Aperture aggregates the best posts from this past week in the photography blogosphere.

• The New Yorker‘s Photobooth, APhotoEditor and many others track Magnum’s latest expedition, “House of Photos,” an archival collaboration by photographers Martin Parr, Alex Webb, Larry Towell, Bruce Gilden, Jim Goldberg, Alec Soth and five others, similar to their recent “Postcards From America” series.  Eleven Magnum photographers have been exploring Rochester, NY, the birthplace of Kodak on the eve of the company’s demise, each in their own particular style, posting regular updates to Tumblr, Twitter, and Facebook. Find more background on the project in a Q&A with Martin Parr.
• Photo District News reminds us all about worldwide Pinhole Photography Day, which falls on this Sunday, April 29, 2012, and shares a selection of seven pinhole camera-made images, encouraging readers to submit their own. Grab an empty oatmeal can and learn how to make your own pinhole camera from Kodak.
• This week, PhotoShelter Blog compiles a list of “The 40+ Items Every Photography Assistant Needs Now,” including some not so obvious ones like Tums, a blow drier, and Tylenol. The article is just one small part of their new 44-page downloadable Photo Assistant’s Handbook which covers among other things, “12 Problems that Photo Assistants are Expected to Solve.”
• The Washington Post‘s Paul Farhi investigates the sudden disappearance of Vogue’s highly controversial profile of Syria’s first lady from the Conde Naste publication’s website; a profile accompanied by images shot by war photographer James Nachtwey.
• On Tuesday, the NYC Department of Records announced the official debut of a public online archive containing an astounding 870,000 photographs of New York City. Unfortunately, “due to overwhelming demand,” and server maintenance, we didn’t get to see the images just yet, but Associated Press did. The Atlantic‘s Alan Taylor did too, and culled through the archive posting 53 of their favorites. While they work out the kinks in their system, you can still check out the work of Eugene de Salignac in New York Rises (2007), a copublication with the Municipal Archives (now part of the Department of Records). This book offers a peek into one small part of the City’s amazing archive — a selection of images de Salignac shot while working for NYC’s Department of Bridges/Plant and Structures from 1906 – 1934.
• Time‘s LightBox announce the 2012 Overseas Press Club Award winners André Liohn, David Guttenfelder, and Pete Muller with a slideshow of 50 images, and a profile for each. They also post an exclusive on the Kraszna-Krausz Photography Book Awards winner, Carleton Watkins: The Complete Mammoth Photographs by Weston Naef and Christine Hult-Lewis, from Getty Publications.
• Fototazo opens up an extensive two-day conversation on “The Increasing Consideration of Documentary Photography and Photojournalism as Fine Art Photography.” An image from Richard Mosse’s Infra was among the many used to illustrate.  The monograph (Aperture 2011/12) was also included in The New York Times‘ round-up of “Vivid Guides to Unfamiliar Landscapes” and was nominated by Rob Hornstra as one of the best books of this past year at the International Photobook Festival.

San Francisco, California, 2000 © Jim Goldberg (cover Aperture magazine issue 187)

Congratulations to Jim Goldberg for winning the prestigious Deutsche Börse Photography Prize! Goldberg was nominated for his exhibition Open See at the Photographers’ Gallery, London this past year.

Goldberg’s work was featured on the cover of Aperture magazine issue 187 as part of an article on Sixty Years of Magnum, by Gerry Badger.

A sheet from Photographic Memory and one from Alex Webb’s The Suffering of Light on press in Hong Kong.

Photo by Alex Webb

A test of the cover for Photographic Memory before the images have been applied.

With our spring titles starting to print, it is a busy time for Aperture. Both Photographic Memory, which explores the role of the photo album in the history of photography, and Alex Webb’s newest monograph, The Suffering of Light, a survey of thirty years of his career, are on press together at the same printer. Alex and his wife, Rebecca Norris Webb, sent me a snapshot from Hong Kong of two press sheets, one from each book, stacked together at the plant. Read about their experience on press with Alex’s book.

Though printing marks the start of the book’s life in the world, it is often a bittersweet moment for me, as an editor, because it signals the end of the bookmaking process, which is the most fun and rewarding part of my job. I like to think that when a book has been a pleasure to create, this shows in the final product. At least I hope this is the case for Photographic Memory, which I’ve been working on for two years in collaboration with the Library of Congress and author Verna Curtis, a curator of photography there. It’s been an amazing experience. I’ve had the opportunity to spend time with handmade albums by some of photography’s most important figures—like F. Holland Day, Edward Sherriff Curtis, and Walker Evans—and to gain new insight through Verna’s expertise. So, in turn, will those who read the book! A few of my favorites include an album by Leni Riefenstahl of the 1936 Olympics that culminates in a spectacular diving sequence; an album that Jim Goldberg made in a registry book from the rundown California hotel where he shot portraits of the inhabitants; an extraordinary family album by Danny Lyon; and an album containing beautiful, almost haunting mug-shots from a Philippine Prison in 1916.

I was thrilled to receive a test of the cover in the office, struck by how handsome it looked even without the tip-on photos in place and also by how different it became as a real thing, as opposed to the printouts and PDFs I had grown accustomed to poring over. Watching the book make this transition from files to object is magical, not unlike photography itself.
—Denise Wolff

Mug-shots from the 1916 Bureau of Prisons Album

Alex Webb was featured in Aperture Magazine 181 and Aperture Foundation published his book Istanbul: City of a Hundred Names.

