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Archive for October, 2008

Aperture Magazine: Presidential Countdown

Friday, October 31st, 2008

Obama Campaign Rally, Marriott Hotel & Convention Center, Coralville,
Iowa. October 7, 2007. Photo by Jon Winet

David Levi Strauss, Aperture magazine contributing editor, noted writer, and current Chair of MFA Art Criticism and Writing Department, School of Visual Arts, shares his unique perspective on the current political landscape.

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I Put This Floor in This House

The political campaign ad for television is certainly one of the most degraded forms of public communication we have. It was base to begin with, built on a tissue of half-truths, innuendoes, and outright lies, and designed to appeal to our worst tendencies: fear, greed, insecurity, and selfishness. Most of the ads aired by both sides in this presidential campaign have been negative hits on one’s opponent.

Until last night, when, six days before the election and flush with more donated money than any candidate in history has had at his disposal, Barack Obama bought thirty minutes on prime-time TV, right before what turned out to be the final game of the World Series, to make a final pitch to American voters.

It begins with an image of American beauty and bounty: a field of Kansas wheat blowing in the wind. Then a traveling shot of the prairie as the voice-over begins, “With each passing month, our country’s faced increasingly difficult times . . . .” The candidate then appears, already at home in a less austere version of the Oval Office, and sits on the edge of his desk to speak to us. He’ll tell us the stories of four working families and their struggles, and what an Obama presidency will do to help them. “Everybody here has got a story.”

The structure of the ad is consistent and sound. Each family’s story is followed by Obama’s policy proposals to address their issues. These are the problems, and these are the solutions. There are moments of great subtlety and effect, as when Larry Stewart, retired after working thirty years on the railroad, sits in his house in Sardinia, Ohio, and says, “I put this floor in this house.” When he retired ten years ago, he lost his health insurance and had to take a job at Wal-Mart at age 72, as an “associate salesman.” “In other words,” he says, “I just sell stuff, that’s all.” That is, I don’t make things anymore, like I built this house. I just sell stuff, cheap, that other people now make elsewhere in the world, to other Americans like me who can’t afford to buy stuff we make ourselves anymore. And we are told that this is now our work, to consume, to buy and sell stuff we don’t make to each other. This is what we’ve been reduced to, far away from “an economy that honors the dignity of work.”

Each family story, from Kansas City, Missouri, Sardinia, Ohio, Albuquerque, New Mexico, and Louisville, Kentucky, tells a part of the catastrophe we’ve been led into: forty-seven million people without health insurance, $10 billion a month in Iraq, and an economy built on easy money, debt, and consumption.

John McCain and Sarah Palin are never mentioned in this ad. George W. Bush is never mentioned. It’s not about them. It’s not even about Barack Obama. It’s about us. The entire ad, from amber waves of grain to God bless America, is about the idea of us, and what would happen if we decided to take back our country.

One of the marks of a world-class practitioner is that he can take a degraded form and breathe new life into it. Political analysts will be talking about this ad for a very long time, because it transcends the form.

But it doesn’t transcend reality. All of these stories of people who are hurting now are haunted by the realization that more pain is on the way. The current financial crisis will certainly lead to terrible economic effects over the first term of the Obama presidency. The real pain hasn’t even started yet. It’s going to be bad, and it’s going to be worst for poor and working-class families. To get through it at all, people are going to have to come together to enter a “new era of responsibility,” and abandon the politics of resentment and fear that have reigned over the last eight years.

“In six days, we can choose hope over fear and unity over division. . . . In six days we can come together as one nation and one people, and once more choose our better history. That’s what’s at stake.”

Filed on Thursday, October 30 , 2008.

Flyp Media interviews Hank Willis Thomas

Friday, October 31st, 2008

Claire Dennis for FLYP

FLYP Media is an online magazine combining video, text, animation, high-quality design and interactivity in a new kind of storytelling. Writer Anna Katarina Gravgaard interviews Hank Willis Thomas, for a piece titled Visual Slang, exploring images from his recently released Aperture title Pitch Blackness.

Check out other FLYP interviews with Aperture artists, Jonas Bendiksen and Dawoud Bey.

Collector’s Workshop: Now Available as Podcasts

Thursday, October 30th, 2008

On Tuesday, September 16, Aperture hosted a panel discussion geared specifically towards young, first-time collectors on the ins and outs of collecting affordable photography. Moderated by Laurel Ptak, Aperture’s Educational Programs Manager, the discussion included Kellie McLaughlin of Aperture’s Limited-Edition Photographs Program, Amani Olu, founder and executive director of the Humble Arts Foundation, collector Ruben Natal-San Miguel of ARTmostfierce arts blog, and photographer Brian Ulrich. In case you missed it, here is another chance to listen to each panelist’s presentation or the entire discussion.

