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Archive for November, 2008

Jonas Bendiksen and Philip Gourevitch at Aperture

Friday, November 28th, 2008

Last Monday November 24th, Magnum photographer Jonas Bendiksen, and author and editor of the Paris Review, Philip Gourevitch discussed Bendiksen’s work from his latest book The Places We Live (Aperture, 2008). The publication, with an introduction by Gourevitch, documents life in slums in four different cities around the world: Nairobi, Kenya; Mumbai, India; Jakarta, Indonesia; and Caracas, Venezuela.

During the talk Gourevitch asked Bendiksen several questions, including one about the striking attractiveness and color intensity of the photographs, which could be seen as a sharp contrast to the difficult subject matter at hand. Gourevitch wondered if it was a conscious decision for Bendiksen to reveal the beauty in these precarious dwellings.

Listen to Bendiksen’s response here.

Watch a video of the entire discussion on Aperture Live.

View the interactive website The Places We Live.

Signed Aperture Books on eBay

Friday, November 28th, 2008

Alona in the Bedroom, Ukraine, 2006. Photo by Michal Chelbin

Bid now on a selection of three fabulous, signed, monographs from Aperture, available exclusively on eBay. All three are first editions and in excellent condition. Own a collectible book from the pioneering color photographer William Christenberry, or the first monograph from up-and-coming Israeli-born Michal Chelbin, or the uniquely bound three-volume set Paris-New York Shanghai, from Dutch conceptual artist Hans Eijeklboom.

Click here to start bidding now.

New Issue of Aperture Available Now

Tuesday, November 25th, 2008

The winter issue of Aperture magazine (issue 193) features:

A Magazine in the Making
Peter C. Bunnell revisits the first issue of Aperture on the hundredth anniversary of the birth of the magazine’s founding editor, Minor White.

Susan Meiselas: Nicaragua
John Berger considers Meiselas’s powerful project on Nicaragua’s civil war in the 1970s.

The Author As Photographer: Early Soviet Writers and the Camera
Erika Wolf examines authors who tried their hands at photography in the post-revolution Soviet Union.

Phillip Toledano: Phonesex
Portraits of behind-the-scenes workers who make a living with their voices.

Richard Misrach: Untitled
A selection from Misrach’s newest body of work, plus a bonus poster included in all subscriber issues!

Deep in the Archive
An exploration of photography that engages the concept of the archive, by Ulrich Baer.

Guy Tillim: Things As They Seem
Tillim documents colonial-era architecture and decay throughout Africa.

On the Edge of Clear Meaning: Reconsidering the Work of John Wood
David Levi Strauss explores how Wood’s photographs and photo-based multimedia works tackle politics with poetry.

Disappearing Giants
Michael “Nick” Nichols, the veteran wildlife photographer, tracks endangered elephants in Chad and Kenya.

PLUS: Exhibition reviews from London, New York, The Netherlands, Spain, Switzerland, and Tokyo

Available at newsstands now or subscribe and get the bonus poster from Richard Misrach.

Deborah Willis on Michelle Obama

Monday, November 24th, 2008

Tuesday, November 11th at Aperture Gallery, distinguished scholar, curator, artist, and author of Obama: The Historic Campaign in Photographs Deborah Willis and her son, Hank Willis Thomas, photographer and winner of the first ever Aperture West Book Prize for his recently released monograph Pitch Blackness, sat down for an intimate discussion about their family and artistic histories. Together, they outlined the relationship they share as mother and son and as fellow artists.

One of the questions that arose after the presentation was how Deborah, as a central figure in African American studies feels about Michelle Obama as a new role model in the American political and social landscape.

Listen to a clip of her response here.

In case you missed the event you can watch the video recording of the entire discussion here.

Aperture Magazine: Presidential Countdown Finale

Friday, November 21st, 2008

Election Day, November 4, 2008. Jack’s Valley, Douglas County, Nevada. Photo by Jon Winet

David Levi Strauss, Aperture magazine contributing editor, noted writer, and current Chair of MFA Art Criticism and Writing Department, School of Visual Arts, shares his unique perspective on the current political landscape.

