Aperture aggregates the best posts from this past week in the photography blogosphere.

• “MediaStorm broke new ground in digital publishing on Tuesday,” writes Jonathan D. Woods for Time‘s Lightbox, “with the launch of a pay-per-story video player, one of the industry’s most exciting attempts to capitalize on the strength of multimedia productions.” The company’s founder Brian Storm explains the decision to start charging viewers $1.99 for their latest premium multimedia content.  Maggie Steber, whose piece “Rite of Passage,” is one of the first offered under this arrangement, responds to early critics of the new publishing model.
• Kathy Ryan, for The New York Times‘ 6th Floor blog, covers the Alex Webb interview with Geoff Dyer at last weekend’s Look3 Festival, offers some choice quotes and a selection of images that appeared in the photographer’s retrospective monograph The Suffering of Light (Aperture 2011). PhotoShelter Blog offers a more extensive “Look3 Festival Round-Up,” in journal format with images of some of the exhibition spaces.
• Joerg Colberg publishes a piece on Conscientious called “Photography After Photography (A Provocation)” which addresses the question, “Now that we’ve done all that stuff that you can see in history-of-photography books, now that we’ve become obsessed with re-creating that past over and over again – how can we turn around, to look at and move into the future?” It garnered a bit of attention and a response from Fototazo titled “What Is Progress in Photography Today?“
• PetaPixel posts this video of a talk that Lytro founder Ren Ng gave at TEDxSanJoseCA last month on the future of photography, exploring how his company’s revolutionary camera which allows users to “shoot now, focus later,” will change the art form.  They also shared a nice info-graphic this week, “A Shapshot of the Photography Industry” which illustrates just how rapidly technology has revolutionized the field. In 2000, 99% of photography was analog. Today, that number is more like 1%.
• LIFE publishes “Father’s Day Special: Life with Famous Dads,” featuring a slideshow of images from their archive, NYTimes’ LENS Blog takes a look at work by Zun Lee, “Exploring African American Fatherhood,” and NPR’s The Picture Show profiles the highly compelling photographs by Timothy Archibald–”Frustrated By Autism, A Father Turns To Photos“–which explore not his son’s diagnosis, but their ensuing relationship.

Aperture aggregates the best posts from this past week in the photography blogosphere.

• Find May Day photos from around the world at Boston’s The Big Picture Show, New York Times‘ LensBlog, and LA Times‘ Framework. Time‘s LightBox also offers “Resources for Photographers Covering Protests,” a bit of a distillation of what the ACLU has up on their website. In addition this week, the National Press Photographers Association and other press groups “call on Justice Department to protect right to record,” pointing out that more than 70 people have been arrested documenting Occupy protests since last September.
• The New Yorker‘s PhotoBooth shares brilliant photos from the eight night performance run of electronic music and Krautrock pioneers Kraftwerk at MoMA last week– those shows that sold out in a blink of an eye, crashing ticket servers. The featured photos were taken not by concert photographers, but audience members with their cell phones who shared on Instagram, Facebook and Flickr, including one by their pop music critic Sasha Frere-Jones, who wrote for the magazine this week on the band’s legacy.
• Daidō Moriyama, who is interviewed by Ivan Vartanian in Aperture issue 203, was awarded the Lifetime Achievement award during ICP’s Infinity Award 2012 ceremony this past Wednesday, La Lettre De La Photographie reports, posting a gallery of his images. Be sure to check out the Daidō Moriyama pop-up library, on display at the ICP Library until May 23, 2012, and watch videos from Moriyama’s 2011 PRINTING SHOW–TKY at Aperture, a recreation of his 1974 ad hoc photobook-making performance of the same title. Moriyama also has his first solo museum exhibition, Fracture: Daido Moriyama, on view at LACMA through July 31, 2012, LA Times‘ Framework reports.
• Ben Lowy, the “Hipstamatic Journalist,” an ardent defender of cell phone photography according to a New York Times profile and Q&A on LensBlog, also won an Infinity Award this week for his work in photojournalism. Soon, the Times reports, Hipstamatic will release a Ben Lowy Lens filter. This week, software developer jag.gr also released the 645 Pro camera app for the iPhone, Rob Galbraith reports, which appeals to advanced photographers and can capture TIFF images, features real-time shutter speed and aperture readouts, a live histogram, a choice of spot or multi-zone metering, as well as focus, exposure, and white balance lock. PhotoShelter Blog shares a lengthy post on “Why Instagram is Terrible for Photographers, and Why You Should Use It,” while APhotoEditor explores some of the many licensing issues with the social media sites through which these images are shared.
• Read about the long strange saga of student photojournalist Andy Duann’s ‘bear falling out of a tree‘ photo which was went viral last week according to Poytner, eventually being picked up by the Associated Press (we first noticed it on WSJ‘s Photo Journal).  Duann had been considering legal action against his school, the University of Colorado, for distributing the photo without compensating him, until they acknowledged that he retained the copyright and announced they would no longer demand copyright from their students in the future.
• MediaStorm share two videos this week that live up to their column titled, “Worth Watching.” First, watch Ian Ruhter’s SILVER & LIGHT clip about his–literally–truck-sized traveling camera. Then watch Jeff Harris’ sometimes-heart-wrenching video on his project collecting 4,748 daily self-portraits–and counting. MediaStorm also draws our attention to Aday, “a unique photographic event,” scheduled for May 15, 2012, in which countless people from all different backgrounds use any camera they can get access to and submit photos to create a massive historical document–”A Day in the World,” which will be published as a book in October 2012. Sign up today.
• Andy Adam’s Flak Photo is teaming up with Tom Griggs’ fototazo next week to host an online community conversation focused on essays from Gerry Badger’s recently published The Pleasures of Good Photographs (Aperture 2010). We’re looking forward to Monday, May 7, 2012, which is when the discussion kicks off with the essay, “Literate, Authoritative, Transcendent: Walker Evans’s American Photographs.”

