- The New York Times covers Mary Ellen Mark’s series Prom, first featured in Aperture issue 187, now a monograph by Getty Publications, and shares a trailer from Martin Bell’s accompanying documentary. The Sunday Review publishes an essay by Mark, “Prom Night,” and posts a slideshow of images from the series. LensBlog follows up with a Q&A with the photographer on shooting with one of five existing, finicky, but rewarding 20×24 Polaroid Land Cameras for this series and her earlier monograph Twins (Aperture 2005).
- In their weekly Modern Art Notes Podcast, ArtInfo‘s Tyler Green talks to Mitch Epstein, who he calls “one of America’s most prominent and most honored photographers,” about shifting focus from American Power to trees in New York City, now on view at Sikkema Jenkins & Co. in Chelsea. Epstein will be in conversation with Sondra Gilman and Celso Gonzalez-Falla of the Shared Vision collection at Aperture on Wednesday, April 11, 2012.
- “Is your phone’s camera the only camera you need?” asks the Wall Street Journal, profiling new apps and accessories that make that possible. They also share cell phone snapshots by professional photojournalists, and invite readers to do the same.
- “In an environment where seconds count, there are glorious triumphs and heartbreaking defeats,” writes Michael M. Grynbaum for LensBlog on staff photographer Richard Perry‘s hectic images from the New York City subway. Can’t help but think back to Bruce Davidson’s series from the 1980s and resulting monograph Subway (Aperture 2011), save for the striking dissimilarities between now vastly different transit systems.
- Simon Bray shares a few key points on Phototuts+ on “Why Returning To A Photographic Location Is Such A Good Idea,” whether it’s months, weeks, days, or hours apart. It’s something Richard Misrach did when he began a three year project photographing the same scene from his from porch at all hours of the day for the monograph Golden Gate, which is soon to be released by Aperture as a stunning 16×20″ oversized edition.
- Fototazo interviews Luca Desienna, Chief Editor of Gomma Magazine, on the occasion of the announcement of the eight winners of the call for entries for their exciting new publication of black and white photography MONO, Volume 1 (November 2012). Lightbox at Time shares a slideshow of images by the winners and explains briefly what entailed Gomma’s “search for the best new black-and-white photographers.”
- The National Press Photographers Association launched a new blog, Ethics Matters, opening up the often circular discussion on how much image manipulation is too much, focusing specifically on new HDR technology which allows cameras to combine multiple frames into a single image, often for a more saturated color effect. This, as Aperture is in the process of acquiring a HDR camera for our own digital media reporting purposes. Stay tuned!
Posts Tagged ‘Sikkema Jenkins & Co.’
This Fall, many works by Aperture-featured photographers are being exhibited in New York City. Here is our run-down of this season’s must-see shows.
Gary Schneider: HandPrints, Johhanesburg at David Krut Projects. Made by hands’ sweat and heat interacting with film emulsion, these unusual portraits of friends and family will be on view September 8 – October 22, 2011.
Hellen van Meene at Yancey Richardson Gallery, September 8 – October 22, 2011, will exhibit the photographer’s distinct style of portraiture.
Vik Muniz at Sikkema Jenkins & Co., September 9 – October 15, 2011, focusing on paintings by the Brazilian artist.
Edward Steichen: The Last Printing at Danziger Projects, September 15 – October 29, 2011. Photographs made by George Tice, renowned photographer and Steichen’s last printer.
Social Media at Pace/MacGill, from September 16 – October 15, 2011, featuring work by Penelope Umbrico & others. Detailing the rise of social media in our visual culture, it includes Umbrico’s work Sunset Portraits From 9,623,557 Sunset Pictures which was meticulously culled from the photo-sharing website Flickr.
Simon Norfolk: Burke + Norfolk at Bonni Benrubi Gallery, September 14 – December 3, 2011, features a visual dialogue between nineteenth-century British photographer John Burke and contemporary photographer Simon Norfolk, centered in Afghanistan.
The Radical Camera: New York’s Photo League, 1936 – 1951 at The Jewish Museum from November 4 – March 25, 2011. Featuring work by Lisette Modell, Aaron Siskind, Weegee & many other photography legends.
There are also many gallery openings that are showing artists featured in our 2011 Benefit, Auction & SNAP! Party:
Sara Greenberger Rafferty at Rachel Uffner Gallery, September 7 – October 23, 2011.
Charlotte Dumas: Retrieved at Julie Saul Gallery, September 8 – October 15, 2011.