Front

Editors’ Note

What Matters Now?
Contributions by Ulrich Baer, Philip Gourevitch, Veronica Matushaj, Kathy Ryan, Hanna Rose Shell

Redux
David Campany on Victor Burgin’s Between

Dispatches
Jason Fulford on San Francisco

Collectors: The Novelists
Contributions by Teju Cole, Sheila Heti, Heidi Julavits, Sam Lipsyte

Studio Visit
Ivan Vartanian on Takashi Homma and his studio

Words

Nine Years, A Million Conceptual Miles
by Charlotte Cotton

Jeff Wall: On Pictures
Conversation with Lucas Blalock

Observing by Watching: Joachim Schmid and the Art of Exchange
by Geoffrey Batchen

Our Lady of Perpetual Help: Thoughts on Recent Scholarship on Photography
by Robin Kelsey

Photo.edu: Toward a New Curriculum
by Arthur Ou

Akram Zaatari: Against Photography
Conversation with Mark Westmoreland

Decolonizing the Archive: The View from West Africa
by Jennifer Bajorek

The Image World Is Flat
Penelope Umbrico in conversation with Virginia Rutledge

Pictures

Christopher Williams
Introduction by Matthew S. Witkovsky

Revisiting the Garry Winogrand Archive
Philip-Lorca diCorcia in conversation with Leo Rubinfein

Michele Abeles: Re:Re:Re:Re:Re
Introduction by Eva Respini

Jason Evans: NYLPT
Introduction by Aaron Schuman

Postcards from America: Jim Goldberg, Alessandra Sanguinetti, Alec Soth, Zoe Strauss (with Ashley Thompson), Mikhael Subotzky, Donovan Wylie
Introduction by Chris Boot

Anouk Kruithof
Introduction by Lesley A. Martin

Andrew Norman Wilson: ScanOps
Conversation with Laurel Ptak

Adam Broomberg & Oliver Chanarin: To Photograph the Details of a Dark Horse in Low Light
Introduction by Brian Dillon

Phil Chang: Cache, Active
Conversation with James Welling

Back

Object Lessons
The Chelsea Flash Pistol, ca.1895