In How We See, Laurie Simmons revisits familiar territory, posing models in staged scenes emulating doll-like figures.
Janet Delaney: South of Market gives a glimpse of a bygone San Francisco, before Silicon Valley and soaring rents defined the city
A review of Thomas Demand’s multiple exhibitions now on view in Los Angeles.
A new exhibition at Tate Modern, London, presents photographs of war arranged by how soon after the event the photograph was made.
Alix Cléo Roubaud is virtually unknown, but an exhibition in Paris sheds light on her ethereal photographs.
A new exhibition at Hasted Kraeutler in New York features the portrait photography of Martin Schoeller.
A review of “Constructing Worlds” at Barbican Art Gallery.
Aperture Editor Michael Famighetti on work featured during the 2014 FotoFocus Biennial.
Noemi Smolik reviews Thomas Ruff’s new show at the Kunsthalle Dusseldorf.