In the 1970s, Eggleston’s pictures were called “perfectly banal.” Fifty years later, the intensity of color in his dye-transfer prints is rarified and precise.
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Interviews
How a Xerox Became a Time Machine
By using a copier to reproduce other artists’ photographs, Aaron Stern raises questions about authorship, circulation, and the persistence of the printed image.
Essays
Mimi Plumb’s Prophetic Images of America on the Edge
Since the mid-1970s, Plumb has documented life in the US in a way that anticipates today's social strife and environmental emergency.
Interviews
When Harry Styles Met Myriam Boulos
How did the pop star fall for the Beirut-based photographer’s sultry images?
Portfolios
John Chiara Illuminates the World’s Simple Mysteries
Building large-scale camera obscuras, Chiara makes wistful photographs that recall the medium’s origins—and our own.
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