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Posts Tagged ‘Edward Steichen’

apertureWEEK: Online Photography Reading Shortlist

Monday, April 2nd, 2012

Aperture aggregates the best posts from this past week in the photography blogosphere.

  • Time magazine’s Lightbox features Manish Swarup’s photograph of a Tibetan exile self-immolating during a demonstration in New Delhi in their Pictures of the Week, reminding of Malcolm Brown’s iconic image of a Buddhist monk who set himself aflame in protest in 1963, and the photojournalistic ethical issues that go with it.
  • Conscientious explores the challenges of still portraiture and points to a new study published by the British Psychology Society which finds that “the same people are rated as more attractive in videos than in static images taken from those videos.”
  • NPR’s The Picture Show features “A Lifetime of Photos in a Little Email Retrospective,” images by “somewhat hermetic” Dennis Darling who relishes “staying under most radar” and rarely publishes or exhibits his work for other than those on his small email chain.
  • The New Yorker‘s Photobooth commemorates Edward Steichen’s would-be 130th birthday with a slideshow of the seminal photographer’s images published in their magazine across the years.  Several limited edition prints from his early work are available at Aperture.
  • “Taking a photograph is a response… it’s a pre-rational response, it’s an intuitive emotional response, it’s spontaneous, it’s immediate,” says Alex Webb of The Suffering of Light in Part 4 of 6 of the Q&A  session with Alex Webb and Rebecca Norris Webb by David Chickey of Radius Books at The National Museum Of Singapore on March 9, 2012, now all posted on Invisible Photographer Asia.
  • APhotoEditor suggests, “Perhaps Most Photographers Don’t Understand the Value of Usage,” posting a reader-submitted story in which an “ex-student lied about having [her] permission and gave the image to the college, which then used the image on a billboard advertisement that wraps around a 20 story building on a very busy road in the city.” How was this resolved and did she get paid?
  • Ansel AdamsHenri Cartier BressonRobert FrankStephen ShoreNan GoldinWilliam EgglestonAlec SothDiane Arbus are all photographers you should… IGNORE? That’s according to Bryan Formhals’ brash OpEd piece on LPV Magazine “10 Oeuvres Aspiring Photographers Should Ignore.”  Wired and the Click got a kick out of the post, which was inspired by “The 10 Most Harmful Novels for Aspiring Writers.” We think self-willed ignorance is more harmful than knowing one’s precedents and counter with this oldie but goodie: those who do not remember the past are condemned to repeat it.

Fall Exhibitions in New York

Wednesday, September 28th, 2011


Basil Jones (2011) © Gary Schneider

This Fall, many works by Aperture-featured photographers are being exhibited in New York City. Here is our run-down of this season’s must-see shows.

Gary Schneider: HandPrints, Johhanesburg at David Krut Projects. Made by hands’ sweat and heat interacting with film emulsion, these unusual portraits of friends and family will be on view September 8 – October 22, 2011.

Hellen van Meene at Yancey Richardson Gallery, September 8 – October 22, 2011, will exhibit the photographer’s distinct style of portraiture.

Vik Muniz at Sikkema Jenkins & Co., September 9 – October 15, 2011, focusing on paintings by the Brazilian artist.

Edward Steichen: The Last Printing at Danziger Projects, September 15 – October 29, 2011. Photographs made by George Tice, renowned photographer and Steichen’s last printer.

Social Media at Pace/MacGill, from September 16 – October 15, 2011, featuring work by Penelope Umbrico & others. Detailing the rise of social media in our visual culture, it includes Umbrico’s work Sunset Portraits From 9,623,557 Sunset Pictures which was meticulously culled from the photo-sharing website Flickr.

Simon Norfolk: Burke + Norfolk at Bonni Benrubi Gallery, September 14 – December 3, 2011, features a visual dialogue between nineteenth-century British photographer John Burke and contemporary photographer Simon Norfolk, centered in Afghanistan.

The Radical Camera: New York’s Photo League, 1936 – 1951 at The Jewish Museum from November 4 – March 25, 2011. Featuring work by Lisette Modell, Aaron Siskind, Weegee & many other photography legends.

There are also many gallery openings that are showing artists featured in our 2011 Benefit, Auction & SNAP! Party:

Sara Greenberger Rafferty at Rachel Uffner Gallery, September 7 – October 23, 2011.

Charlotte Dumas: Retrieved at Julie Saul Gallery, September 8 – October 15, 2011.

Click here to start bidding online for work by these artists and others!

Steichen at Williams College Museum of Arts

Tuesday, August 4th, 2009

Edward Steichen; Model wearing sandals. 1934 © 1934 Condé Nast PublicationsNow on view at the Willams College Museum of Art in Massachusetts is Edward Steichen: In High Fashion the Condé Nast Years, 1923–1937 and Edward Steichen: Episodes from a Life in Photography. In High Fashion highlights the legendary photographer’s career in the fashion and glamour industry, with much of his portrait and editorial work. Episodes from a Life in Photography provides a comprehensive look at his career through various technical and artistic approaches. Don’t miss your chance to see these rare works from one of photography’s most influential artists.

Click here to purchase Aperture’s limited-edition portfolio Edward Steichen: The Early Years.

