Boxer’s Hands, 1933 © Willard Van Dyke
Exhibition on view:
June 16–September 30, 2012
Monterey Museum of Art
559 Pacific Street
Group f/64 was a pioneer photography crew of seven residing in northern California. They abandoned the soft-focus, pictorial style of photography popularized in the early twentieth century and instead promoted “straight” photography, communicating by means of realism, high contrast, and extreme detail. Monterey Museum of Art presents In Sharp Focus: The Legacy of Monterey Photography, which examines Group f/64 and their successors. Legendary artists Ansel Adams, Imogen Cunningham, Alma Lavenson, Willard Van Dyke, and Edward Weston are included in the exhibition. These photographers transformed American photography by relinquishing interpretive manipulation by progressing towards pure, sharp images with a maximum depth of field. Joining these legendary artists will be works by: Henry Gilpin, Rod Dresser, John Sexton, and Michael Kenna.
One of the founding members of Aperture and Group f/64 Ansel Adams is featured in Aperture issues 169 and 168. Cunningham’s work can be seen in the Aperture published, The Unseen Eye: Photographs from the Unconscious. Weston is featured in Aperture issues 188 and 140, appears in Aperture published The Edge of Vision as well as Edward Weston: Nudes.