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Archive for June, 2009

Davidson and Koudelka on Bob Dylan’s “Together Through Life”

Monday, June 8th, 2009

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The cover of Bob Dylan’s latest album, “Together Through Life” features photographs from the legendary Bruce Davidson on the cover and Josef Koudelka on the back. Davidson’s work centers around a group of teenagers from Brooklyn called “The Jokers” whose antics he documented in summer of 1959. Magnum in Motion has created a video compilation of Davidson’s images to illustrate “Beyond Here Lies Nothin’”, click here to watch the full version via Amazon.

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Atta Kim at the Venice Biennale

Monday, June 8th, 2009

atta-kimON-AIR Project, The Sex Series, 1 Hour, 2003, © Atta Kim

Exhibition on View:
Atta Kim: ON-AIR
Thursday, June 4–Sunday, November 22
Palazzo Zenebio
Dorsoduro 2597
Venice, Italy

If you find yourself in Venice, the romantic city of water, this summer, don’t miss your chance to visit the 53rd International Art Exhibition at La Biennale di Venezia. This year’s art exhibition, titled Making Worlds, features works by over 90 artists from all over the world, including South Korean photographer Atta Kim.

Atta Kim: ON-AIR series features long-exposure images of places such as Times Square and the UN Headquarters.  The radiant images give a feeling of a deserted ghost-town, a twilight reality in which everything fades.

The exhibition also features work from his Monologue of Ice series, where he documents slowly melting ice sculptures of recognizable figures as Mao Zedong, to show how once-mighty figures and places are gone and now exist merely as fleeting memories or pictures in history.

Also check out Atta Kim’s Aperture-published book The Museum Project.

DOUG DUBOIS AND DAN WINTERS at Aperture

Saturday, June 6th, 2009

Join Aperture in two separate events for two artist’s on the occasion of the publication of Doug DuBois’s first monograph, All the Days and Nights, and Dan Winters‘s first monograph, Periodical Photographs.

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All the Days and Nights, Doug DuBois
Artist’s Talk and Book Signing


Tuesday, June 9, 6:30 pm

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Dan Winters: Periodical Photographs
Talk, Book Signing, and Reception


Thursday, June 11, 6:30 pm

Aperture Gallery
547 West 27th Street
New York, New York
(212) 505-5555


The Edge of Vision Interview Series: Lyle Rexer and Charles Lindsay

Thursday, June 4th, 2009

Coinciding with the exhibition now on view at Aperture Gallery, The Edge of Vision: Abstraction in Contemporary Photography, a series of interviews will be posted every Thursday on the Aperture blog for the duration of the show. For the premiere, watch a video clip of curator Lyle Rexer speaking about how the project came about and explaining his curatorial choices. The exhibition gathers the work of nineteen international contemporary photographers who base their practice in some form of abstraction from highly conceptual to more documentary approaches.  Rexer also explains his ground breaking photography exhibition encourages the viewer not to look at the photograph as a window but rather “to understand the relationship between the image and the surface.”

Lyle Rexer from Aperture Foundation on Vimeo.

This second video clip presents artist Charles Lindsay included in the show, speaking about how he started working with his unique carbon emulsion process, his inspirations and the combination of his photographic, video and sound works.

Charles Lindsay from Aperture Foundation on Vimeo.

Upcoming video clips include artists Bill Armstrong, Carel Balth, Ellen Carey, Manuel Geerinck, Barbara Kasten, Seth Lambert, Jack Sal, Penelope Umbrico, Silvio Wolf.

Stay tuned!

View related microsite

Jaimie Warren Exhibition Opens at Kempner Museum

Thursday, June 4th, 2009

dscn9742 © Jaimie Warren

Photographer Jaimie Warren’s first solo museum exhibition, You Are So Beautiful in the Face, opens at Kemper Museum of Contemporary Art this Friday. Warren’s photographs are theatrical and fun with a caricature-esque quality that dispels common conceptions of the photographic portrait.  Her work is inevitably compared to that of Cindy Sherman, however Warren’s theatricality is more reflexive of her true dramatic and multifaceted personality than to pay homage to identity of an “other”.  Aperture released her first monograph, Don’t You Feel Better as part of the Tiny Vices series, curated by Tim Barber.

Jaimie Warren: You Are So Beautiful in the Face
Friday, June 5–Saturday, October 3, 2009
Opening Reception: Friday, June 5, 2009  6:00–9:00 pm

Kemper Museum of Contemporary Art
4420 Warwick Blvd.
Kansas City, Missouri
(816) 753-5784

Grant Willing: Tierney Fellowship Recipient

Wednesday, June 3rd, 2009

from Svart Metall; © Grant Willing

The Tierney Fellowship is aimed at discovering and supporting emerging photographers and creating a community of artists. In addition to a monetary grant, recipients are technically consulted and mentored by seasoned experts. Grant Willing, a recent Parsons BFA Graduate and currently an Aperture Work Scholar, is a 2009 recipient of the Fellowship for his series Svart Metall. Grant will be traveling to Scandinavia to work further on this series, which is about black metal and the ideals, history and culture behind the often violent and cacophonous music. His work is a visual response to these themes, ranging from ancient Pagan and Satanic symbols to darkness and nature.
Check out Grant Willing’s photographs in a group show titled G.W.A.G.H.M.A.C.J.E.A.K.F.S.F.I.L.C.J.B.D.Z. at Daniel Cooney Fine Art Gallery, opening Thursday, June 11 in Chelsea.

