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Archive for November, 2011

An Evening with Diane Arbus and Marvin Israel

Wednesday, November 30th, 2011

© Diane Arbus

After the overwhelming response to the previous screening, Aperture and the School of Visual Arts present: A Slide Show and Talk by Diane Arbus [1970] and a screening of Who is Marvin Israel? [2005]. Read the article by Hilton Als titled Arbus Speaks from The New Yorker’s Book Bench column.

Who is Marvin Israel? [2005] is a short documentary on the life and work of the enigmatic Marvin Israel (1924–1984), artist, designer, art director, and teacher. Israel’s influence on Diane Arbus, Richard Avedon, and Lee Friedlander, among others, is explored in the words of those who knew him. Directed by Neil Selkirk.

The Slide Show and Talk by Diane Arbus is an original audio recording of a 1970 slide presentation by Diane Arbus in which she speaks about photography using her own work and other photographs, snapshots and clippings from her collection. Compiled and edited by Neil Selkirk, Doon Arbus, and Adam Shott.

This program coincides with the release of Diane Arbus: A Chronology and newly reissued Diane Arbus: An Aperture Monograph and Untitled: Diane Arbus on the fortieth anniversary of the original publication.

Thursday, November 15, 2011
Doors at 7:00 pm, Screening at 7:30 pm
First come; first serve.

This event is free and open to the public. Guests are encouraged to arrive early to the screening- there are limited seats available.

SVA Theatre
333 23rd Street (between 8th and 9th Avenues)
New York, New York

Alfredo Jaar and David Levi Strauss at SVA

Wednesday, November 30th, 2011


from Lament of Images, 2002. © Alfredo Jaar

Being American

Exhibition on view:
November 22–December 21, 2011

Visual Arts Gallery:
601 West 26 Street, 15th floor
New York, NY
(212) 592-2145

School of Visual Arts presents Being American, a visual arts exhibition surveying a variety of cultural issues in America. Ranging from such current issues as the War on Terror to gay marriage, Being American features visual stories from 20 artists including Alfredo Jaar and Aperture contributing editor David Levi Strauss both who were featured in Aperture’s current Fall issue 204. The exhibit will feature work from their Lament of Images project which examines the role of photography in documenting violence.

Photography Workshop with Alex Webb & Rebecca Norris Webb

Tuesday, November 29th, 2011

Sancti Spiritus, Cuba, 1993 © Alex Webb/Magnum Photos

Photography Workshop at Aperture with Alex Webb and Rebecca Norris Webb
This one-day workshop is geared for documentary photographers, street photographers, and others who photograph the world with a camera—not for those who dramatically manipulate their photographs. Also includes public gallery talk with Alex Webb about his exhibition, Alex Webb: The Suffering of Light, at Aperture Gallery from 4:00 to 5:00 pm. The exhibition features works from his recently published book The Suffering of Light.

Saturday, December 17, 2011
10:00 am–5:00 pm

$225 (Tickets are non-refundable)
Purchase tickets to the event

Do you know where you’re going next with your photography––or where it’s taking you? This intensive one-day workshop will help photographers begin to understand their own distinct way of seeing the world. It will also help photographers figure out their next step photographically ––from deepening their own unique vision to the process of discovering and making a long-term project that they’re passionate about.

A workshop for serious amateurs and professionals alike, it will begin with reviews of each photographer’s work, serving as a jumping off point for a larger discussion about various photographic issues. Alex and Rebecca, a creative team who often edit projects and books together –– including their book and Museum of Fine Arts, Boston, exhibition, “Violet Isle: A Duet of Photographs from Cuba”––will explore with the class a series of topics, including the process of photographing spontaneously and intuitively; how to photograph in cultures other than one’s own; how to edit photographs intuitively; the emotional and psychological implications of working in color vs. black and white; the difference between images in a book and images on the wall; and how long-term projects can evolve into books and exhibitions. Participants should be prepared to ask questions, as these concerns will help shape the ultimate direction of the workshop. This one-day workshop is geared for documentary photographers, street photographers, and others who photograph the world with a camera––not for those who dramatically manipulate their photographs.

Aperture Gallery and Bookstore
547 W. 27th Street, 4th Floor
New York, NY
(212) 505-5555

The workshop is offered at the discounted price of $175 for full-time students and Aperture members. Please call (212) 505-5555 to reserve at this special rate, or buy tickets through Aperture’s website.

 

Alex Webb is best known for his vibrant and complex color work, especially from Latin America and the Caribbean. He has published nine books, including Istanbul: City of a Hundred Names, and his most recent, The Suffering of Light: Thirty Years of Photographs (Aperture). Alex has exhibited at museums worldwide including the Whitney Museum of American Art, the High Museum of Art, Atlanta, and the Museum of Contemporary Art, San Diego. His work is in the collections of the Museum of Fine Arts, Boston, the Metropolitan Museum of Art, NY, and the Guggenheim Museum, NY. Alex became a full member of Magnum Photos in 1979. His work has appeared in National Geographic, the New York Times Magazine, Geo, and other magazines. He received a Guggenheim Fellowship in 2007 for continuing working in Cuba, and the Premio Internacional de Fotografia Alcobendas in 2009.

