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Ruvo di Puglia, 1983 from Tra albe e tramonti [Between dawns and dusks]


Luigi Ghirri

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$ 650.00

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edition size: 25 and 5 artist’s proofs
Captioned and numbered by Paola Ghirri, embossed with the official stamp of the Estate of Luigi Ghirri
Presented in an archival paper folder
image size: 6 1/8 x 9 5/8 in.
paper size: 9 7/8 x 11 15/16 in.
Archival pigment ink print
First 10: $650 Nos. 11-20: $850, Nos. 21-25: $1000

description

Luigi Ghirri worked primarily with the landscape and architecture of his native Italy. His fresh color observations of Italy’s contemporary culture are witty, poetic and often surreal, as in Ruvo di Puglia, as Eggleston notes in the preface to It’s beautiful Here, Isn’t It... (Aperture 2008) “ He teases the viewer about what is real and what is not”. Ghirri’s images are visually profound and are about the nature of representation and seeing.

Luigi Ghirri was born in 1943 and died at the age of 49 in 1992. During his relatively short life, he revolutionized Italian photography in the 1970s and is considered a pioneer and master of contemporary color photography. Ghirri worked primarily with the landscape and architecture of his Italian homeland. Uncannily prescient, Ghirri shared the sensibility of what became know in the United States as the New Color and the New Topographics movements before they had even been named. Ghirri influenced a generation of photographers, including Olivo Barbieri, Martin Parr and William Eggleston.

Aperture is very pleased to offer Ghirri’s Ruvo di Puglia as a limited edition archival pigment in print in collaboration with Paola Ghirri, the artist’s wife, further exposing this great artist to the Aperture collecting audience.

Luigi Ghirri (born in Scandiano, Italy, 1943–1992) studied and worked in Modena. He exhibited throughout Europe, with solo shows in Geneva, Amsterdam, Arles, and Cologne, as well as at the Light Gallery, New York. His work is in numerous collections, including the Museum of Modern Art, New York; Stedelijk Museum, Amsterdam; Bibliothèque Natio­nale de France, Paris; and Canadian Centre for Archi­tecture, Mon­treal. His work is represented by Julie Saul Gallery, New York.

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