Photo by Robert Capa

This week at NYU, the International Center of Photography and the Abraham Lincoln Brigade Archives will present a two-day symposium Committed Journalism, focusing on Robert Capa, Gerda Taro and Chim (David Seymour)’s photo reportage of the Spanish Civil War as well as photojournalism in a broader geographical and historical context.

The conference will kick off with panel discussion Photojournalism: Current Commitments with Pulitzer Prize winning photojournalist Todd Heisler, New York Times Deputy Picture editor Meaghan Looram, Wall Street Journal Photo Editor Julien Jourdes, Photojournalist Julie Platner, MediaStorm founder Brian Storm, Photojournalist Walter Astrada and panel moderator Fred Ritchin of NYU. The Second day of the conference will feature respective panel’s The Mexican Suitcase and The Contents of the Suitcase featuring Curator of ICP exhibit The Mexican Suitcase Cynthia Young, ICP Chief Curator Brian Wallis, NYU’s Arthur L. Carter Journalism Institute’s Susie Linfield, ICP Associate curator Kristen Lubben, curator and scholar Carole Naggar, Oberlin College proffessor Sebastiaan Faber and panel moderators Jo Labanyi and Juan Salas of NYU. The conference will close on the second day with panel Photojournalism for Humanitarian Works featuring Doctor’s Without Border’s Jason Cone, Photojournalist Ashley Gilbertson, Human Rights Watch’s Emma Daly, and photojournalist Moises Saman.

Click here for more information about the Committed Photojournalism Symposium

Comitted Photojournalism
Day one: 6:00pm – 8:30pm December 2nd
Day two: 2:00pm – 8:30pm December 3rd, 2010

NYU
The King Juan Carlos I of Spain Center, NYU
53 Washington Square South, Suite 201
New York, New York

During the 1994 genocide, hundreds of thousands of Rwandan women were subjected to massive sexual violence by members of the infamous Hutu militia groups, known as the Interhamwe. Among the most isolated survivors are women who have borne children as a result of those rapes. The number of children born from these atrocities is estimated around 20,000. Due to the stigma of rape and “having a child of the militia,” the women’s communities and few surviving relatives have largely shunned them. Intended Consequences: Rwandan Children Born of Rape brings together Jonathan Torgovnik’s remarkable portraits of these women and children, and their harrowing first-hand testimonies.

The exhibition on view at Aperture Gallery is comprised of thirty-one stunning individual portraits of these women with their children, accompanied by their testimonies—intensely personal accounts of what they have gone through, the daily challenges they continue to face, and their conflicted feelings about raising a child who is a reminder of horrors endured. The testimonies are presented in text panels and multimedia interviews projected in the center of the installation, produced by MediaStorm. The exhibition also features a video interview with Torgovnik.

Come see this powerful exhibition on view starting tomorrow, Friday, February 20, at Aperture Gallery.

Click here to view a special multimedia feature from Intended Consequences.

Aperture’s accompanying book, Intended Consequences will be published worldwide on April 7, 2009, coinciding with the fifteenth anniversary of the genocide and the opening of a satellite exhibition in the lobby of the United Nations.

Opening reception:
Thursday, March 5, 2009, 6:00–8:00 pm

Exhibition on view:
Friday, February 20–Thursday, May 7, 2009

Panel Discussion with the Artist: Wednesday, April 29, 6:30 p.m.

Aperture Gallery
547 West 27th Street, 4th floor
(between 10th and 11th Avenues)
New York, NY
(212) 505-5555

Subway: C, E to 23rd Street and 8th Avenue or 1 to 28th Street and 7th Avenue

FREE

This book and exhibition were done in collaboration with the Open Society Institute, Amnesty International, and Foundation Rwanda.