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Archive for July, 2011

Beautiful Vagabonds at the Yancey Richardson Gallery

Wednesday, July 27th, 2011


Act of Flying #16, 2006. © Sanna Kannisto

Beautiful Vagabonds: Birds in Contemporary Photography

Exhibition on View:
July 21–August 26, 2011

Yancey Richardson Gallery:
535 W 22nd Street 3rd Floor
New York, NY
(646) 230-6131

The Yancey Richardson Gallery’s new exhibit “Beautiful Vagabonds: Birds in Contemporary Photography” is a multi-artist show that explores the allure of birds. Showcasing the work of 20 photographers, the exhibit consists of photographs, video, and audio works. Several of the exhibit’s featured artists have been published by Aperture: David Hilliard appeared in issue 177 and published a book with Aperture titled David Hilliard: Photographs; the work of Simen Johan appeared in issue 172 and Aperture offers one of his prints Untitled #99; Aperture published three books by the duo Kahn & SelesnickScotlandfuturebog, City of Salt, and The Apollo Prophecies; Aperture also published Sanna Kannisto’s book Fieldwork and offers her limited-edition portfolio Act of Flying; Louise Lawler appeared in issue 145; and Neeta Madahar’s work was featured in issue 179 and Aperture offers her print Sustenance 95.

From the Work Scholar’s Desk: A Visit to Andres Serrano’s Studio

Tuesday, July 26th, 2011

By Camille Clech

Camille Clech and Andres Serrano

Picture 1 of 1

Last month, Aperture’s Work Scholars had the profound pleasure of visiting Andres Serrano‘s studio. The space boasts an eclectic atmosphere; a sixteenth-century Madonna sculpture, for example, faces one of Serrano’s cinematic portraits of a Ku Klux Klan member.

We conversed with the artist on a variety of subjects, covering everything from his childhood in Williamsburg to the controversy surrounding his famous Piss Christ. Serrano collects Renaissance art and explained the importance these pieces have in his working environment, and how they affect his work. Preferring to be called an artist rather than a photographer, he also shared his opinions on current culture, the importance of the image, and the immediate nature of modern news. We were captivated by the story of his artistic rise, and his description of how the art world has changed since the beginning of his career. In closing, he answered questions about his influences, his artistic process, and the current state of photography.

After our group visit, I had the opportunity to take part in a photo shoot with Andres Serrano. Currently working on painterly reinterpretations of iconic religious scenes – such as Virgin with Child, or the Last Supper – he invited me to pose for his take on the Madonna. Supported by his wife and his assistant, he set up the background and lighting, and then took some polaroid tests to find the perfect angle and luminosity. Cloaked in the Madonna’s iconic blue veil, I posed for several shots.

I am looking forward to see which image Mr. Serrano will select during his developing and editing processes. It was an incredible experience, and I am so grateful to the Work Scholar Program for giving us all this one-of-a-kind opportunity!

Camille Clech is Aperture’s Website and Video Production Work Scholar. She is a student at the New York Institute of Technology-Old Westbury, and can’t believe she posed for an Andres Serrano portrait!

To learn more about Aperture’s Work Scholar program, click here.

SNAPSHOT: Gary Schneider

Friday, July 22nd, 2011

By Anna Carnick

Mask Self-portrait by Gary Schneider, 1999

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For our latest SNAPSHOT installment, we sat down with South African-born, New York-based photographer Gary Schneider. For the past two decades, Schneider’s dramatic work has examined the concept of identity through studio portraits, fragmented face portraits, and handprint photograms, earning him a reputation as both an artist and a master of chemical darkroom printing.

Last year, Handbook, Schneider’s stunning, print-on-demand artist book, earned a Kassel Photo Book Award. This limited-edition book is the culmination of seventeen years of Schneider’s commitment to making portraits of hands without the use of a camera. Describing the work, Schneider says, “I have made handprint-portraits since 1993. I consider them to be as expressive as any portrait of a face, more private, and possibly more revealing.” Handbook represents one of the first collaborations between Aperture, a photographer, and a print-on-demand press (Blurb). The book is available now through Aperture.

 

AC: What do you believe is your greatest achievement as an artist so far?
GS: Exploring the intimate portrait.

What is the greatest challenge you’ve faced as an artist to date?
Remaining focused on my desire to understand the portrait.

What is the biggest life lesson you’ve learned?
Affirmation comes from a private place.

If you weren’t a photographer, what would you be?
I’m not certain I am a photographer.

Who is your favorite artist, of any genre?
Leonardo Da Vinci.

What is your favorite photograph?
Mask Self-Portrait. It is all of my desire for my work.

What was the last book (photo or other) you really enjoyed?
Jill Bolte Taylor’s Stroke of Insight.

Name a person—living or dead—you’d really like to meet.
Leonardo da Vinci.

Do you have a mentor?
Had. Peter Hujar then Helen Gee, now Peter Hujar again (printing his work).

The natural talent you’d like to be gifted with?
Quiet brain.

