Here is Aperture Exposures' archives - return to aperture.org

Archive for September, 2008

Early Photographs of New York City

Tuesday, September 30th, 2008

Bradhurst Cottage on Bloomingdale Road. Photo by Victor Prevost

Victor Prevost: Early Photographer of New York

Exhibition on view: September 5, 2008 – October 19, 2008

New York Historical Society
170 Central Park West
New York, New York

An exhibition showcasing vintage photographs of New York City is now on view at the New York Historical Society. This unique exhibition features images by French photographer Victor Prevost. These rare images from the 1850′s depict a now very unfamiliar Manhattan. Created by the calotype process of using sensitized waxed paper to make photographic negatives, these images have survived to become some of the earliest paper photographs of New York City.

Women in Photography Event at Aperture

Monday, September 29th, 2008

Robin Schwartz

Women in Photography

Tuesday, September 30, 2008, 6:30 PM

Aperture Gallery
547 West 27th Street, 4th Floor
New York, New York

Join Aperture’s Educational Programs Manager, Laurel Ptak, as she moderates a conversation about Women in Photography, a new online venue showcasing work by contemporary female photographers. Tuesday’s panel includes the site’s co-founders Cara Phillips and Amy Elkins, alongside noted contributing photographers Robin Schwartz and Elinor Carucci.

Robin Schwartz is one of the featured artists in the upcoming Aperture series Tinyvices. She is known for her imaginative photographs of her daughter, Amelia, interacting with exotic animals. Schwartz says, “photography gives us the opportunity to access our dreams, to discover the extraordinary…Amelia and I play out our eccentricities in worlds where she and animals not only co-exist, but also interact.” Learn more about Robin Schwartz here.

Elinor Carucci was featured in Aperture magazine issue 182. She was born in Israel but now resides in New York. Her autobiographical work has been exhibited internationally and she notes, “it was photography that allowed me to be able to step away, to see what was going on, even what is about to happen.” Learn more about Elinor Carucci here.

Aperture Magazine: Presidential Countdown

Sunday, September 28th, 2008

David Levi Strauss, Aperture magazine contributing editor, noted writer, and current Chair of MFA Art Criticism and Writing Department, School of Visual Arts, shares his unique perspective on the current political landscape.

Everett and Jones Barbeque, Oakland, California. Site of a large
presidential debate party. 09/26/08. Photo by Jon Winet

Mississippi Mud

No one got hurt in this first debate, and under the circumstances, I think that’s bad for Obama. John McCain limped into this thing after two days of wildly erratic behavior, suspending his campaign and announcing that he wouldn’t show up in Mississippi for the debate, because he had to rush to Washington to solve the financial crisis. After demanding a meeting at the White House with President Bush, Secretary Paulson, Chairman Bernanke, and the Congressional leadership, McCain was ambushed by House Republicans, who decided to oppose Bush’s bailout. After that, McCain reportedly sat off to the side mumbling while Obama asked tough questions of the Treasury secretary and others. When Obama announced that he was going to appear at Old Miss with or without him, McCain decided he could spare the hour and a half to be there, too, after all.

The debate proceeded as if none of this had happened. Jim Lehrer orchestrated an elegant, measured discussion of the issues, with each candidate politely remaining within his time limits. There were no outbursts, gaffes, or zingers, to speak of. The problem with this, for Obama, is that it made McCain look like a perfectly reasonable, august statesman and executive, rather than the reckless, arrogant grandstander he’d been just hours before. McCain looked great tonight, much better than he ever looks when giving a speech. Obama always looks good, so there’s no relative gain.

Even though Obama will always prevail over McCain in any public, refereed debate on the issues, McCain still managed to get his broad, old-fashioned strokes in, painting Obama as a tax-and-spend liberal who will raise business taxes and drive jobs overseas, as a cut-and-runner who will lose the war in Iraq and dishonor the deaths of over 4000 service men and women, and as an inexperienced, naïve upstart who won’t be able to stand up to America’s enemies. Obama is impatient with such broad strokes and doesn’t reciprocate, preferring to draw more precise and subtler connections to make more specific points.

The only real advantage to Obama last night arose from body language and speech tone. From the beginning, Obama often looked at and spoke directly to McCain, while McCain spoke only to Lehrer, ignoring Obama and refusing to look at him. The effect of this was cumulative and significant. As the debate wore on, McCain seemed more evasive and equivocal, refusing to face his opponent head-on. He always referred to his opponent as “Senator Obama,” while Obama called him “John,” and came right at him, honestly and without guile. On a number of occasions, McCain’s tone veered into the sarcastic and even contemptuous, and attentive viewers glimpsed two very different approaches to political discourse.