__________________________________________________________________________________________________

Image & Reality

I felt early on, from age 10 or so, that a big part of politics was emotional, and had everything to do with the collective imagination and memory. President John F. Kennedy was assassinated when I was 10, and those images remain indelible. My first electoral politics excitement came from the insurgent candidacy of Bobby Kennedy, and those images too have never faded. When Martin Luther King was assassinated, and then Bobby, in 1968, I was 15, and I never stopped mourning those losses, until November 4, 2008. Forty years later, I feel that excitement again. Electoral politics seems possible again. That’s a long time to wait, a long time to be outside, and I’ll admit it feels very strange to be back after all this time.

If Martin Luther King and Robert F. Kennedy were still alive, they would be 79 and 83 years old, respectively. Think about how much different the intervening years would have been if they hadn’t been killed. As a political tactic to influence democratic process, terrorism doesn’t work—but assassination does.

The politics of fear and resentment that has largely determined electoral politics in America for the last forty years just lost. Nixon and Reagan lost. Lee Atwater and his protégé Karl Rove lost, decisively. “Triangulators” like the Democratic Leadership Council lost. The change—and in American democracy, change is still a choice—is palpable. People are moving differently on the street, and sounding different when they speak.

A few days after Obama won, some people began to publicly wonder whether this was “only a symbolic victory,” or constituted real change. This question seems to me to reveal a singular misreading of the present moment. Yes, this is a symbolic victory, but it is one in an environment where symbols matter more than ever. Symbolic change is real change.

It was necessary, in this campaign, to change the way people thought about electoral politics, to create a new image of it. In the recent past, right-wing Republicans had gotten themselves into position to govern by seizing the public imaginary and by controlling images. They turned out to be extremely good at this.

To defeat them, it was necessary to reclaim the public imaginary, to change the symbolic order. Now Obama and his team are in position to govern, to change policy, and they must do so swiftly and decisively, but they must continue to pay attention to the image. In their second term, Bush & Co. neglected the image, gave up on the public imaginary, and ruled with brute force and fiat. Obama can never do that. There are hard times ahead, and we are going to need images to unite us.

In the campaign, Obama had a particular problem that few politicians ever face: he became too popular. At one point, the level of public adulation rose so precipitously that it threatened to get out of control. The opposition (first Clinton, then McCain) took note, and their image of Obama as a callow celebrity—all style and no substance—briefly took hold.

Then, in Denver, in a stadium filled to bursting with 84,000 of his most ardent supporters, high on their own rightness and growing strength, I saw Obama dial back the charisma and cool the image, to make it more convincing for the 40 million people watching the speech on small screens in living rooms, many of whom did not know him well and had not yet made up their minds. He controlled the image, in order to get into position. When this kind of understanding and self-control comes together with great intelligence and a genuine will to change things for the better, many seemingly impossible things become possible again.

If Obama continues to honor this confluence, he will become not just the most unlikely candidate ever to win an American presidential campaign, but one of the greatest presidents we have ever had.

Filed on Monday, November 17, 2008, after the 60 Minutes interview.

Jonas Bendiksen and Philip Gourevitch Conversation at Aperture

Friday, November 21st, 2008

On Monday, November 24th at 6:30pm Aperture will host a conversation between photographer Jonas Bendiksen and author Philip Gourevitch. Their discussion will focus on the subject of Bendiksen’s recent and remarkable book, The Places We Live, which documents life in slums around the world.

Jonas Bendiksen is a Norwegian photojournalist and member of Magnum Photos. For such a young photographer, he has received a wide range of accolades including the 2003 Infinity Award from the International Center of Photography. Focusing on enclaves and other isolated communities, Bendiksen often photographs dire social situations from a unique investigative perspective.