What qualities do you appreciate most in friends?
Ethics.

New Video: Kalle Kataila from reGeneration2

Friday, July 22nd, 2011

If you have trouble viewing the video, please click here.

In this clip, Finnish photographer Kalle Kataila explains the importance of contemplating the world today, facing the changes that man has made on the landscape. Kataila portrays his subjects alone in a wild or urban landscape, emphasizing the power of the environment, and the littleness of the human.

ReGeneration2: tomorrow’s photographers today exhibition and accompanying publication, was presented by Aperture Foundation from January 20 through March 17, 2011, in collaboration with the Musée de l’Elysée in Lausanne, Switzerland, and with the support of Pro Helvetia and the Consulate General of Switzerland in New York.

Click here to purchase the accompanying publication regeneration2: Tomorrow’s Photographers Today

Sylvia Plachy Exhibition in Germany

Wednesday, July 20th, 2011

Lulu, Budapest, 1972. © Sylvia Plachy

 

solo show: Sylvia Plachy

Exhibition on view:
June 28–August 26, 2011

Flo Peters Gallery:
Chilehaus C
Pumpen 8
20095 Hamburg, Germany
+49-40-30374686

Sylvia Plachy’s photographs are on exhibit now until late August at the Flo Peters Gallery in Hamburg, Germany. Born in Budapest and currently living in New York, Plachy is a contributing photographer at the New Yorker. Aperture has published two books by Plachy, Self Portrait with Cows Going Home and Goings On About Town: Photographs for The New Yorker. Aperture also offers one of her quintessential images as a limited-edition print, After the Dance, Jacob’s Pillow.

Zoe Crosher Named LACMA Art Here and Now Artist

Tuesday, July 19th, 2011

Since 1963, LACMA has supported local emerging artists, first with the Young Talent Award, then in 1986 with the Art Here and Now (AHAN) program. This year, one of the two recipients of the prestigious award is Aperture-featured photographer Zoe Crosher. Carefully selected by LACMA’s Modern and Contemporary Art Council (MCAC) as well as the museum’s Modern and Contemporary Art curators, nine unique images from Crosher’s The Reconsidered Archive of Michelle duBois have now been acquired for LACMA’s permanent collection.

Zoe Crosher is an artist living in Los Angeles. Her work has been exhibited in Vancouver, Rotterdam, Los Angeles, and New York City, including a billboard project with LAXART (2010) and inclusion in the 2010 California Biennial. She has been working on Los Angeles-inspired, site-specific photographic projects since 2001. Her monograph Out the Window (LAX) examines space and transience around the Los Angeles airport, and a series of four monographs on her newest project, The Reconsidered Archive of Michelle duBois, are forthcoming from Aperture Ideas. Crosher has just been announced as a 2011 recipient of LACMA’s prestigious Art Here and Now: Studio Forum (AHAN) program to support acquisitions by emerging Los Angeles-area artists. She holds a B.A. in Art & Politics from UC Santa Cruz, and an M.F.A. in Photography & Integrated Media from CalArts.

The project  The Reconsidered Archive of Michelle duBois is also a print-on-demand limited-edition artist book. It is the first in a four-volume set by the artist, and part of Aperture Ideas: Writers and Artists on Photography, a series devoted to the finest critical and creative minds exploring key concepts in photography, including new technologies of production and dissemination.

Identical in structure, each volume offers an alternate perspective on the archive of Michelle duBois, an enigmatic collection of images bequeathed to the artist by the subject and compiler. In each subsequent volume, Crosher configures a new set of identities and meanings for this ephemeral archive of photographic detritus through a selection of unique sets of images, reinterpretations of photos seen in previous volumes, as well as new texts.

Zoe Crosher’s The Unraveling of Michelle duBois is a reconsidered archive culled from crates, boxes and albums consisting of endless flirtatious smiles, tourist shots, cheesecake mementos and suggestive poses in every film type and size. This limited-edition artist book includes a unique to the volume 8 x 10-inch signed and numbered print. The Reconsidered Archive of Michelle duBois was featured in Aperture magazine, issue 198.

Zoe Crosher’s exhibition LA-Like: Trangressing the Pacific is now on view at Las Cienegas Projects in Culver City.

Click here to read an interview of Zoe Crosher.

Shannon Ebner at the Hammer Museum

Thursday, July 14th, 2011

Incendiary Distress Signal No. 6, 2011. © Shanon Ebner                                     

 

Hammer Projects: Shannon Ebner

Exhibition on view:
July 16–October 9, 2011

Hammer Museum
10899 Wilshire Blvd
Los Angeles, CA
(310) 443-7000

A portion of Shannon Ebner’s project “The Electric Comma” will be exhibited in Los Angeles at the Hammer Museum. Other pieces from the project will simultaneously be shown at LAXART in Culver City, CA and at the 54th Venice Biennale in Venice, Italy. Creating phrases through mixed media, “The Electric Comma” merges poetry and photography into what Ebner calls “the photographic sentence.” Ebner’s photographs were featured in Aperture magazine issue 188.

