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apertureWEEK: Online Photography Reading Shortlist

Friday, June 22nd, 2012

Aperture aggregates the best posts from this past week in the photography blogosphere.

  • Forty years after AP photographer Nick Ut took the iconic ‘napalm girl‘ photograph in Vietnam, photographer David Burnett writing for the Washington Post reflects on an exposure that could have been his. He was standing mere feet away from the scene, surrounded by journalists, re-loading film into his Leica when he missed what became a most emblematic moment. The entry seems like it might have been a good fit for Will Steacy’s collection Photographs Not Taken, which features similar essays from photographers on moments that never became their pictures.
  • “Radical change in the photography industry during the past five years has ignited an explosion of photo collectives,” writes James Estrin for the New York Times’ LENS Blog. He explores this recent trend after witnessing an impressive presentation by the newly formed Grain collective at the Look3 Festival in  Charlottesville, VA last month. The post offers a good bit of context for this May, 2012 Wired piece: “7 Budding Photo Collectives You Need To Know.”
  • New Yorker’s PhotoBooth profiles Underage, an exhibition of work from six emerging photographers in their late teens and early twenties on view at Photoville, an exciting, week-and-a-half-long photography happening which kicks off in Brooklyn this Friday, June 22,  and features 60,000 square feet of exhibitions, hands-on workshops, nighttime projections, a “photo dog run,” and a “camera garden.” Find daily programming here.
  • Time‘s LightBox goes “Behind the Cover: Capturing the American Dream,” exploring the process of the photo shoot for the birds-eye-view cover image by Jeff Minton that illustrates Jon Meacham’s article, “The History of the American Dream,” for this week’s magazine. They also profile Mike Sinclair, whose photographs accompany the same article inside the magazine. His current exhibition, Public Assembly, is on view at Jen Bekman Projects in New York City until June 23, 2012.
  • A few things on street photography this week. Blogger and photographer Blake Andrews, who is interviewed by LPV Magazine here, reviews Cedar Pasori’s recently published “50 Greatest Street Photographers Right Now,” with an extensive selection of images. PetaPixel posts the highly informative video by Portland-based photographer Jimmy Hickey, “How to Photograph Complete Strangers” and the free 31-day “program” and e-book by street photographer Eric Kim, “Overcoming Your Fear of Street Photography in 31 Days.” This fall, we’re very excited to be publishing a monograph by Doug Rickard, “A New American Picture,” which offers a radical rethinking of street photography–photographs re-taken in Google’s Street View.
  • Fototazo does another Book Discussion Group Recap on Gerry Badger’s collection of essays, The Pleasure of Good Photographs, this time focusing on “Without Author or Art: The Quiet Photograph,” exploring the restrained work of Stephen Shore, among others.
  • The Fotojatka festival that traveled to cinemas around the Czech Republic last week screening audiovisual photography slideshows is now offering them free on their website featuring work by Kristoffer Axén, Nikos Economopoulos, Erwin Olaf, and Reiner Riedler.

apertureWEEK: Online Photography Reading Shortlist

Friday, June 8th, 2012

Aperture aggregates the best posts from this past week in the photography blogosphere.

