography. She has organized over forty exhibitions, and has held positions at the Philadelphia Museum of Art, the Allentown Art Museum, the LaSalle Bank Photography Collection, and the Museum of Modern Art, where she was the Beaumont and Nancy Newhall Fellow in Photography. Most recently, McNear served as the deputy director of the 92nd Street YMCA’s School of the Arts, as well as the director of its Art Center. Prior to these roles, she was director of the Museum of Contemporary Photography, Columbia College Chicago, after which she became director at the Larchmont/Mamaroneck Center for Continuing Education. She is also the author of several books on photography and has contributed to numerous exhibition catalogs.
Katie Clifford is Aperture’s project editor and executive assistant. Prior to working at Aperture, she worked for photographer Elliott Erwitt in New York, and at HotShoe magazine in London.
Lesley A. Martin is publisher of the Aperture book program and of The PhotoBook Review, a newsprint journal dedicated to the evolving conversation surrounding the photobook. Her writing on photography has been published in Aperture, American Photo, FOAM, and Lay Flat among other publications, and she has edited over seventy-five books of photography, including Reflex: A Vik Muniz Primer; On the Beach by Richard Misrach; Paris • New York • Shanghai by Hans Eijkelboom; Tokyo by Takashi Homma; Paul Strand in Mexico; Illuminance and Ametsuchi by Rinko Kawauchi; and Enclave by Richard Mosse. She has curated several exhibitions of photography, including The Ubiquitous Image, part of the inaugural New York Photo Festival in 2008; the New York Times Magazine Photographs, co-curated with Kathy Ryan (2011); and in 2012, she curated Aperture Remix, a commission-based exhibition celebrating Aperture’s sixtieth anniversary.
Melissa Harris is editor-in-chief of Aperture Foundation. She was editor-in-chief of Aperture magazine for over ten years, up until 2012, has edited over fifty books, and has curated photography exhibits at venues including Aperture Gallery; Visa Pour l’Image, Perpignan, France; Philadelphia Museum of Art; ICA and DiverseWorks, Houston; Villa Pignatelli, Naples; Peggy Guggenheim Collection, Venice; and Milano Triennale. A contributing editor of Interview, Harris teaches variously at Columbia University’s Graduate School of Journalism, Yale University, and New York University’s Tisch Photography and Imaging department. She served on New York City’s Community Board 5, and is currently on the board of LOOK3, and a trustee of the John Cage Trust.
Denise Wolff is a photobook editor at Aperture, and is known for her work with both contemporary and historic photography. Prior to Aperture, she was the commissioning editor for photography at Phaidon Press. Throughout her career, she has had the opportunity to work on many beautiful books, including monographs with such established photographers as Roger Ballen, Mary Ellen Mark, Martin Parr, and Stephen Shore, as well as first books, retrospectives, and large survey anthologies on a variety of subjects—from portraiture to photographic albums.
Susan Ciccotti is Aperture’s senior text editor, books. Previously, she was an associate editor for Museums magazine, and a senior editor for the American Association of Museums. She began her career in the arts at the historic Octagon Museum in Washington, D.C.
Amelia Lang, managing editor in the book program, lived and worked in San Francisco before moving to New York in 2011 for a master’s in American studies at Columbia and an internship at Aperture. She has worked on several publications, including the first and second issues of The PhotoBook Review.
Madeline Coleman is Aperture's copy editor/proofreader. Born in Vancouver, Canada, she has a BA in journalism from Concordia University, Montreal. She was previously associate editor of the Montreal-based magazine Maisonneuve.
Dana Triwush, publisher, Aperture magazine, joined Aperture Foundation in 2004. Previously, she was circulation manager at Lifestyle Media, Inc.
Michael Famighetti is editor of Aperture magazine. He has edited numerous photography books, including volumes by William Christenberry, Robert Adams, John Divola, Jonas Bendiksen, and a series based on the website Tiny Vices. His writing has appeared in Frieze, Bookforum, Aperture, and OjodePez, among other publications. Famighetti has degrees from Bard College and Columbia University, where he has also taught. He has served as a judge for the American Society of Magazine Editors National Magazine Awards and has been a guest reviewer and speaker at many international photography festivals and institutions, including the Bamako Biennial, Mali; Krakow PhotoMonth, Poland; GuatePhoto, Guatemala; Rhubarb Rhubarb, Birmingham, U.K.; Festival de la Luz, Buenos Aires; Museet for Fotokunst, Odense, Denmark; and Fotografiska, Stockholm.
