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Posts Tagged ‘Museum of the City of New York’

Will Steacy: 48 Hours exhibition, and New Print from Aperture

Thursday, April 28th, 2011

Empty Vegetable Stand on Valentine’s Day, 3rd Avenue & 110th, New York 2010, photograph by Will Steacy, courtesy the artist

Michael Mazzeo Gallery is pleased to announce a special presentation of recent photographs by the American photographer, journalist, and social documentarian, Will Steacy.

Deeply moved by headlines decrying the perils facing the nation, Steacy, a former union laborer, packed his view camera and drove to Madison, Wisconsin to witness the heated confrontation between union workers and Governor Scott Walker. He spent 24 hours that night and the following day photographing events as they unfolded inside and around the capitol building, as the Governor prepared to sign the notorious bill restricting collective bargaining rights for union workers. Shortly afterwards, Steacy drove to Gary, Indiana, home to the first US Steel plant, and a city whose rise and fall has become a symbol of the plight of the American workforce. He photographed up and down Broadway, Gary’s main artery, documenting City institutions and local businesses, revealing the grim challenges that now face this once-vibrant city. Photographed in 48 hours, Steacy’s understated, quietly seductive images reveal an undercurrent of catastrophic anxiety enveloping the American psyche while pointedly exposing the harsh realities of a nation torn apart by misguided government policies and corporate greed. An outspoken critic of inequality and injustice, Will Steacy’s images, insightful, confrontational, and elegant, offer hope and renewal to a nation divided.

Will Steacy is honored to dedicate this exhibition to his mentor, Charles Gandee, 1952-2011.

Michael Mazzeo Gallery
508 W 26th street, Suite 318
New York

Opening reception:Thursday April 28, 6:00-8:00 pm
Exhibition on view: April 28- April 30, 2011
Artist talk: Saturday April 30,  3:00 pm



Empty Vegetable Stand on Valentine’s Day, 3rd Avenue & 110th, New York 2010, photograph by Will Steacy, courtesy the artist

Aperture is also excited to offer this limited-edition print by Will Steacy, one of five emerging artists selected by Aperture for the NYC Green Cart Photography Commission. This is the first of a series of limited editions from the Green Cart artists, soon to be released. These photographers were given the opportunity to document the NYC Green Cart Initiative, a program that provides fresh fruits and vegetables to underserved urban communities. Each photographer approached this project from a different point of view, offering a unique perspective of the Green Cart program.  The images have also been curated into an exhibition at the Museum of the City of New York titled Moveable Feast: Fresh Produce and the NYC Green Cart Program. Both the exhibition and the commission were  made possible with the generous support of the Laurie M. Tisch Illumination Fund.

“I’m interested in the impact the fruit and vegetable carts will have on these areas and how they will compete with the neighborhoods’ established food institutions. As our country adapts to a struggling economy and we debate healthcare, the severity of these national issues can be seen on a local level through the Green Cart Initiative and its influence on New York City’s most economically challenged neighborhoods.”

-Will Steacy

Steacy’s work was inspired by his interest in the relationship between a community’s socio-economic status and its health records. One of the biggest debates in public health today is the fact that low-income households have the highest reported rates of illness, while high-income households report the lowest. Over the course of a year, he photographed the geographic areas where the highest reported instances of poor health and people living without health insurance overlap with Green Cart locations. Empty Vegetable Stand on Valentine’s Day, 3rd Avenue & 110th,  New York is a striking example of one of these neighborhoods.

 

Last Chance to apply! Behind the scenes of the Work Scholars Program

Friday, April 15th, 2011

Picture 1 of 10

Today,  April 15th is the deadline to apply for the next term of Aperture Work Scholars! Don’t miss your chance to be a part of our organization and take part in unique events and opportunities. Be an Aperture intern, apply to the Work Scholar Program, and spend six months to a year at Aperture Foundation.
View images above from last week’s visit by the current Aperture Work Scholars to the Museum of the City of New York, including a private tour given by Sean Corcoran, the curator of prints and photographs of the museum, and Denise Wolff, Aperture Book Editor, co-curators of the Moveable Feast exhibition now on view. By organizing tours like these, the Aperture Foundation offers interns the opportunity to discover behind the scenes at art institutions like the Museum of the City of New York.
See more from the Work Scholar Desk below:

The Making of Penelope Umbrico’s Monograph

Gallery Tour

Behind the Scenes with Richard Misrach and Hank Willis Thomas

Visit to Mary Ellen Mark’s Studio

 

 

Moveable Feast at The Museum of the City of New York

Thursday, March 31st, 2011

The Curators and Artists

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© Andrew Hinderaker


 

Moveable Feast: Fresh Produce and the NYC Green Cart Program features the work of photographers who have turned their lenses on city neighborhoods where there is little access to nutritious food, documenting street scenes and urban environments. The exhibition also reveals a new, important use for a nearly ubiquitous and historic urban icon: the pushcart. Moveable Feast is organized by the Museum of the City of New York in conjunction with Aperture Foundation, with support from the Laurie M. Tisch Illumination Fund. Kodak generously donated film for the project.

