web-exclusive
exposures: a blog
subscribe
current issue
back issues
renew
gift subscriptions
new
photographer
category
price
curated collection
new
photographer
category
price
portfolios
may
june
july
party pictures
host an exhibition
current exhibition
future exhibition
gallery rental
mission
press
aperture west
info
guidelines
f.a.q.
resources
portfolio picks
site links
aperture images
internships
  2007 Aperture
Portfolio Prize
Jessamyn Lovell Ian Baguskas Cynthia Greig Shai Kremer Tomoyuki Sakaguchi
  winter 07 picks Julio Bittencourt Hynek Alt and Aleksandra Vajd Caleb Charland Delphine Diallo Richard Gilles
  summer 06 picks Hiroshi Watanabe Cara Barer Michael Fisher LaToya Ruby Frazier Tomas van Houtryve
  previous picks Margot Quan Knight Thomas Birtwistle Arun Kuplas Dan Nelken  
 

Honorable Mention
LaToya Ruby Frazier—The Notion of Family

Editorial Statement
Although LaToya Ruby Frazier has been photographing her family since 2002, this is the first time she has presented these images of her family in public. In fact, not yet ready to confront what her camera had documented, she waited nearly a year before even printing her initial shots. That reluctance is understandable, given how unsparing and intensely personal these photographs are—were they shot by an outsider, they would be almost unbearably intrusive. But their honesty is tempered (though not softened) by the artist’s profound connections to her subjects. They find a lineage in the diverse family histories documented by photographers ranging from Ralph Eugene Meatyard to Richard Billingham, Sally Mann, and Nan Goldin.

Frazier has clearly made this work with full awareness of the power not only of the pictures but also of the process of her making them. As she says in her accompanying statement: “Family secrets, hidden history, and constant silence defined our coexistence. Interaction only occurred when I began to photograph. The process of relentlessly photographing my family allowed me to meditate on the complexity of our relationships and the roles we played. My position as daughter and photographer transcends the objective approach utilized in standard documentary practice . . . Through the first-person point of view, the audience will witness the complexity, anxiety, pain, despair, and dysfunction of a life interwoven with love, sensitivity, and the enduring family bond.” —NG

Artist’s Bio
LaToya Ruby Frazier, who is completing her MFA in art photography at Syracuse University, has been represented in numerous group exhibitions, including the Everson Museum of Art Biennial, Syracuse; Queer Eye, Harbor Gallery, University of Massachusetts, Boston; and Breaking the Ice, Cornell University, Ithaca, N.Y. Her films have appeared in several festivals, and she has taught photography to students ranging from elementary school to university.
www.latoyarubyfrazier.com