Here is Aperture Exposures' archives - return to aperture.org

Archive for May, 2009

Acid Drop at Milk Gallery

Friday, May 29th, 2009

Kenneth Cappello

Opening June 2 at Milk Gallery, photographer Kenneth Cappello presents works from his book Acid Drop, released by Aperture last year as part of a series Tiny Vices. Curated by Tim Barber, the show focuses on Cappello’s childhood friends and skateboarding, while growing up in Texas.

Click here to purchase your copy of Acid Drop through Aperture.

Kenneth Cappello: Acid Drop
Tuesday, June 2—Wednesday, June 13, 2009

Opening Reception: Tuesday, June 2, 2009  7:00—10:00 pm

Milk Gallery
450 West 15th Street
New York, New York

Martin and Muñoz in Wisconsin

Friday, May 29th, 2009

Traveler 170 at Night

Don’t miss your last chance to see Wayward Bound from Walter Martin & Paloma Muñoz at The John Michael Kohler Arts Center. The tiny microcosms created and photographed by the artists convey a fantastic aura of introspection, as their miniatures set in snow globes often depict alienating scenes of mystery through hostile situations and pilgrimages. The dramatic tension in the scenes is underscored through panoramic photographs of these dioramas in brilliant chilling colors. Aperture published Travelers in October 2008 with photographs from Martin & Muñoz and an accompanying story from Johnathan Lethem.

Click here to buy your SIGNED copy of Travelers by Walter Martin & Paloma Muñoz through Aperture.

Click here to buy a SIGNED limited-edition print from Walter Martin and Paloma Muñoz through Aperture.


Wayward Bound: Walter Martin & Paloma Muñoz
Sunday, March 1–Sunday, May 31, 2009
John Michael Kohler Arts Center

608 New York Avenue
Sheboygan, Wisconsin
(920) 458-6144

Hans Eijkelboom included in group exhibition at Lincoln PhotoFest, Nebraska

Thursday, May 28th, 2009

Patterns

As part of the Lincoln PhotoFest in February 2009, a community-wide celebration of photography, the Sheldon Museum of Art presents an exceptional group exhibition, Evolving Eden: Three Photographic Perspectives, featuring Paris—New York—Shanghai, a fifteen-year project by acclaimed Dutch artist Hans Eijkelboom. In the exhibition and recent book already in its second printing, Eijkelboom creates a clever and witty study of three major cities, selected for having been (or promising to be) the cultural capital of its time. His deadpan, note-taking process, which is in line with the works of Ed Ruscha, Joseph Kosuth, and Hans-Peter Feldman, depicts modern city life in a series of ingenious snapshot-style grids, which enable the viewer to simultaneously compare the photographic studies of each metropolis and its citizens. The work reveals stunning similarities between the three cities. As Eijkelboom writes in the accompanying book, “Globalization, combined with the desire of cities for visually spectacular elements, is leading to the appearance everywhere of city centers that look the same and where identical products are sold.” This group exhibition presenting diverse viewpoints on our contemporary world also includes artists Arno Rafael Minkkinen and Edward Burtynsky.

Click here to listen to Hans Eijkelboom speak about his work via Sheldon Museum of Art.

Click here to purchase Paris—New York—Shanghai through Aperture.

Exhibition on View:
Friday, February 6, 2009 –Sunday, July 31, 2009

FREE

Sheldon Museum of Art

University of Nebraska-Lincoln
12th and R Street
Lincoln, Nebraska
(402) 472-4258

Dan Winters at Museum of Fine Arts Houston

Wednesday, May 27th, 2009

Dan Winters with Bernard Bonnet

Last Wednesday, May 20th, on the occasion of the publication of Dan Winters’s first monograph, Periodical Photographs (Aperture, May 2009), the Museum of Fine Arts, Houston, presented a lovely evening with the top editorial photographer whose work is included in the museum’s permanent collection. Winters, currently a resident of Austin, Texas, captivated fans with an engaging lecture about his illustrious career in the museum’s spacious Brown Auditorium, followed by a reception and book signing. The charming and accommodating Mr. Winters chatted away with fans and signed lots of books. Anne Wilkes Tucker, the MFAH curator of Photography, introduced Winters, and was host for the evening along with Bernard Bonnet, buyer for the museum’s bookstore.

To buy signed copies of Periodical Photographs, please call the MFAH shop at  (713) 639-7360. While supplies last!

