Aperture aggregates the best posts from this past week in the photography blogosphere.
- “Imagine a place where a thousand of your best photo friends and heroes have taken over an artsy southern town,” says Andrew Owen, managing director of this weekend’s Look3 Festival in Charlottesville, VA, “and over three days you take in a dozen gallery exhibits, eat at outdoor cafes between talks by legendary photographers, see new work from photographers working all over the world, and return home exhausted and inspired.” That’s where we’ll be for the next few days, in part presenting a special exhibition, the Aperture at Sixty Library, which will showcase highlights from Aperture’s many years of publishing. La Lettre de La Photographie profiles exhibitions at the festival by Hank Willis Thomas, Alex Webb, Bruce Gilden, Stanley Greene, and many more. NYTimes‘ LENS blog takes a closer look at Thomas’ work, LA Times‘ Framework interviews Mitch Dobrowner, whose work is also featured at Look3, and Time‘s LightBox speaks with guest curators Vincent Musi and David Griffin.
- More in festival coverage, Flak Photo offers four free days of live streaming lectures and panel discussions from the Flash Forward Festival, emerging photographers from Canada, the US and the UK, in Boston, MA at Fairmont Battery Wharf, June 7 – 10, 2012, presented in part by the Magenta Foundation. Download the festival catalogue here, and check out the full calendar of events.
- Meanwhile in Europe, PhotoEspana has gotten underway. Of particular interest: Image Anxiety, curated by Chinese independent curator Huang Du, and of course, the annual Photobooks of the Year exhibition. In other international festival and fair news, the word is out that Paris Photo will launch a Los Angeles edition in April, 2013 at the Paramount Studios, as reported by the LA Times and the British Journal of Photography.
- NPR’s Claire O’Neill heads on a trip to the New York Times’ “Lively Morgue,” their basement newspaper archive which contains five-to-six million photographic prints and contact sheets, overseen by Jeff Roth, mined and disseminated on the Times’ brilliant Tumblr site by photo editor Darcy Eveleigh and others.
- “Sometimes it takes me two hours to get down a street, because there are so many things to photograph and people to meet,” writes Magnum photographer Jacob Aue Sobol in his latest entry from Beijing for Leica Camera Blog’s fascinating Arrivals and Departures series, unfolding live. Follow Sobol’s journey along the Trans Siberian Railway, “from the Russian forests to the Mongolian desert and finally through the mountains to Beijing,” shooting black-and-white every step–quite literally–along the way with the Leica’s new digital monochrome-only camera. Episode five, offers up a stunning gallery of images–dynamic, saturated street photos that remind us of work by Eikoh Hosoe from Barakei.
- Another historical archive of photographs has emerged in New York at the New York Public Library. A “visual encyclopedia” of 41,000 prints by Walker Evans, Dorothea Lange and others have recently been found, many digitized and now made available to the public on a special NYPL site. Originally compiled and organized in the 30s and 40s by Roy Stryker, founder of the Farm Securities Administration’s photography project, many of the prints were in a public lending library until the 50s. ”Incredibly,” writes James Estrin for NY Times’ LENS blog, “anyone with a library card could check out an original print of a Dorothea Lange image and put it on their wall for a while. It’s easy to imagine that some were never returned.”
- Find images of the once-in-a-lifetime Venus in Transit event which happens every 105 years or so, from LA Times‘ Framework, Boston‘s Big Picture, WSJ‘s Photo Journal, Conscientious, and The Atlantic‘s In Focus. Marvin Heiferman, author of the new book Photography Changes Everything (Aperture 2012), shared this great link on his twitter feed, “a history of photographers who’ve already tracked the Transit of Venus.”