Aperture Foundation asked five emerging photographers to undertake the NYC Green Cart Commission: LaToya Ruby Frazier, Thomas Holton, Gabriele Stabile, Will Steacy, and Shen Wei. As media outlets for this kind of sustained storytelling disappear, this commission is especially important—it supports photography, produces a meaningful archive, and expands public dialogue. Each of the five photographers brought a unique artistic vision and point of view to their mission of documenting the Green Carts, which operate in designated neighborhoods in each of the five boroughs. They photographed the carts themselves, the lives of the vendors, interactions with customers, and the commercial landscapes of the surrounding communities.

A special thanks to the Laurie M. Tisch Illumination Fund for their partnership and support in making the Green Cart Photography Commission and this exhibition possible. Laurie M. Tisch commented, “The New York City Green Cart Initiative brings diverse partners together to help increase access to healthy fruits and vegetables across our city. Green Carts operate at the intersection of public health and urban culture. The Illumination Fund is delighted to help facilitate this inspiring showcase depicting the experience of NYC Green Cart vendors. The work of these emerging photographers celebrates an important NYC program as well as an iconic New York City street symbol.”

Susan Henshaw Jones, the Ronay Menschel Director of the Museum, stated: “We are so pleased to present the work of these artists, most of whom are working in the tradition of street photography and social documentary. The Museum of the City of New York has one of the most important repositories of photographs related to the social history of New York City. These five photographers follow in their footsteps. We are proud to present this exhibition, which helps focus attention on a vitally important civic issue.”

NYC Green Carts is an independently operated mobile fruit and vegetable stand program initiated by the Mayor’s Fund for New York City, the New York City Department of Health, and the Laurie M. Tisch Illumination Fund. The Museum of the City of New York, with substantial and important holdings in the field of New York City photographs—most notably, in this instance, the Jacob Riis archive—jumped at the opportunity to exhibit the photographs in Moveable Feast and will complement the contemporary photographs with images from their historic collection. Several photographs of pushcarts will be exhibited, including an 1895 image by Jacob Riis, entitled “A Vegetable Stand in Mulberry Street Bend with Myself (Jacob A. Riis) in the Picture.”

Exhibition on view through July 10
The Museum of the City of New York

1220 Fifth Avenue

Joel Meyerowitz at Aperture Gallery

Monday, September 28th, 2009

legacy-cover

Join master photographer Joel Meyerowitz for a talk on his work documenting the hidden pockets of nature that still exist within the urban environs of the city for the publication of Legacy: The Preservation of Wilderness in New York City Parks. This compelling body of work is the result of a unique commission Meyerowitz received from the New York City Department of Parks & Recreation to document, interpret, and celebrate the least developed areas within one of the city’s greatest legacies: the twenty-nine thousand acres of parks in the five boroughs. An exhibition of this series will be on view at the Museum of the City of New York, October 9, 2009 though March 7, 2010.

Legacy is now available through Aperture!

FREE

Joel Meyerowitz
Artist talk and book signing
Tuesday, September 29,  6:30 pm
Aperture Gallery

547 W 27th Street
New York
(212) 505-5555

See other events here, including Meyerowitz in conversation with author Philip Lopate at Barnes & Noble.

View limited-edition boxed set.

View limited-edition portfolio.

The Dutch Seen: New York Rediscovered

Wednesday, June 10th, 2009

Napkin, 2009 © Hendrik Kerstens

The Museum of the City of New York and Foam_Fotografiemuseum Amsterdam present Dutch Seen: New York Rediscovered. This exhibition is guest curated by Kathy Ryan, Photo Editor of The New York Times Magazine, and commemorates the 400th anniversary of the Dutch arrival in Manhattan. The show features works from contemporary Dutch photographers aimed at constructing a portrait of what New York City is today. The exhibition includes portraiture, landscapes, still lifes, conceptual photographs, and documentary photography in a display of modern work, firmly rooted within the Dutch tradition. Participating artists include: Morad Bouchakour, Misha de Ridder, Wijnanda Deroo, Rineke Dijkstra, Charlotte Dumas, Hendrik Kerstens, Arno Nollen, Erwin Olaf, Jaap Scheeren, Danielle van Ark, Inez van Lamsweerde and Vinoodh Matadin, and Hellen van Meene.

Click here for information on tickets for the opening reception and symposium on Wednesday, June 10 at 5:00 pm.

The Dutch Seen: New York Rediscovered
Wednesday, June 10—Tuesday, September 15, 2009
Museum of the City of New York

1220 Fifth Avenue at 103rd Street, New York
(212) 534-1672