Paula Kupfer, managing editor of Aperture magazine, grew up in Panama and Germany before moving to New York in 2005. She has a BA in journalism and Latin American studies from New York University and is currently pursuing a master's degree in art history at Hunter College. Prior to Aperture, she worked at the International Herald Tribune and New York magazine.
Annette Booth, exhibitions manager, began at Aperture as an intern. Every year she supervises six exhibitions at Aperture Gallery and fifteen on tour around the world.
Nancy Bless, institutional funding officer, has thirty years of experience in producing and funding arts programs. At the Ohio Arts Council, she developed and managed education programs including artists' residencies and community collaborations. Bless organized numerous exhibitions of contemporary art, video, and film as the curator at the John Michael Kohler Arts Center, and as gallery director of Women & Their Work. Bless was the executive producer, producer, or co-director for several PBS and NPR projects including Third Ward TX, The Big Squeeze, and Border Radio: The Big Jukebox in the Sky. Prior to joining the Aperture staff, Bless was the executive director at Texas Folklife, a statewide cultural organization based in Austin.
Emily Grillo, development officer, membership, individual giving, and special events, received her BA in art history from Kenyon College and has more than nine years of experience as an arts nonprofit professional. She began her career at the Metropolitan Museum of Art, followed by the Parrish Art Museum and the Whitney Museum of American Art, where she focused on development, special events, membership, and board governance. Most recently, Grillo was at the Laurie M. Tisch Illumination Fund, working on arts-grantee initiatives, directing and producing mission-driven art exhibits and special commissions, and developing operational systems and special events.
Gabrielle Pasternak, development associate, a native of New Jersey, received her BA and MA from Quinnipiac University, started her career in development/special events at Yale University, and is now thrilled to finally consider herself urbanite-ish. After work one may find her balancing things on her nose, reading mystery novels, basking in the glory of an underappreciated musical, or attempting to play a musical instrument.
Hillary Beson is Aperture's development assistant. She graduated from Ithaca College in 2011 with a BFA, concentrating in drawing and printmaking, and a double minor in art history and business administration. She started at Aperture as a development work scholar in 2013.
Sales and Marketing
Kellie McLaughlin is director of sales and marketing. Prior to joining Aperture she was director of photography and foreign syndication at a leading commercial photographic press agency.
Barbara Escobar, publicity and events manager, has worked with numerous non-profit and commercial arts organizations, and is an instructor in the arts management program at Purchase College. Prior to Aperture, she worked in marketing for a leading auction house. She holds an MA in museum studies from Johns Hopkins University and a BA in art history and philosophy from Catholic University.
Elena Tarchi is Aperture’s publicity and events assistant. Born and raised in San Francisco, she has a BS in marketing communications from Emerson College, with a minor in publishing.
Mary Colman St. John is chief financial and administrative officer. Prior to joining Aperture, she worked for twelve years at The New Press and seven years at Berlitz International, Inc. She has an MBA from Georgetown University and a BA in French literature from Reed College.
Harry P. Bourne, accounting manager, has a BSBA from Ohio State University. He’d rather be fishing.
The staff also includes:
Mark O’Neil is Aperture’s web manager. He has a BA from the University of Bedfordshire and over fifteen years experience in managing successful online projects, for companies ranging from national broadcast media to major arts and not-for-profit organizations.
Sara Duell, designer, is a Swedish early bird with a design degree from Emily Carr University of Art and Design in Vancouver, Canada.
Schuyler Duffy is Aperture’s education and public programs assistant. A native New Yorker, he holds a BA in Art and French from the University of California, Los Angeles.
Jason Bailey, digital media associate, completed his BA at Wesleyan University with concentrations in architecture and curatorial studies. Prior to joining Aperture he managed the flagship studio of creative consultancy Aesthetic Movement and assisted in the design and editing of publications for Princeton Architectural Press and Rockport Publishers.
Susan Bauchner-Charlas is the registrar for Aperture Foundation and the Paul Strand Archive.
Mirek Goraj, Aperture’s technical and office administrator, is an eight-year veteran of the IT industry, mostly as an independent consultant. He holds a bachelor degree in computer information systems, and enjoys photography, biking, and travel.
Matthew Harvey is production manager for Aperture’s books and quarterly magazine. He especially enjoys home gardening and likes to think of himself as an avid hobbyist.