Click below to view more images from the event. (more…)

Brian Ulrich’s Road Trip: Chicago to Chelsea

Wednesday, May 27th, 2009

Brian Ulrich‘s second solo show in New York at Julie Saul Gallery will open this Thursday, May 28th in Chelsea. The show presents works from his series Thrift (2005 – 2008) and the currently in progress Dark Stores, Ghostboxes and Dead Malls. Much of this work is part of the larger project Copia for which Ulrich is currently working on a Guggenheim Fellowship and planning to continue across the country making pictures for a compilation of photographs to culminate in a book that examines 100 years of consumer culture in the US. The show is currently featured on the cover of Photograph Magazine.

Follow Brian as he guest blogs for Aperture in a series of posts below from his road trip: Chicago to Chelsea, New York, sent this morning at 2:42 am.
Tuesday, May 26, 2009

img_05371

Got a late start on the long drive from Chicago to the hometown (NY) due to Car Dealership traps. Follow this up with a torrential  rainstorm or two and I’ve only made outside Toledo by 9pm. Missed the  exit for the currently-being-demolished Southwyck Mall in Toledo. Hopefully will have time to revisit/scout a Dead Mall in Akron, OH and make it into PA this eve. Averaging 38mpg Diesel.

img_05401

img_05412

Lunch – always surprises me how few options for food are on the road. Michael Pollan and Paul Roberts are right, we’re in trouble if we continue down Vitamin Beef.

img_05451

img_0546

Shout Out to John Lehr.

img_05551
Drive to NY on one and a half tanks of diesel.

img_05571

Shout Out to Paul Graham outside of Toledo. (I wrote my thesis paper on PG). Smoke Break, 2009

11:30 Akron, OH Rolling Acres Mall. I should’ve been here hours ago. (Disclaimer: these are all iPhone pics, mostly lit by car headlights).

img_05741

Luckily I photographed inside this Mall for 2 days last summer. It was still open at the time with about 2 stores and no security whatsoever.  Still there a few pictures I’d like to make outside. There’s a certain affinity for this place as I used to shop here as a while an undergrad. While so many of these places are such a bad idea, Rolling  Acres seems to have failed not only for bad planning, but also is representative of economic class and racism. When the mall was still flourishing I recall being warned to avoid this place due to the droves of gangs. Being from NY I couldn’t understand this, a gang to me was not a bunch of kids in a mall being rowdy. I was never bothered there but clearly much of the community was. This huge mall closed not long after I was here last summer. The landlord simply stopped paying the utilities. It recently was offered up for auction and didn’t receive one bid.

img_05632

I was hoping to make some 8×10 pictures here but the late timing and the fact that this one is so dim it’s downright scary. Any exposure would require at least a half an hour and some serious flashlight painting. While I’ve gotten pretty accustomed to working alone late at night once in a while it doesn’t seem the best idea to go it alone. I’ll have to try again on the way back when I have some company. Off to Pennsylvania and drive until my eyes quit.

img_05682

img_05701

(Ready Set Go)

When I lived in Ohio it seemed like I drove the route to NY and back millions of times. I still know what’s off pretty much every exit. So many fun and treacherous journeys in any and every type of season and weather condition. When I moved to NY briefly after Undergrad, I would drive from Manhattan to Ohio every other weekend to photograph (once made it in 5 hours!). NY had a way of feeling so claustrophobic, it was difficult to make work there. After some time (and many miles) I decided the Midwest was more inspiring and freely creative for the moment.

img_0576

img_0577

img_0581

img_05801

1:48 am and the coupon book (and my failing eyes) has led me to Clarion, PA. Not surprisingly to a hotel right next to a Dead Mall. This one is functioning but a bit of a small ghost town.  I’ll investigate further in the morning.

img_05831

Aperture Exclusive: Don McCullin and Fred Ritchin

Tuesday, May 26th, 2009

from Aperture issue 195, image © Don McCullin

Don McCullin is the acknowledged dean of war photographers, although it is a designation he does not easily accept. Working since the 1960s in Biafra, Bangladesh, Cambodia, Cyprus, Lebanon, Northern Ireland, Vietnam, and elsewhere, he has created a body of images that reveal in intimate detail many of the agonizing ways in which atrocity can be visited. Today in his early seventies, McCullin is not content with his decades’ worth of photographs: in particular he decries their insufficient role in diminishing the very violence they depict—as evidenced by the title of one of his books on the Vietnam War, Is Anyone Taking Any Notice?, published in 1973. Although haunted by revulsion and guilt, he remains fascinated by photography and is driven to continue working. Recently married and with a young son, McCullin has lately been photographing landscapes in his native England as well as depicting the remains of the Roman Empire for a large-scale documentary project.

