Aperture Magazine
#217, Winter 2014

ISSUE217_subHiResRGB_c

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Front

Editors’ Note

Redux
Erin O’Toole on Lew Thomas’s Structural(ism) and Photography

Curriculum
by James Welling

Collectors: The Poets
Contributions by John Ashbery, Richard Howard, Ann Lauterbach, Ben Lerner

Dispatches
Wojciech Nowicki on Krakow

Words

On Photography, Writing, and Aircraft Carriers
Geoff Dyer in correspondence with Janet Malcolm

Walker Evans & the Written Word
by David Campany

Words vs. Images
Contributions by Teju Cole, Mary Gaitskill, Rivka Galchen, Tom McCarthy, Lynne Tillman

The Publisher’s Eye
by Carmen Winant

Rescripted
Moyra Davey in conversation with Matthew S. Witkovsky

Pictures

Hervé Guibert
Introduction by Vince Aletti

Natalie Czech: Poems by Repetition
Introduction by Drew Sawyer

Erica Baum: Wordplay
Introduction by Nat Trotman

William S. Burroughs: Still Shots
Introduction by Eric Banks

Eamonn Doyle: i
Introduction by Brian Dillon

Kobo Abe as Photographer
Introduction by Ivan Vartanian

Sarah Dobai: After “The Overcoat”

Iris Garden: John Cage & William Gedney
Introduction by Aaron Schuman

Gus Powell: The Lonely Ones
Introduction by Heidi Julavits

Back

Object Lessons
Germaine Krull’s Roman maquette, ca. 1930

 

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