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Petrochemical America features Richard Misrach’s haunting photographic record of Louisiana’s Chemical Corridor, accompanied by landscape architect Kate Orff’s Ecological Atlas—a series of “throughlines,” speculative drawings developed through research and mapping of data from the region. Their joint effort depicts and unpacks the complex cultural, physical, and economic ecologies along 150 miles of the Mississippi River from Baton Rouge to New Orleans, an area of intense chemical production that first garnered public attention as “Cancer Alley” when unusual occurrences of cancer were discovered in the region.
This collaboration has resulted in an unprecedented, multilayered document presenting a unique narrative of visual information. Petrochemical America offers in-depth analysis of the causes of decades of environmental abuse along the largest river system in North America. Even more critically, the project offers an extensively researched guidebook to the way in which the petrochemical industry has permeated every facet of contemporary life. What is revealed over the course of the book is that Cancer Alley—although complicated by its own regional histories and particularities—may well be an apt metaphor for the global impact of petrochemicals on the human landscape as a whole.
Richard Misrach (born in Los Angeles, 1949) has a long-standing personal connection with New Orleans and the surrounding region. Destroy This Memory, his latest published monograph, shows a record of hurricane-inspired graffiti left on houses and cars in New Orleans in the wake of Katrina, which garnered Aperture a nomination for a 2010 Lucie Award for Book Publisher of the Year, and won the award for Best Photobook of the Year 2011 at PhotoEspaña. Another standout success was his 2007 large-format Aperture book On the Beach, a sublime visual meditation on the relationship between humankind and the environment, which is as spectacular as it is unsettling. Earlier, Aperture published Violent Legacies, which addressed, in part, the contamination of the desert due to nuclear testing. Richard Misrach’s other books include Golden Gate, also being released by Aperture in spring 2012, on the occasion of the seventy-fifth anniversary of the iconic bridge.
Kate Orff (born in Maryland, 1971) is an assistant professor at Columbia University and founder of SCAPE, a landscape architecture studio in Manhattan. Her work weaves together sustainable development, design for biodiversity, and community-based change. Orff’s recent exhibition at MoMA, Oyster-tecture, imagined the future of the polluted Gowanus Canal as part of a ground-up community process and an ecologically revitalized New York harbor.
“It is a book to be revisited often as it offers more visually and intellectually with each reading. ” — Melanie McWhorter, photo-eye
“Louisiana’s Secret Chemical Histories Illustrated,” Discover Magazine, Visual Science Blog, Rebecca Horne, October 26, 2012
"We Deserve It: Through the Lens of Petrochemical America," Jessica Bridger, uncube magazine.
"Fascinating Infographics And Gorgeous Photos Document Our Deadly Chemical Industry," Emily Badger, Fast Company.
"Modern Art Notes, Best Books of 2012," Tyler Green, Artinfo
"Best Books of 2012," Jared Green, The Dirt.
"Best Books of 2012," Jack Crager and Lindsay Comstock,
“Oil and Nature: A Landscape Reconfigured,” Emma Brice, The New York Times Green Blog
“Petrochemical America is magisterial in its ambition to span aesthetics and cognition, environmentalist ethics and pragmatic practices.” Suzaan Boettger, “Oil on Paper,” The Brooklyn Rail
2013 American Society of Landscape Architects Honor Award Winner