  • “Imagine a place where a thousand of your best photo friends and heroes have taken over an artsy southern town,” says Andrew Owen, managing director of this weekend’s Look3 Festival in Charlottesville, VA, “and over three days you take in a dozen gallery exhibits, eat at outdoor cafes between talks by legendary photographers, see new work from photographers working all over the world, and return home exhausted and inspired.” That’s where we’ll be for the next few days, in part presenting a special exhibition, the Aperture at Sixty Library, which will showcase highlights from Aperture’s many years of publishing. La Lettre de La Photographie profiles exhibitions at the festival by Hank Willis Thomas, Alex Webb, Bruce Gilden, Stanley Greene, and many more. NYTimes‘ LENS blog takes a closer look at Thomas’ work, LA Times‘ Framework interviews Mitch Dobrowner, whose work is also featured at Look3, and Time‘s LightBox speaks with guest curators Vincent Musi and David Griffin.
  • More in festival coverage, Flak Photo offers four free days of live streaming lectures and panel discussions from the Flash Forward Festival, emerging photographers from Canada, the US and the UK, in Boston, MA at Fairmont Battery Wharf, June 7 – 10, 2012, presented in part by the Magenta Foundation. Download the festival catalogue here, and check out the full calendar of events.
  • Meanwhile in Europe, PhotoEspana has gotten underway. Of particular interest: Image Anxiety, curated by Chinese independent curator Huang Du, and of course, the annual Photobooks of the Year exhibition. In other international festival and fair news, the word is out that Paris Photo will launch a Los Angeles edition in April, 2013 at the Paramount Studios, as reported by the LA Times and the British Journal of Photography.
  • NPR’s Claire O’Neill heads on a trip to the New York Times’ “Lively Morgue,” their basement newspaper archive which contains five-to-six million photographic prints and contact sheets, overseen by Jeff Roth, mined and disseminated on the Times’ brilliant Tumblr site by photo editor Darcy Eveleigh and others.
  • “Sometimes it takes me two hours to get down a street, because there are so many things to photograph and people to meet,” writes Magnum photographer Jacob Aue Sobol in his latest entry from Beijing for Leica Camera Blog’s fascinating Arrivals and Departures series, unfolding live. Follow Sobol’s journey along the Trans Siberian Railway, “from the Russian forests to the Mongolian desert and finally through the mountains to Beijing,” shooting black-and-white every step–quite literally–along the way with the Leica’s new digital monochrome-only camera. Episode five, offers up a stunning gallery of images–dynamic, saturated street photos that remind us of work by Eikoh Hosoe from Barakei.
  • Another historical archive of photographs has emerged in New York at the New York Public Library. A “visual encyclopedia” of 41,000 prints by Walker Evans, Dorothea Lange and others have recently been found, many digitized and now made available to the public on a special NYPL site. Originally compiled and organized  in the 30s and 40s by Roy Stryker, founder of the Farm Securities Administration’s photography project, many of the prints were in a public lending library until the 50s. ”Incredibly,” writes James Estrin for NY Times’ LENS blog, “anyone with a library card could check out an original print of a Dorothea Lange image and put it on their wall for a while. It’s easy to imagine that some were never returned.”
  • Find images of the once-in-a-lifetime Venus in Transit event which happens every 105 years or so, from LA TimesFramework, Boston‘s Big Picture, WSJ‘s Photo Journal, Conscientious, and The Atlantic‘s In Focus. Marvin Heiferman, author of the new book Photography Changes Everything (Aperture 2012), shared this great link on his twitter feed, “a history of photographers who’ve already tracked the Transit of Venus.”

HumanKind, A Photo Contest

Friday, November 26th, 2010

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HumanKind, a juried invitational photo exhibition presented by the New York Photo Festival in partnership with Leo Burnett, is looking for images that speak to the human experience in a social, cultural and personal context. The jury includes James Estrin, Co-Editor, New York Times Lens Blog; Alisa Wolfson, Design Director, Leo Burnett, Chicago; Marc Prüst, Photography Consultant; Alfredo Cramerotti, Associate Curator, Format International Photo Festival & Editor, Critical Photography book series; Dr. Christos Lynteris, Social Anthropology Department, University of St. Andrews, UK; and Sam Barzilay, Festival Director, New York Photo Festival.

120 images will be selected and exhibited at The powerHouse Arena in Dumbo Brooklyn, which opens on December 17, 2010 and will run until January 20, 2011.

The top three prizes will win:

  • An exclusive portfolio review session with an award-winning Creative Director of Leo Burnett
  • A one-on-one critique session with Daniel Power, Founder & CEO of powerHouse Books, and Chairman of the New York Photo Festival
  • Free Participation to the 7th Annual powerHouse Portfolio Review

Hurry! The submission deadline is approaching: Sunday, November 28, 2010 @ midnight (PST)

HumanKind
December 17, 2010-Janary 20, 2011

The powerHouse Arena
37 Main Street
Brooklyn, NY 11201
(718) 666-3049

Click here for more information about HumanKind.