Kellie McLaughlin kicks off the talk, presenting Aperture’s longstanding limited-edition photographs program. It all began in 1968 when Paul Strand’s Mexican portfolio was reprinted for greater availability and accessibility. Kellie gives examples of the collection’s diversity from classics such as Edward Steichen and Dorothea Lange, to contemporary visionaries including Richard Misrach, Thomas Allen, Michal Chelbin and Martin Parr. She highlights the strength of Aperture’s program—particularly for young collectors—with its affordable prices and savvy image choices made by Aperture editors and curators.
Click here to download and listen to Kellie.

Ruben Natal-San Miguel talks about his passion for collecting even during these terrible weeks for Wall Street, underlining that art is what lasts. He starts by noting the importance of timing as these prints are typically limited in number and can often sell out. He also suggests asking oneself if the photograph will still resonate for them twenty years later. And most importantly, he advises the collector to “do their homework,” researching online resources—more specifically, blogs which have an incredibly strong impact on the collecting community today. He also shares a glimpse of his collection, which focuses on emerging photographers. Click here to download and listen to Ruben.

Amani Olu explains the concept behind his creation of Humble Arts Foundation in 2005, a platform for emerging artists through online and physical exhibitions, educational programs, grants and their limited-edition program. With a strong and passionate vision, this non-profit has featured hundreds of photographers, and has quickly become an important resource for collectors. In this spirit, Amani gives an exclusive preview of his collector’s guide to emerging art photography to be published in spring of 2009. He also shares his take on the differences in working for a non-profit organization and a commercial gallery. Click here to download and listen to Amani.

Artist Brian Ulrich presents his newest work photographing art fairs around the world. Regarding the art market, he also explains how photography has recently become a highly collectible item responding to the immediacy of the market compared to other mediums, and how the emerging technologies have increased the proximity between collectors and artists. Click here to download and listen to Brian.

Download the entire lecture series here.

Pics from PhotoPlus

Wednesday, October 29th, 2008

Paul Fusco at PhotoPlus East, New York City, October 23, 2008.

Thanks to everyone who stopped by the Aperture Foundation booth during PhotoPlus East last week. Thousands of people came to the largest photography trade show in the Northeast and those who came by the Aperture booth got to see the new season of fabulous photography books (like the Tinyvices series), brand new, affordable limited-edition prints and the hot-off-the press winter issue of Aperture magazine. Magnum photographer Paul Fusco was there on Thursday to sign copies of Paul Fusco: RFK and PDN 30 winner Michal Chelbin signed copies of her new Aperture monograph, Strangely Familiar: Acrobats, Athletes, and Other Traveling Troupes on Friday.

Michel Chelbin (far left) signing copies of her monograph at PhotoPlus East, October 24, 2008.

Walter Martin and Paloma Muñoz Artists’ Talk Tonight at Aperture

Tuesday, October 28th, 2008

Tonight! Tuesday, October 28, 2008

Artists’ Talk and Book Signing

6:30 p.m.

Aperture Gallery
547 W. 27th Street, 4th Floor
New York, NY

FREE

Within the simple constraints of a glass globe, the captivating images in Travelers (Aperture) conjure up entire sequences of imaginary worlds and events. Coinciding with the publication of the artists’ first monograph, Walter Martin and Paloma Muñoz will discuss their collaborative process of creating mesmerizing miniature snowbound environments, then recording them in chilly color photographs. At first glance playful, closer observation of the work reveals darker narratives rife with anxiety and uncertainty.

Read New York Times Magazine review of their exhibition on view last January at PPOW.

Check out the Aperture Limited-Edition Photograph, Traveler at Night, 2003.

Catherine Leutenegger Opening

Friday, October 24th, 2008

Studio Pierre Germond, Clarens

Hors-Champ (Off-Camera)
Photographs by Catherine Leutenegger

Opening Reception:
Monday, October 27, 6:00–8:00 p.m.

Exhibition on View:
Monday, October 27, 2008 – Monday, November 3, 2008

Aperture Gallery
547 W. 27th Street, 4th Floor
New York, NY

FREE

Aperture Foundation is pleased to partner with Raymond Weil to highlight the winner of the Raymond Weil Club 2007 International Photography Prize, Catherine Leutenegger. Ms. Leutenegger’s work will be on display for a special one-week exhibition in Aperture Foundation’s bookstore and board annex. Hors-Champ (Off-Camera) is an invitation to discover a place that often remains unknown: where photographs are made.

Aperture at PhotoPlus Expo

Thursday, October 23rd, 2008

Visit Aperture at Booth #763 at PhotoPlus International Conference + Expo, the most important equipment show in the industry, going on now.

October 23-25, 2008
Jacob K. Javits Convention Center
New York, New York

See the latest digital cameras, imaging software, and other cutting-edge technologies and equipment that are shaping the world of photography.

