The Enclave Box Set

Photographs by Richard Mosse
Curatorial statement by Anna O’Sullivan Essay by Jason Stearns Music by Ben Frost

Availability: Limited quantities

9 1/8 x 7 1/8 inches 240 pages, 142 four-color images Limited-edition Boxed Set includes a 45 rpm record with sound design by Ben Frost Offset-printed poster 18 ¼ x 24 inches 978-1-59711-238-3 October 2013

For the last three years, Richard Mosse has photographed in eastern Democratic Republic of Congo, a region in which a long-standing power vacuum has resulted in a horrifying cycle of violence, a Hobbesian “state of war,” so brutal and complex that it defies communication, remaining stubbornly outside global consciousness. The Enclave is the culmination of Mosse’s recent efforts to radically rethink traditional representations of conflict photography, drawing on artistic and documentary strategies in equal measure. The Enclave publication presents images shot by Mosse with a large-format camera, as well as selections from the 16 mm film installation presented at the Irish Pavilion during the 55th Venice Biennale. With both still- and 16 mm-cameras, Mosse uses a discontinued military surveillance film, which registers an invisible spectrum of infrared light. The resulting surreal palette describes these isolated, jungle war zones and the soldiers that inhabit them in disorienting psychedelic hues of scarlet, lavender, cobalt, and puce. Working with collaborators Trevor Tweeten (16 mm cinematography) and Ben Frost (sound design), Mosse has captured a landscape that is deceptively seductive, alluring. Ultimately, however, the resulting images and film map the otherwise invisible edges of violence, chaos, and incommunicable horror. At the heart of the project, as Mosse states, is his exploration of the contradictions and limits of art’s ability “to represent narratives so painful that they exist beyond language—and photography’s capacity to document specific tragedies and communicate them to the world.”

The Enclave has been printed in a total of 1,000 copies, 250 of which have been released as part of a limited-edition boxed set. The boxed set includes a 45 rpm record with sound and music design by Ben Frost; a poster featuring an image by Richard Mosse and a transcription from the film; and a signed-and-numbered copy of the book, released to coincide with an installation of the work at the Venice Biennale.

Richard Mosse (born in Kilkenny, Ireland, 1980) holds an MFA in photography from Yale University School of Art. In 2012, he received a Visual Arts Bursary from the Irish Arts Council and held the International Artist Residency at Künstlerhaus, Berlin. In 2011, he was awarded a John Simon Guggenheim Memorial Foundation Fellowship, with a supplemental stipend from the Leon Levy Foundation. His first monograph, Infra, was published by Aperture in 2011. 

Jason Stearns (essay) has worked as a senior analyst for the International Crisis Group and for the United Nations Group of Experts on the Congo. He is the author of Dancing in the Glory of Monsters: The Collapse of the Congo and the Great War of Africa. 

Ben Frost (music) is an experimental music composer and producer influenced by Minimalism, punk rock, and metal. In addition to several solo albums, his music has accompanied gallery spaces and contemporary dance and theater productions, including award-winning productions with Chunky Move and British choreographer Wayne McGregor. 


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