For the past decade, Rebecca Norris Webb has been exploring the complicated relationship between people and the natural world. Originally a poet, she has shown her photographic work internationally, including at the George Eastman House Museum and Ricco Maresca Gallery, New York. Her first book, The Glass Between Us, was published in 2006, and her second book, Violet Isle: A Duet of Photographs from Cuba (with Alex Webb), was published in November 2009. Her photographs are in the collections of the George Eastman House Museum, Museum of Fine Arts, Boston, and the Provincetown Art Association and Museum, and she is represented by the Photographers’ Gallery in London. Rebecca’s work has appeared in Time, New Letters, Orion, and other magazines. Her third book, My Dakota, will be published in 2012 by Radius, and exhibited at the Dahl Arts Center in Rapid City, South Dakota.

Alex and Rebecca have a joint exhibition of their Cuba photographs at the Museum of Fine Arts, Boston, which will run until January 16, 2012, which will then travel to the Southeast Museum of Photography in Daytona, Florida. The couple is currently collaborating on a project in the U.S.

WHAT PHOTOGRAPHERS SHOULD BRING: About 30 photography prints (can be inexpensive 5×7” or 8×10” work prints; we are most interested in the image not the quality of the print). For those who are working in a series or on a long-term project, feel free to bring one or two projects. Class limit: 17. For more information, contact Rebecca at rebeccanorriswebb@yahoo.com.

Aperture at SCOPE Miami

Tuesday, November 29th, 2011

Colonel Soleil’s Boys, North Kivu, Eastern Congo (2010) © Richard Mosse

SCOPE Pavilion
Wynwood Arts District
NE 1st Avenue (Midtown Blvd), at NE 30th Street
Miami, Florida
(212) 268-1522

Join Aperture Foundation at SCOPE Miami! Now in its eleventh year, the art fair will present the best of cutting edge contemporary art in Miami’s Wynwood Arts District. Aperture will be joining 80 international galleries to show our very best books and limited editions, including work by artists Penelope Umbrico and Richard Mosse.

Aperture recently published Penelope Umbrico’s book Penelope Umbrico (photographs), which offers a radical re-interpretation of everyday consumer and vernacular images. Richard Mosse was featured in Aperture magazine #203, Summer 2011. His work will also be showcased in the upcoming book Infra and the very special collector’s edition of the publication. His limited-edition print Débris, North Kivu, Eastern Congo, 2011 will also be featured. Look for these artists and much more fantastic work at Aperture’s booth.

The fair will take place from Tuesday, November 29, 2011–Sunday, December 4, 2011. Tickets are required.

Tuesday, 4:00 pm–8:00 pm (VIP and press)
Wednesday–Saturday,
11:00 am–7:00 pm
Sunday,
11:00 am–6:00 pm

Saturday, December 3, 4:00 – 5:00 pm
In Conversation: Penelope Umbrico and Brian Ulrich
Soho Beach House
RSVP@aperture.org

Sunday, December 4, 2:00 pm
Infra: Richard Mosse Book Signing
SCOPE Pavilion, booth B31

Meaninglessness of the Muse: Artist talk by Gueorgui Pinkhassov

Tuesday, November 29th, 2011

JAPAN. Tokyo. 1996. The new metro. © Gueorgui Pinkhassov / Magnum

Wednesday, December 7, 2011 at 7:00 pm

A conversation with Gueorgui Pinkhassov, Russia’s only Magnum photographer. He photographs color and light to translate his impressions of reality in a poetic way which creates for the viewer the experience of a daydream. At Aperture, he will discuss his inspirations, current projects and new ideas, and answer questions from the audience.

Born in Moscow, Pinkhassov studied cinematography and later worked as a set photographer at the Mosfilm Studio. His work was noticed by the prominent Russian filmmaker Andrei Tarkovsky, who invited Pinkhassov to the set to make a reportage about his film Stalker.

Pinkhassov moved permanently to Paris in 1985 and joined Magnum Photos in 1988. He works regularly for the international press, particularly for Geo, Actuel, and the New York Times Magazine and has two books of his photographs published. His work is also included in the new book, The New York Times Magazine Photographs (Aperture, 2011), edited by Kathy Ryan, the award-winning photo editor of the magazine.

Presented by Snob Project at Aperture Foundation
547 West 27th Street, 4th floor
New York, New York

(212) 505-5555

FREE

Sam Falls at M+B

Wednesday, November 23rd, 2011


Untitled (West Hollywood, CA. Green), 2011. © Sam Falls

Time and Material

Exhibition on view:
November 4–December 22, 2011

M+B:
612 North Almont Drive
Los Angeles, CA
(310) 550-0050

Time and Material is a new multi-media exhibition at the M+B gallery in Los Angeles. Curated by Sam Falls and Matt Moravec, the show examines the inevitable movement of time toward the eventual demise of both the artist and their material works or objects. The exhibition features a group of young artists including Sam Falls, Jacob Kassay, N. Dash, Kyle Thurman, and Joe Zorrilla. Sam Falls, whose sole exhibition recently closed at New York City’s West Street Gallery, is featured in the current Aperture issue 205.