At Aperture’s booth #763, preview our new books, magazine, and limited-edition prints. Also, join us for the following book signings:

Thursday, October 23, 2:00 p.m.
Paul Fusco signing Paul Fusco: RFK

Friday, October 24, 2:00 p.m.
Michal Chelbin signing Strangely Familiar: Acrobats, Athletes, and Other Traveling Troupes

Click here and register to receive a FREE pass to the exhibit hall.

Sylvia Plachy Captures the World

Wednesday, October 22nd, 2008

Five exhibitions in Europe and the U.S. are featuring the personal and acclaimed work of photographer Sylvia Plachy. Born in Hungary, Plachy immigrated to the United States with her parents in 1958, and has been photographing since 1964. Goings on About Town: Photographs for The New Yorker is her most recent book published by Aperture. She is the recipient of a Guggenheim fellowship, Lucie award, and has been a regular contributor to The New Yorker and Village Voice, among others.

SOLO SHOWS
New York, New York
Composition Gallery, Atlanta, GA
September 30 – November 2

Fragile Beings
Blanca Berlín Galería, Madrid, Spain
October 9 – November 11

The Amazing Adrien
My Cup of Tea | Creative Space, Rome, Italy
October 16 – November 1

GROUP SHOWS
Darkside
Fotomuseum, Winterthur, Switzerland
September 6 – November 11

Behind Walls – Eastern Europe before 1989
Noorderlicht Photofestival, Fries Museum, Leeuwarden, Netherlands
September 7 – October 26

Women In Photography Co-Founder Amy Elkins Exhibition Opening

Wednesday, October 22nd, 2008

Brendan, Brooklyn, NY. 2008 Amy Elkins

You may have seen photographer and WIP co-founder Amy Elkins speak on behalf of her initiative Women In Photography at Aperture’s recent Spotlight Discussion panel. If not go to Aperture/Live, view here!

Her ongoing series Wallflower investigates and confronts some of the cultural grounds underlying gender, opting to focus on the beauty, sensitivity and vulnerabilities found in a sex that has long been held to masculine expectations and stereotypes. For Elkins these portraits remain a personal and psychological delving into the other, finding the mannerisms of male role models in her personal life endlessly fascinating.

Opening Reception: Wallflower

Tomorrow, Thursday, October 23 at 6:00-8 p.m.

YANCEY RICHARDSON GALLERY
535 West 22nd Street 3rd floor
New York NY 10011

Aperture Magazine: Presidential Countdown

Tuesday, October 21st, 2008

McCain Nation Presidential Debate Watch Party, Walnut Creek, California.
October 15, 2008. Photo by Jon Winet

David Levi Strauss, Aperture magazine contributing editor, noted writer, and current Chair of MFA Art Criticism and Writing Department, School of Visual Arts, shares his unique perspective on the current political landscape.

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Autism on the Rise

John McCain has the worst timing of any politician in recent memory. Eight years ago, he was the most popular political figure in America. Shot down by the Bush/Rove team’s dirty tricks in 2000, he was later forced, Stockholm Syndrome-style, to embrace them. Now, after eight years of a Republican administration that will be remembered as among the worst in American history, McCain and his ideas are irrevocably yoked to that catastrophic cart. His statement Wednesday night that “I am not President Bush,” echoed Nixon’s “I am not a crook,” in its bitterness and irony.

Rather than moving toward the center to convince independent and undecided voters (who used to be part of his natural constituency) to vote for him, McCain instead swerved to the right, choosing a polarizing vice-presidential candidate that can only help him on the lunatic fringe, and mounting a negative campaign that attempts to revive the cultural battles of the 1960s at a time when a collapsing economy has voters focused only on the immediate present and future, not the past.

To rely exclusively on the old Republican rhetoric of cutting taxes and shrinking government at this point, when government is the only protection against collapsing markets, indicates a dangerous misreading of political realities. McCain is fighting the wrong war at the wrong time. More and more, he exhibits an abnormal subjectivity, marching to his own maverick drummer as it leads him and his supporters over a cliff.

Watching McCain in the final debate, I was reminded of Bob Dole in 1996, another highly skilled and successful senator who was drastically out of step with the changing times, and made bitter by the knowledge that he’d repeatedly missed his presidential moment. When John McCain looks at Barack Obama, he sees the future, and it galls him. You can see it in his eyes. Bob Schieffer was trying to help McCain by setting him up for his litany of attacks against Obama, but all it did was display the older man’s desperation and impotence. McCain looked better than he has in months in the first forty minutes of the debate, but if this had been a prize fight, Schieffer would have stepped in and thrown up his hands to protect McCain an hour into it.

Filed on Friday, October 16 , 2008, after the third and final presidential debate.