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Archive for December, 2010

Committed Photojournalism Symposium at NYU

Thursday, December 2nd, 2010

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Photo by Robert Capa

This week at NYU, the International Center of Photography and the Abraham Lincoln Brigade Archives will present a two-day symposium Committed Journalism, focusing on Robert Capa, Gerda Taro and Chim (David Seymour)’s photo reportage of the Spanish Civil War as well as photojournalism in a broader geographical and historical context.

The conference will kick off with panel discussion Photojournalism: Current Commitments with Pulitzer Prize winning photojournalist Todd Heisler, New York Times Deputy Picture editor Meaghan Looram, Wall Street Journal Photo Editor Julien Jourdes, Photojournalist Julie Platner, MediaStorm founder Brian Storm, Photojournalist Walter Astrada and panel moderator Fred Ritchin of NYU. The Second day of the conference will feature respective panel’s The Mexican Suitcase and The Contents of the Suitcase featuring Curator of ICP exhibit The Mexican Suitcase Cynthia Young, ICP Chief Curator Brian Wallis, NYU’s Arthur L. Carter Journalism Institute’s Susie Linfield, ICP Associate curator Kristen Lubben, curator and scholar Carole Naggar, Oberlin College proffessor Sebastiaan Faber and panel moderators Jo Labanyi and Juan Salas of NYU. The conference will close on the second day with panel Photojournalism for Humanitarian Works featuring Doctor’s Without Border’s Jason Cone, Photojournalist Ashley Gilbertson, Human Rights Watch’s Emma Daly, and photojournalist Moises Saman.

Click here for more information about the Committed Photojournalism Symposium

Comitted Photojournalism
Day one: 6:00pm – 8:30pm December 2nd
Day two: 2:00pm – 8:30pm December 3rd, 2010

NYU
The King Juan Carlos I of Spain Center, NYU
53 Washington Square South, Suite 201
New York, New York

Aperture at Art Miami

Thursday, December 2nd, 2010

camilarodrigo-lrJuven’s wolf, from the series Simulacrum by Camila Rodrigo Graña

Its that time again! The first week of December when thousands of collectors, dealers, curators, and artists descend upon Miami for a week of exhibits, parties and special events. While visiting the fairs this week be sure to visit Aperture’s booth at Art Miami! Distinguished for its depth, diversity and quality, Art Miami showcases the best in modern and contemporary art from 100 international galleries and prominent art institutions. Stop by to see new limited-edition books and prints featuring artists from the new book reGeneration 2: Tomorrow’s Photographers Today.

Art Miami
Wednesday, December 1, 2010-Sunday, December 5, 2010

The Art Miami Pavilion
Booth C79
Midtown Miami | Wynwood
3101 NE 1st Avenue
Miami, FL

Click here to view Aperture’s limited-edition prints

From the Work Scholar’s Desk: The Making of Penelope Umbrico’s Monograph

Thursday, December 2nd, 2010

One of the most rewarding parts of being a work-scholar under Lesley Martin, Publisher and Book Editor at Aperture, is the opportunity to sit in on discussions between the editor, designer, and artist. Throughout the course of producing a book, these contributors have regular meetings to form the concept of the publication starting the original intent of the artist. It is always fascinating to see how much the design process can enhance the interpretation of an artist’s work. These factors really differentiate the experience of photographs as personal, handheld objects as opposed to large prints displayed in a gallery or online representations.

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Layout spread by Andrew Sloat

One of Editorial’s current projects is the forthcoming Aperture monograph by artist Penelope Umbrico. Because of the appropriative nature of Penelope’s work, unlike a typical monograph with one essay and perhaps an introduction, her book will include a variety of essays taken from previously published sources that have added to and relate in some way with her process.  Even though the design and production of a book takes place mostly on a computer screen, in order to determine the sequence we printed thumbnails of each spread of text and artwork. While this cut-and-paste process might seem elementary, it was an effective way to work freely and bounce ideas off each other without having to make any final decisions. Being able to move pieces around with our hands was a great way to visualize the different possibilities.

umbrico-for-blog

The making of an Aperture book is a truly collaborative process-in this case, a collaboration made all the more unique in that Penelope approached the book object as an installation space for her work. She took the lead in the process by pairing texts and artwork based on their relation to each other, questioning decisions and proposing fresh ideas. Our designer, Andrew Sloat, worked with her to shape the conceptual framework for the book and then proposed typographic, spatial, and aesthetic choices to uphold that concept. The editor, Lesley Martin, helped refine their decisions on sequence and selection of images and guided the overall direction of the project as a whole. While much of being an Editorial Work-Scholar can rely on organization and wrangling the different parts needed to complete the whole, the times spent watching the creative process occur make each book project come alive. It is constantly exciting to be part of the team mediating between the artist’s original vision and the compiled product released to the public.

Stay tuned for the release of Penelope’s first monograph, Penelope Umbrico (Photographs) in June 2011.

umbrico-for-blog-1

Cover design by Andrew Sloat

See more of Penelope’s work here

See more of Andrew’s work here

Chelsea Deklotz is an Editorial Work-Scholar. She is a Graphic Design and Photography graduate from UW-Milwaukee. Her favorite Aperture books are Sally Mann: Immediate Family and Paolo Ventura: Winter Stories. She enjoys exploring her Brooklyn neighborhood and can often be found buried in the stacks at the Strand.

Click here for more information about Aperture’s Work Scholar Program