 

2011 Paris Photo Patrons’ Trip

Friday, November 18th, 2011

This year, Aperture was pleased to invite its Trustees and Patrons to join us for a series of exclusive activities surrounding Paris Photo 2011.

Celebrating Paris as the capital of photography during the Fair, our supporters enjoyed visiting Diane Arbus’ retrospective at the Jeu de Paume, guided by museum’s director Marta Gili. They  also went on a behind-the-scenes tour of one of the most comprehensive libraries of contemporary photography at the Maison Européenne de la Photographie, guided by Irène Attinger, head of the library. At Le Bal, they met with the director Diane Dufour, who presented this new space for documentary photography and new media. The Patrons joined the private opening reception of the Aperture Presents exhibition at the Montblanc store. They followed tours by curators Simon Baker (Tate Modern, London) and Anne Lacoste (Musée de l’Elysée, Lausanne), collector Artur Walther, and publisher Markus Schaden presenting their exhibitions at Paris Photo. And of course, their trip would not have been complete without gathering in a typical Parisian atmosphere for a cocktail reception and piano concert by Mio Chiba at the home of Dr. Michèle Verschoore.

Picture 1 of 17

The Patrons Group at Paris Photo, meeting with Jeffrey Fraenkel and joined by Martin Parr

For more information about Aperture’s Patron Program and to join online, please visit: http://www.aperture.org/membership.

Winter Issue Available Now!

Friday, November 18th, 2011

Issue 205 features:

Nick Waplington’s photographs of settlers and townscapes in the West Bank.

A discussion between photographer David Goldblatt and writer Ivan Vladislaviċ on their recent collaboration and the relationship between fiction and history.

An essay by Stephen Shore on structuring form and content in a photograph.

Writer Charles Bowden’s ruminations and connections on scenes witnessed in his travels in Mexico and Southwest America.

Swedish photographer Julie Peirone’s puzzling and amusing portraits of teenage girls.

Selected works from the prolific mix-media artist Sam Falls.

Bill Cunningham’s legendary New York street-fashion photography.

 

Click here to subscribe now and get a FREE book!

 

INFRA: Richard Mosse

Thursday, November 17th, 2011

Débris, North Kivu, Eastern Congo, 2011 © Richard Mosse

Richard Mosse: Infra an exhibition opens tonight at Jack Shainman Gallery. His images of the conflict-torn Congo seem disconnected from reality, due to the bright reds and pinks of the photographer’s distinctive Kodak Aerochrome film. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction, and photojournalism. Infra initiates a dialogue with photography that begins as an intoxicating meditation on a broken genre, but ends as a haunting elegy for a vividly beautiful land touched by unspeakable tragedy.

In addition to the exhibition, Aperture is pleased to announce a new limited-edition photograph by Richard Mosse, Débris, North Kivu, Eastern Congo, 2011. The New Yorker‘s Photo Booth recently published Great Mistakes: Richard Mosse, about the image. View the details here.

Also now available is special pre-release collector’s edition of Richard Mosse’s first monograph Infra, featuring a specially designed cloth cover. Buy the book here, only 500 copies available!

Mosse was recently featured on our Summer 2011 cover of Aperture magazine 201 with the accompanying article Richard Mosse: Sublime Proximity interview with Aaron Schuman.

Exhibition on view: November 17, 2011 – December 23, 2011

Jack Shainman Gallery
513 West 20th Street
New York, New York 10011

Hear Richard speak at SCOPE Miami on Sunday, December 4 at 2:00 pm

Richard Mosse (b. 1980, Ireland) received an MFA in photography from Yale University School of Art and a postgraduate diploma in fine art from Goldsmiths, London. He also holds a first-class BA in English literature from King’s College London and a master’s in cultural studies from the London Consortium (ICA, AA, Tate, Birkbeck). His work has been widely exhibited internationally, including at the Akademie der Künste, Berlin; Barbican Art Gallery, London; Museum of Contemporary Art Chicago; Palais de Tokyo, Paris; Tate Modern, London; Dublin Gallery of Photography; and SFMOMA Artists Gallery. In 2011, Mosse was awarded a John Simon Guggenheim Memorial Foundation Fellowship, with a supplemental stipend from the Leon Levy Foundation. In 2006, he received a Leonore Annenberg Fellowship in the Performing and Visual Arts. Mosse is represented by Jack Shainman Gallery, New York.

Library Science at Artspace

Thursday, November 17th, 2011


Biblioteca Geral da Universidade de Coimbra IV, 2006. © Candida Höfer

Library Science

Exhibition on view:
November 12, 2011–January 28, 2012

Artspace:
50 Orange Street
New Haven, CT
(203) 772-2709

Library Science is a multi-artist exhibition currently on view at Artspace. Featuring over 20 contemporary artists, including photographers Candida Höfer and Mickey Smith, the exhibit features art inspired by libraries. Library Science examines how the relationship between readers, books, and libraries are changing in our digital era and it hopes to encourage librarians to build relationships with artists and to continue providing access to artistic information for library goers.