Issue 202 features:
Vince Aletti on Collier Schorr’s Evocative Collages (cover image)
Geraldo De Barros‘ Abstract Fotoformas
Greil Marcus on Surveillance Cinema
Luisa Lambri’s Architectural Interiors
Mary Panzer Considers Photographic Archives
Yann Gross’s Dynamite-Triggered Avalanches
Sara VanDerBeek’s Resonant Compositions
Ulrich Baer Re-Examines Seminal Civil-Rights Images….and much more
The winter issue of Aperture magazine (issue 193) features:
• A Magazine in the Making
Peter C. Bunnell revisits the first issue of Aperture on the hundredth anniversary of the birth of the magazine’s founding editor, Minor White.
• Susan Meiselas: Nicaragua
John Berger considers Meiselas’s powerful project on Nicaragua’s civil war in the 1970s.
• The Author As Photographer: Early Soviet Writers and the Camera
Erika Wolf examines authors who tried their hands at photography in the post-revolution Soviet Union.
• Phillip Toledano: Phonesex
Portraits of behind-the-scenes workers who make a living with their voices.
• Richard Misrach: Untitled
A selection from Misrach’s newest body of work, plus a bonus poster included in all subscriber issues!
• Deep in the Archive
An exploration of photography that engages the concept of the archive, by Ulrich Baer.
• Guy Tillim: Things As They Seem
Tillim documents colonial-era architecture and decay throughout Africa.
• On the Edge of Clear Meaning: Reconsidering the Work of John Wood
David Levi Strauss explores how Wood’s photographs and photo-based multimedia works tackle politics with poetry.
• Disappearing Giants
Michael “Nick” Nichols, the veteran wildlife photographer, tracks endangered elephants in Chad and Kenya.
PLUS: Exhibition reviews from London, New York, The Netherlands, Spain, Switzerland, and Tokyo
Available at newsstands now or subscribe and get the bonus poster from Richard Misrach.