Part 1: Don McCullin and Fred Ritchin; from Aperture Foundation on Vimeo.

Fred Ritchin spoke with the photographer last September in New York City; here we present behind-the-scenes documentary clips of their conversation. A condensed version of this interview appeared in the Summer 2009 issue of Aperture.

Camera and editing by Dennis Nazarov
Sound by Hannah Weddel

Click more to view the entire interview.

(more…)

Happy Memorial Day

Monday, May 25th, 2009

Weegee says

New Issue of Aperture Magazine Available Now

Friday, May 22nd, 2009

195_cover

Taiyo Onorato and Nico Krebs, from the article The Artist Formerly Known as Fashion Photography

The Summer 2009 issue of Aperture, #195, is now on sale. Featuring a diverse and compelling array of images and writing from artists around the world, highlights include:

  • The Difference A Painter Makes: Edward Hopper and Photography, notes by Jeffrey Fraenkel and Robert Adams on Hopper’s vision and its mark on photography.
  • Daniel and Geo Fuchs: In the Halls of the Stasi, by Matthias Harder. A look at the now-quiet former headquarters of the East German secret police.
  • Gay Men Play: Self-Representation, Sex, and Photography Now, by Chris Boot. Sexual identity explored through the medium of photography and on the Web.
  • Maya Deren: A Life Choreographed for Camera, by Mark Alice Durant. Little-known photographs by the acclaimed avant-garde filmmaker.
  • The Artist Formerly Known as Fashion Photography, by Jason Evans. Genre-bending photographers who are producing inventive fashion work.
  • A Look at Look, by Mary Panzer. One of the twentieth century’s great picture magazines, brought back to light.
  • Suyeon Yun: Homecoming. A selection from Yun’s project on American veterans of current and past wars.
  • Don McCullin: Dark Landscapes, interview with Fred Ritchin. A photographer known for his unflinching visions of conflict and troubles discusses a long career.

And, coming soon to Exposures: video interviews with Don McCullin.

Click here to get a subscription and your own copy of this fabulous issue.

Phillip Toledano: Days With My Father

Friday, May 22nd, 2009

days-with-my-father© Phillip Toledano

In his very personal project, Days with my Father, Phillip Toledano has taken photography, memoir, and diary and combined them into a beautifully sincere visual journey. Days with my Father is a moving representation of Toledano’s life with his father after his mother died. Toledano’s mother had shielded her son from the full extent of his father’s dementia, which had eradicated his short-term memory. The images are vivid, the light is radiant and the writing is honest, simple and thoughtful, in ways both light-hearted and heartbreaking.

Phillip Toledano was featured in the Winter 2008 issue of Aperture magazine with his project Phonesex.

Johnson Hits The ol’ Sawdust-y Trail

Thursday, May 21st, 2009

Adult books, firewood, and truck for sale, Port Angeles, Washington

Eirik Johnson’s monograph Sawdust Mountain offers a crisp, breathtaking look at the American West while at the same time commenting on its grim evolution. What was once a bounty of resources and natural beauty has now become over-developed and strained due to the demands of industry. The Pacific Northwest as it once was is now fading, and Johnson strives to capture both the spirit of its original lure and its shifting identity.

Both East and West-coasters have a chance to meet Eirik Johnson, who will be signing copies of his book at Crumpler Store in San Francisco, and later at Rena Bransten for the opening of his exhibition today. Aperture Gallery will host a talk and book signing with Johnson on Tuesday, May 26 in New York City.

Eirik Johnson: Book Signing
Thursday, May 21, 2009 4:00–6:00 pm

Crumpler Store
Level 3, Westfield Center
845 Market Street
San Francisco, California
(415) 896-2245

Sawdust Mountain, Eirik Johnson
Exhibition and Opening Reception

Opening reception:
Thursday, May 21, 2009, 6:30 pm

Exhibition on view:
Thursday, May 21, 2009 –Saturday, June 27, 2009

FREE

Rena Bransten

77 Geary Street
San Francisco, California
(415) 982-3292

Eirik Johnson: Artist’s Talk and Book Signing
Tuesday, May 26, 2009 6:30 pm

FREE

Aperture Gallery
547 West 27th Street
New York, New York
(212) 505-5555