Philip Gourevitch is among the most vibrant nonfiction and editorial writers of our time. His texts have tackled such weighty topics as American torture of Iraqi prisoners in Abu Ghraib, ethical conflict in Africa, and presidential campaigns. In an interview with Alex French, he explains: “I guess I like to look at things that might normally make me prefer to look away, but which in fact I feel more uncomfortable ignoring.” Gourevitch contributes the introduction to The Places We Live where he describes the growing problem of slums in major urban centers.

We hope you’ll join us on Monday night at Aperture for this amazing event, but in case you can’t make it in person, be sure to check out the live stream of the event on Aperture Live.

Aperture Gallery
547 West 27th Street, 4th Floor
New York, New York

Take the Aperture Online Survey and Win

Wednesday, November 19th, 2008

Participate in Aperture’s online survey, and you could win a $250 gift certificate, good for books, limited-edition photographs, and back issues of Aperture magazine.

You are important to us and we want to learn more about who you are, your interests, and what you think about Aperture so we can continue to publish and present the best in fine photography. Everything you tell us is confidential and in return for your time and effort, you can enter into a drawing to win a $250 Aperture.org gift certificate. Read the fine print here.

Click here to get started. Please be sure to answer all the questions – the entire survey should take less than 15 minutes.

Thank you and good luck!

Bert Teunissen Exhibition in New York

Wednesday, November 19th, 2008

On the Road: A Domestic Landscapes Travelog
Photographs by Bert Teunissen

Opening Reception – artist will be in attendance:
Thursday, November 20, 6:00–8:00

Exhibition on View:
November 20, 2008–January 10, 2009

Witzenhausen Gallery NY
547 West 27th Street, 5th Floor
(between 10th and 11th Avenue)
New York, NY

FREE

Over the past decade, Dutch photographer Bert Teunissen has documented hundreds of old European homes, using only natural light. These are rudimentary yet cultured settings aglow with a warm, timeless atmosphere. Teunissen’s Travelog lets the viewer accompany him on his journey.

Check out the affordable limited-edition photograph from the Domestic Landscapes series, available at Aperture.

Launch Party for The Eye on the Strand Contest

Tuesday, November 18th, 2008

Mary Pelletier on November 16, 2008 8:11 PM

Aperture, The Strand Bookstore and Pratt Institute Center for Continuing and Professional Studies (CCPS),will celebrate the launch of The Eye on the Strand photo contest. Amateur and professional photographers alike from all over the world are invited to submit their photo representations of the Strand Bookstore for a chance to win an afternoon with internationally-renowned photographer Mary Ellen Mark, a collection of fifty photobooks published by Aperture, and more. A group exhibition will take place at Pratt CCPS Gallery in the summer of 2009 to include all of the winning images.

Aperture artists scheduled to attend, sign their books, and mingle with fans include Michal Chelbin, Donna Ferrato, Paul Fusco, Walter Martin and Paloma Muñoz, Stephen Shames, and Hank Willis Thomas, among others.

The Eye on the Strand photo contest will run from November 6, 2008, through February 27, 2009.

Launch Party:
Wednesday, November 19, 7:00 p.m.

Strand Book Store
828 Broadway (at 12th Street)
2nd floor/Art Department
(212) 473-1452

FREE

PARIS PHOTO 2008

Monday, November 17th, 2008

Paris Photo 2008 honoring Japanese photography, just ended yesterday. It was a truly successful fair for Aperture! Here are a few highlights from the Aperture booth and our book signing event at colette.

On Thursday, legendary Japanese photographer Eikoh Hosoe dropped by the booth to sign copies of the recently launched first edition facsimile reissue of Barakei. Lucky visitors also had the chance to discover his new book projects.


Later in the afternoon, photographer Michal Chelbin signed her latest acclaimed book Strangely Familiar: Acrobats, Athletes, and Other Traveling Troupes.

On Friday, the notorious colette store hosted a special evening celebrating Aperture photographers and a stunning new season of books and prints. Michal Chelbin, Elena Dorfman, Takashi Homma, Erwin Olaf and Michael Wolf were there to sign books and party among 200 collectors and fans eager to meet them.

Erwin Olaf

Takashi Homma