Edward Steichen: High Fashion, the Condé Nast Years, 1923–1937
Saturday, May 30—Sunday, September 13, 2009

Edward Steichen: Episodes from a Life in Photography

Saturday, June 6—Sunday, November 8, 2009

Williams College Museum of Art
15 Lawrence Hall Drive, Ste 2
Williamstown, Massachusetts
(413) 597-2429

The Christopher Hyland Collection of Photography, By Way of These Eyes: The Sublime, Exotic and Familiar

Friday, June 12th, 2009

Nicki Stager

The work of some of the most important photographers of the twentieth century is currently on view in The Christopher Hyland Collection of Photography, By Way of These Eyes: The Sublime, Exotic and Familiar at the New Britain Museum of American Art in New Britain, CT  from June 6 through September 6, 2009. Tonight marks the opening reception to celebrate the show. Over the last decade, the museum has organized a distinguished series of exhibitions of contemporary photography and this show focuses on a collection of work of twentieth-century photographers amassed by the keen eye of Christopher Hyland. Hyland, founder of one of the world’s leading textile manufacturing firms and a collector since his youth, has put together a body of work informed by his exceptional eye and world travels. The well-known tastemaker and private art collector, based in Chelsea, is an avid supporter of his neighbor, Aperture Foundation. Included in the Christopher Hyland Collection, which features works by the  renowned  artists Herb Ritz,  Henri Cartier Bresson, Robert Maplethorpe, Vik Muniz , Sally Mann, Edward Weston, and Edward Steichen, are works purchased from the Aperture Limited-Edition Photographs program: highlights include Christine, 2003 by Richard Renaldi ; Eva Le Porge, Jock Sturges; Michael Wolf’s tc39 and tc88The Edge of Vision Portfolio featuring the work of Bill Armstrong, Richard Caldicott, Manuel Geerinck, Mikko Sinervo, and Nicki Stager; portfolios by Paul Strand and single works by Brett Weston, among others. Exciting programming is scheduled as an accompaniment to the exhibition, with lectures centered on many of the artists Aperture has published through the years: Diane Arbus, Edward Weston, Edward Steichen, Alfred Stieglitz. and Sally Mann.  Also of note is the August 13 Art Happy Hour, titled the “The F stops here,” feature Ellen Carey and Bill Armstrong, included in the just published The Edge of Vision: The Rise of Abstraction in Photography. The New Britain Museum of American Art is a great destination for the photography enthusiast this summer!

The Christopher Hyland Collection of Photography, By Way of These Eyes: The Sublime, Exotic and Familiar
Saturday, June 6—Sunday, September 6, 2009
Opening Reception: Friday, June 12, 2009 5:00—7:00 pm
New Britain Museum of American Art

56 Lexington Street
New Britain, CT
(860) 229-0257

Edward Steichen’s Fashion Photography

Tuesday, April 21st, 2009

steichenMargaret Horan, November 1, 1935, © Edward Steichen

Exhibition on View:
Edward Steichen: In High Fashion, The Condé Nast Years, 1923-1937
Friday, January 16–Sunday, May 3, 2009
The International Center of Photography
1133 Avenue of the Americas at 43rd Street
New York, New York
(212) 857-0000

If you are interested in fashion photography, don’t miss Edward Steichen: In High Fashion, The Condé Nast Years, 1923-1937 at the International Center of Photography.

This exhibition is the first to showcase the range of Steichen’s fashion work, and it features 175 vintage photographs mainly drawn from an extensive archive of original prints at Condé Nast, as well as a selection of prints from the George Eastman House Museum.

When Steichen, already an established Pictorialist photographer, accepted editorial positions at Vogue and Vanity Fair, his peers in the art community thought he was damaging the hard-fought respectability of their work. Nevertheless, Steichen’s inspired approach to fashion photography revolutionized the field by changing the soft-focus image of the fashionable woman from a distant romantic creature, to that of a much more direct and independent individual.

A selection of affordable limited-edtion prints from Steichen are available from Aperture Foundation.

Edward Steichen: In High Fashion at ICP

Thursday, February 12th, 2009

Edward Steichen Model Marion Morehouse in a bouffant dress and actress Helen Lyons in a long sleeve dress by Kargère; masks by the illustrator W.T. Benda, 1926 Courtesy Condé Nast Archive, New York © Condé Nast Publications

As part of International Center of Photography’s 2009 Year of Fashion, now on view from the Condé Nast archives is Edward Steichen: In High Fashion, The Condé Nast Years, 1923-1937.  The collection features 175 vintage photographs from Steichen’s career and is the first comprehensive look at both his fashion and celebrity portraiture, including many works that have never been exhibited. As chief photographer for Vanity Fair and Vogue, Steichen was met by much criticism from Alfred Steiglitz and followers who claimed his commercial editorial work was detrimental to the fine art field. However, Steichen’s work inarguably marks a shift toward Modernism and revolutionized Fashion Photography. Kick off Fashion Week in New York by checking out never-before-seen work from this world-renown icon.

Click here to buy a Limited-Edition Portfolio of Edward Steichen prints through Aperture.

Edward Steichen: In High Fashion, Condé Nast Years 1923-1937
January 16-May 3, 2009

International Center of Photography
1133 Avenue of the Americas at 43rd Street, New York
(212) 857-0000