Front

Editors’ Note

What Matters Now?
Contributions by Andrew Blum, Robert Klanten, Laura Poitras, Anton Vidokle

Redux
Ulrich Baer on Brassaï’s Proust in the Power of Photography

Dispatches
Sean O’Toole on Cape Town

Collectors: The Architects
Contributions by Denise Scott Brown, Neil Denari, John Pawson, Annabelle Selldorf

Studio Visit
Jonathan Griffin on John Divola and his Riverside workplace

Words

Attention! Photography and Sidelong Discovery
by Brian Dillon

The Lives of Images
Peter Galison in conversation with Trevor Paglen

Marvels and Spectacles: Photographic Exploration and the “First Glimpse”
by Jennifer Tucker

What on Earth? Photography’s Alien Landscapes
by David Campany

Curious about Color
by Kelley Wilder

Pictures

Stephen Gill: Coexistence

Horst Ademeit: Secret Universe
Introduction by Lynne Cooke

Harold E. Edgerton: “Doc” and His Laboratory Notebooks
by Jimena Canales

Mårten Lange: Machina

Thomas Ruff: Photograms for the New Age
Conversation with Michael Famighetti

Photographs of Nothing
by Joel Smith

Robert Cumming Invents the Photograph
by Sarah Bay Williams

Eva-Fiore Kovacovsky: Specimens

Lisa Oppenheim: Elemental Process
Introduction by Brian Sholis

Back

Object Lessons
Lunar Hasselblad, 1968