G.W.A.G.H.M.A.C.J.E.A.K.F.S.F.I.L.C.J.B.D.Z.

Thursday, June 11—Saturday, June 20, 2009

Opening reception: Thursday, June 11, 2009  6:00—9:00 pm

Daniel Cooney Fine Art

511 West 25th Street, Suite 506
New York, New York
(212) 255-8158

Brian Ulrich’s Road Trip: Chicago to Chelsea – Part 2

Wednesday, June 3rd, 2009

Brian Ulrich’s second solo show in New York is now on view at Julie Saul Gallery in Chelsea. The show presents works from his series Thrift (2005 – 2008) and the currently in progress Dark Stores, Ghostboxes and Dead Malls.

Follow Brian as he guest blogs for Aperture in a series of posts below from his road trip: Chicago to Chelsea, New York.

Click here to view Part 1.


Wednesday, May 27, 2009

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The drive today is filling with fog and low clouds over the rolling hills. I cannot help but think of and combination of Eliot Porter, Frank Breuer and Justine Kurland.
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Stopping in Buckhorn, PA for some food and the investigate a mall. This is also one I’ve been to hundreds of times as Buckhorn is about an hour and a half into PA from NY. Strangely I never noticed the old empty Ames store at the Mall. Ames was a chain of department stores that went defunct back in 2002. Oddly Ames has a ton of fans online who get super nostalgic about the brand. Some of which are kids who weren’t old enough to shop there to begin with. Brand loyalty beyond the grave! Take a look at Anne Elizabeth Moore’s book, Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity.

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The Buckhorn Mall isn’t doing so well on the inside either. A competing Walmart opened across the highway and literally sucked any life from this ailing mall. There’s a few hangers on amidst the empty storefronts. A great part of working on this particular project is the fact that the many people who work in these troubled spaces have a real grasp on economy and any conversation seems to ‘go there’. One of them, a pizza store worker with a heavy eastern european accent couldn’t hold back and was eager to inform on the history of economy and current events. It dawned on me that the effect of North Korea recent nuclear and missile tests are having a profound effect across the country. For many (including Pizza Guy) it cements the idea of the US as a losing more of it’s control over world policy and economy. Not only is there a large amount of uncertainty with how our new President will perform in the face of world threats, but paranoia seems to be feeding itself with the many changes that this new century is bringing, most of which are reeling from the latent issues of the 20th century. Pizza Guy pointed out that the loss of intellectualism in the US may be due to the fact that the US is not attractive to immigrants from educated countries any longer and that the this country’s education system may be so flawed that we’re having problems creating educated citizens. Scary ideas as the seeds of discontent seem growing in the American heartland all to the soundtrack of Muzak.

It’s with these thoughts that I leave Pizza Guy (promising to return with $2., he wouldn’t allow me to use the ATM in the mall with it’s $3 fee) and move on. I’ve lost a considerable amount of time dissecting politics and need to get moving.

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From PA entering NJ and finally over the GWB into New York through the Bronx where I used to live near Pelham. As long as I have been driving, the Cross Bronx Expressway is a mess of congestion and traffic. Curse you Robert Moses! ;)

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Finally arrive in Centerport, NY at my father’s house at 6:00pm to a warm welcome or food, my wife, friends (cheers Amy Stein, Christian Patterson, Bill Sullivan, Johnathan Swafford and George Gallo) and low tide on the north shore of Long Island.

Next up: The opening, the aftermath and dead malls and Stephen Dirado in Worcester, MA.

Beate Gütschow at Sonnabend

Tuesday, June 2nd, 2009

Beate Gütschow

Now on view at Sonnabend is a series from photographer Beate Gütschow created over the past five years. These black and white images are digital composites of various architectural landscapes photographed around the world and manipulated into original fictional scenes using only traditional dodge and burn techniques through Adobe Photoshop. Gütschow’s bleek vistas suggest a post-apocalyptic view that is simultaneously unrecognizable yet plausible. Her use of digital manipulation is both subtle and clever as she delivers these aesthetically captivating and thought-provoking images.

Click here to view Beate Gütschow’s first monograph LS/S published by Aperture.

Exhibition on view:
Saturday, May 2—Friday, July 31, 2009

Beate Gütschow
Sonnabend Gallery
536 W 22nd, New York
(212) 627-1018