Click here to purchase Aperture Magazine 181

Click here to purchase Alex Webb’s Istanbul: City of a Hundred Names

Coinciding with Aperture’s Spring 2009 title Access to Life copublished by Magnum Photos, The Stenersen Museum in Oslo presents an exhibition of works from eight Magnum photographers Jonas Bendiksen, Jim Goldberg, Alex Majoli, Steve McCurry, Paolo Pellegrin, Gilles Peress, Eli Reed, and Larry Towell. The work presents people in nine countries around the world before and four months after they began antiretroviral treatment for AIDS. The emotionally charged presentation of their faces, voices, and stories is illustrative of millions of people who would have died without access to free antiretroviral drugs.

Click here to view Access to Life via Magnum in Motion.

Click here to purchase your copy of Access to Life.

Access to Life
Saturday, June 20—Sunday, August 9, 2009
The Stenersen Museum
Munkedamsveien 15
N-0116 Oslo, Norway
+47 23 49 36 00

With over 60 exhibitions set among beautiful 12th-century churches and former industrial buildings, the 40th Rencontres d’Arles is not to be missed. The carefully prepared exhibitions are mostly produced by the Rencontres team, along with artists and curators, and often travel on to other parts of the world.

Returning to Arles after over twenty years, Nan Goldin is presented in 40 Years of Ruptures, and has invited 12 photographers to participate in the exhibition Ça me touche, Nan Goldin’s Guests: David Armstrong, Marina Berio, Jean-Christian Bourcart, Antoine D’Agata, JH Engström, Jim Goldberg, Christine Fenzl, Leigh Ledare, Boris Mikhailov, Anders Petersen, Jack Pierson, Lisa Ross and Annelies Strba on view at the Atelier de Mécanique.

Additionally, Goldin is presenting three personal exhibitions: The Ballad of Sexual Dependency, a visual diary of her life in New York; Sisters, Saints and Sibyls, a tribute to her sister and to those rebel women fighting for survival in society; and her own collection of photographs. On Saturday, July 11, Nan Goldin will be honored with a Discovery and Book Award ceremony for her influential work in contemporary photography. Aperture originally published Goldin’s masterwork The Ballad of Sexual Dependency in 1986.

Les Rencontres d’Arles 2009

40 Years of Rencontres/40 Years of Ruptures
Rencontres Internationales de la Photographie
Tuesday, July 7—Sunday, September 13, 2009
10 rond-point des Arénes
13632 Arles, France
Phone: +33 (0)4 . 90967606

Nan Goldin: The Ballad of Sexual Dependency+ Tiger Lillies
Saturday, July 11, 2009  10:15 pm
Théâtre Antique

Nan Goldin, The Ballad of Sexual Dependency: Atelier de Mécanique

© Gilles Peress/Magnum Photos

For the past 25 years, the AIDS pandemic has inflicted excruciating pain upon humanity, having ravaged the lives of millions of people around the world. Over the past few years, however, a quiet global revolution has enabled millions infected by HIV to live healthy lives through the free antiretroviral treatment program initiated by the Global Fund to Fight AIDS, Tuberculosis and Malaria.

In Access to Life, eight of the world’s leading photojournalists, all members of Magnum Photos, follow thirty individuals in nine countries before, and four months after, they began the antiretroviral treatment, documenting the transformative effect on their bodies, their lives, and the lives of their families. This dream team of photographers was assigned to the following countries: Jonas Bendiksen (Haiti), Jim Goldberg (India), Alex Majoli (Russia), Steve McCurry (Vietnam), Paolo Pellegrin (Mali), Gilles Peress (Rwanda), Eli Reed (Peru), and Larry Towell (South Africa and Swaziland). These powerful images reveal the patients’ complex struggle against the disease with great subtlety and hope.

Coinciding with the release of Access to Life (Aperture, Magnum Photos and the Global Fund to Fight AIDS, Tuberculosis and Malaria, April 2009), Aperture and The New School are pleased to present a compelling panel discussion with photojournalists Gilles Peress and Kristen Ashburn; Mark Lubell, the Bureau Chief for the Magnum Photos New York and former picture editor of Time magazine MaryAnne Golon; and moderator Fred Ritchin, Associate Chair of the Department of Photography and Imaging at New York University’s Tisch School of the Arts, and Director of PixelPress.

Following this panel discussion, Aperture will host a reception and book signing on Thursday, April 23 with Magnum photographers in attendance.

Access to Life: Photojournalism on AIDS
Panel Discussion
Wednesday, April 22, 7:00 pm

FREE

The New School
Tishman Auditorium
66 West 12th Street
New York, New York

Access to Life
Book Signing
Thursday, April 23, 7:00 pm

FREE

Aperture Gallery
547 West 27th Street
New York, New York
(212) 505-5555

A visitor to the Aperture and D.A.P. booth at photo la this past weekend. Featured limited-edition prints from Takashi Homma, Thomas Allen, and Martin and Muñoz can be seen on the wall.

Bruce Davidson in conversation with Charlotte Cotton on Saturday, January 10, 2009 as part of the LACMA Artist Conversation Series.

Jim Goldberg signing copies of War Is Only Half the Story: The Aftermath Project at the Aperture booth on Sunday, January 11, following his lecture.