Editorial

Alix Cléo Roubaud’s extraordinary darkroom visions, cut short at age thirty-one, are only now coming to light.

In a conversation from her new book, the artist speaks about the interwoven histories of land, power, survival, and Black identity.

Since the 1990s, Homma has chronicled the vagaries of fashion and youth culture, suburban life, ocean waves, and radioactive mushrooms, amassing more than sixty publications.

The Brazilian photographer makes a utopian world encompassing moments of raw, unmediated freedom.

Years after retiring from an illustrious career as a stylist, Simon Foxton was lured back into image-making by fresh new faces. The only catch is, they don’t exist.