Aperture aggregates the best posts from this past week in the photography blogosphere.
- “It is almost impossible for me to shoot a photo where someone is NOT taking a picture or posing for one,” writes Martin Parr on his blog in a post titled, “Too Much Photography.” Prime examples of this can be found in his series Tourism Inc. which is being published by Reporters Without Borders for the 20th anniversary of their “100 Photos for Press Freedom” collection, accompanied by an exhibition at Galerie Photo Fnac Forum des Halles in Paris, La Lettre de la Photographie reports. His photographs of Atlanta for the High Museum’s “Picturing the South” series are also featured in the upcoming summer issue of Aperture 207.
- In further commentary on CNN’s controversial edit of Stacy Kranitz’ series on Appalachia, Joerg Colberg writes, “If we wanted to know what a place looked like we would need an infinity of photographs, taken from all possible angles excluding nothing, seeing everything at the same time,” a notion he thinks antithetical to the practice of photography, but increasingly possible, not only as Parr points out through the proliferations of cameras, but with the help of the Google Street View car, profiled by the Times here. Check out art made with photos pulled from the Street View service by Aaron Hobson, Jon Rafman, and Michael Wolf of the monograph Transparent City (Aperture 2008). And stay tuned for the upcoming re-issue and expanded edition of A New American Picture by Doug Rickard coming from Aperture in fall 2012.
- Perpetual shooting brings us to the post on APhotoEditor asking, “Is It Time To Eliminate Stills From Your Shoot?” due to the ease and success with which quality still images may be pulled from video footage as a result of the recent proliferation of HDSLR cameras on the market. Now with no need to pick the decisive moment, soon no need to pick where to focus, who’ll need photographers? Have a look through SFMOMA’s page “Is Photography Over?” and read about the dialectical relationship of aesthetics and distribution/media on Fotomuseum Winterthur’s blog Still Searching.
- On a different note, watch this great video from Feature Shoot, “Inside the World’s Only Tintype Photography Studio,” a photo gallery and walk-in commercial tintype portrait studio. Owner/photographer Michael Shindler says, ”I think what people seem to be looking for now is a kind of photography where the process itself is going to impart its own flavor to the finished image, a little bit of uncertainty.”
- American Suburb X shares Kelly Dennis’ 2005 essay, “Landscape and the West – Irony and Critique in New Topographic Photography,” which explores the work of Robert Adams, Lewis Baltz, Joe Deal, Art Sinsabaugh and more. After reading, check out new-New Topographic photography in Camps & Cabins at G. Gibson Gallery in Seattle, the third solo show by Eirik Johnson, author of the monograph Sawdust Mountain (Aperture 2009), on view through May 26, 2012.
- LENS blog profiles the opening of “Gordon Parks: 100 Years” at the International Center of Photography, celebrating the centennial of the legendary photographer’s birth with an exhibition of his work presented not inside the center, but in their windows, on view to the street. Parks was featured in an essay by David Campany on “Precedented Photography” in Aperture issue 206. His writing also appears in the requisite volume, Photography Speaks: 150 Photographers on Their Art.
- Fototazo posts Part II of their three-part interview with Oregon-based photographer Blake Andrews of the popular blog B. During this exchange, they invite him to create a competition for photographers to rank and sequence famous photographs, and predict the most popular sequence. The results of the contest will be published on Fototazo and Andrews’ blog. Part III of the interview will be published on Fototazo May 24, 2012.