photography in all its forms

“It was the type of picture that is so easy to make it is almost embarrassing,” says Davis. “The camera is so accepting, so amorous, and loves anything you put in front of it, that sometimes the act of making a photograph feels bovine. Still, that act of transformative visual registration—taking something from the flux of visual information and cultural meaning—and shepherding it into thorough, self-aware picturehood, is what my work is all about." —Tim Davis

Tim Davis describes his work as follows: “[I am] a photographer who sees unintended derangements of objects in offices, hospitals, strip malls and the political sphere.” Democrat and Republican, 2002, from My Life in Politics (Aperture, 2006) is part of the artist’s dissection of the current disenchantment and dissociation that has become American politics.

This image was taken in a warehouse on the west side of Manhattan where most of the city’s voting booths are stored. Davis went there intending to photograph the clunky Cold War-era machines in their square-block-sized loft, but instead became interested in the remnants of past elections lying around. Davis recalls that “this curious little vanitas was shoved over in a corner.” The stickers were used to designate Democratic or Republican ballots, and were sitting on a pile of yellow voting registration records.

As Peter Eeley of Frieze magazine puts it: “What if campaign signs, badges, bumper stickers and flags aren’t simply the ephemera of Americans’ political lives, but their substance as well? That this phenomenon finds resonance in photography’s arm’s length access to its subjects makes Davis’s work deeply sad and grand at the same time.”