Artlog presents Chelsea Art Crawl 2011: July 21st

Wednesday, July 13th, 2011

 

above: Rinko Kawauchi Untitled, from Illuminance

Aperture Foundation is participating in Artlog‘s Chelsea Art Crawl 2011. The evening will feature after-hours access to a mix of Chelsea’s galleries and non-profit spaces. In addition to touring the exhibitions, guests will be able to attend exclusive artist talks and curator tours. The Chelsea Art Museum hosts the after-party where fellow art lovers can mingle and enjoy free drinks and music.

Featured Venues:

Cristin Tierney (check-in location)
Paul Kasmin Gallery
Mixed Greens
1500 Gallery
Marlborough (check-in location)
Flag Art Foundation
Benrimon Contemporary
Chelsea Art Museum
Meulensteen
The Pace Gallery
Yancey Richardson Gallery
Zach Feuer Gallery
Mallick Williams & Co.
Honey Space
Larissa Goldston Gallery
Schroeder Romero & Shredder
The Kitchen
Aperture Foundation

Schedule:

6:30-9:00pm: Gallery Crawl & Talks
9:00pm-11:00pm: Party at Chelsea Museum

Tickets are $25 in advance, and you can register online. We hope you can make it!

Los Jardines de México Book Signing with Janelle Lynch

Monday, July 11th, 2011

Please join us in celebrating the recent release of Janelle Lynch‘s first monograph, Los Jardines de México (Radius Books), with author José Antonio Aldrete-Haas.

The photographs in Los Jardines de México, made between 2002-2007, explore themes related to the life cycle and representations thereof in the urban and rural landscape. The book is comprised of four series––three from Mexico City and one from Chiapas. Each series investigates a specific facet of existence: loss, death, regeneration and life. Lynch lived in Mexico City from 2002-2005, where she became familiar with the culture and rich traditions that inform this work.

The event is sponsored by the Mexican Cultural Institute of New York and Radius Books.

Thursday, July 21st
7:00-9:00 pm
Aperture Foundation
547 West 27th Street, 4th floor
New York, New York

(212) 505-5555

This free and open-to-the-public event is sponsored

From the Work Scholar’s Desk: Aperture Foundation Development

Thursday, July 7th, 2011

By Stephanie S. Yee

above: Kit Baker, Aperture's Associate Director of Development, and Work Scholar Stephanie Yee

 

As a non-profit organization, the Aperture Foundation is funded by the generous support of individual donors and grants from foundations and government institutions. Aperture’s development department is responsible for researching, securing, and managing the contributed income that makes so many of the Foundation’s exciting book, exhibition, and event projects possible.

As a Work Scholar in the development department, I’ve become familiar with the preparation of grant applications. I’ve found this to be an especially interesting process because the development of a grant application is a highly collaborative process. Before a grant takes shape, it requires discussion and meetings with various departments at Aperture—like editorial, exhibitions, marketing, and events—in order to collect applicable information and statistics for the grant’s narrative.

Under the guidance of Associate Director of Development Kit Baker, I had the opportunity to assist with the preparation of Aperture’s 2012 grant application to the New York City Department of Cultural Affairs (DCA). The DCA provides city funds to support and strengthen New York City’s vibrant cultural life. In the preparatory stages, we held a senior staff meeting during which we spoke with DCA officer Evans Richardson. Mr. Richardson answered our questions about the grant process and walked us through the specific details required by the application. After a grant is submitted, the grantee is required to provide a detailed report of the funded activities with updated budgets or project changes. To this end, Kit and I recently attended a reporting process seminar at the DCA’s offices at City Hall, which walked us through the ins and outs of the final report that must be submitted before Aperture receives its grant money.

For the DCA grant, it was particularly inspiring to report on the numerous activities and programming Aperture will celebrate in observance of its sixtieth anniversary in 2012. One exciting example is the upcoming publication of The New York Times Magazine Photographs, which contains images I remember seeing as a child flipping through the Sunday Times. Personally, I found the research and information-gathering aspects of grant preparation to be a satisfying process. Watching the different elements of the grant come together and take shape afforded me a better understanding of Aperture’s scope and mission.

Prior to working in development, I never realized the considerable amount of effort it takes to see these projects come to life. I will never look at an exhibition or art book in the same way, or fail to acknowledge all of the hard work and funding that goes on behind-the-scenes to make a beautiful concept a reality.

Development Work Scholar Stephanie S. Yee is a graduate of the University of Southern California where she received a B.A. in History and a minor in Architecture. Her favorite Aperture publications are Rinko Kawauchi’s Illuminance and Penelope Umbrico’s (photographs). Stephanie can be found supporting projects on Kickstarter, reading up on architectural theory, wandering a museum, or dancing front row at a concert. Follow what she’s up to @stephasy.

Click here for more information on Aperture’s Work Scholar Program.

*Above photo shot with a SONY a33 DLSR Camera and Lens, generously donated by Sony USA.