Filed on Friday, Sept. 26, 2008, after the first Presidential debate at the University of Mississippi’s Oxford campus.

Obama: The Historic Campaign in Photographs

Friday, September 26th, 2008

Obama Rally, Washington Square Park, NYC, September 2007. Photo by Terrence Jennings

Obama: The Historic Campaign in Photographs
Curated by Deborah Willis & Jeanne Moutoussamy-Ashe

Exhibition on view: September 19, 2008 – November 8, 2008
Leica Gallery
670 Broadway
New York, New York

This exhibition documents and describes a transformation; it expresses the range of emotions expressed by the subjects in the photographs since February 10, 2007, the day on which Barack Obama announced that he would run for President. This exhibit highlights, through some 100 photographs, the road to Barack Obama’s historic nomination as the first black American to lead the Presidential ticket of a major party.

Also, join Deborah Willis and her son, Hank Willis Thomas, in conversation at Aperture Gallery on November 11, 6:30 p.m. Thomas’ first monograph, Pitch Blackness, was just published by Aperture.

Susan Meiselas Book Signing

Thursday, September 25th, 2008

Susan Meiselas: In History

Book Signing: Friday, September 26, 2008, 6:00 PM

Exhibition on view: September 19, 2008 – January 4, 2009

International Center of Photography (ICP)
1133 Avenue of the Americas
New York, New York

Join Susan Meiselas at ICP tomorrow for a book signing of the new edition of Nicaragua: June 1978 – July 1979 which was originally published by Aperture in 1981. The event is taking place in conjunction with the exhibition Susan Meiselas: In History at ICP. The book is a photojournalistic documentation of a nation in turmoil. The 2008 edition includes Pictures from a Revolution, a DVD in which Meiselas returns to the scenes she originally photographed, tracking down the subjects and interviewing them about the reality of post-revolution Nicaragua. The DVD booklet features a new interview with Meiselas in which she discusses the history of the project.

To purchase the book, click here.

1968 Then & Now Exhibition Goes On View at the Tisch School of the Arts

Thursday, September 25th, 2008

© Stephen Shames

The Department of Photography & Imaging in the Kanbar Institute of Film and Television at New York University’s Tisch School of the Arts has announced the dates for an exhibition presenting approximately 75 works including letters, photographs, paintings, prints, video, and installation art by 50 artists who have transformed our understanding of identity, resistance, war and peace.

The exhibition will be on view in the Gulf + Western Gallery and in the 8th floor gallery of the Tisch School of the Arts Department of Photography & Imaging, located at 721 Broadway (at Waverly Place). Gallery hours are 10 a.m. to 7 p.m. weekdays and noon to 5 p.m. Saturdays. This exhibition is open to the public and admission is free. Photo ID is required when entering the building. For further information on the exhibition or any of its accompanying events, visit photo.tisch.nyu.edu or call 212/998-1930.

Artists, filmmakers, and writers in the exhibition include: Emma Amos, Tomie Arai, William Cordova, Bruce Davidson, Thulani Davis, Leslie Hewitt, Jessica Ingram, Builder Levy, Lorie Novak, Norman Parish, Jolene Rickard, Stephen Shames, Margo Machida, Elaine Mayes, Iris Morales, Paul Owen, Robert Sengstacke,  Bob Stam, Jamel Shabazz, Hong-An Truong, Carla Williams, Hank Willis Thomas, Carrie Mae Weems, Fran Wilson, and more.

This exhibition is currently on view through November 22. More Information.

Aperture Nominated for Two Lucie Awards

Monday, September 22nd, 2008

In addition to the numerous artists who are being honored at the 6th Annual Lucie Awards (see those who have worked with Aperture here), Lucies are also awarded to those in the creative community who are an integral part of crafting an image. Aperture Foundation has been nominated in two categories:

BOOK PUBLISHER OF THE YEAR for
Richard Misrach On the Beach

PHOTOGRAPHY CURATOR/EXHIBITION OF THE YEAR for
Melissa Harris, Invasions 68: Prague, Aperture Gallery, NYC

See all categories and finalists here.

Winners will be announced on October 20, 2008.

The Welcome Is Big as The House Is Small Photography Exhibit Comes to New York!

Friday, September 19th, 2008

The House Is Small But The Welcome Is Big:
Using photography to empower lives in Africa.

Exhibition on View: Saturday, September 20, 2008-Saturday, October 18, 2008

Exit Art
475 Tenth Ave
New York, NY 10018
(212) 966-7745

Aperture has a long-standing history of combining photography and social consciousness. Therefore, we are always thrilled when other organizations do the same.

The House is Small is a traveling exhibition featuring photographs taken by women and children in Africa who are affected either directly or indirectly by HIV/AIDs. The project first began in the township of Cape Town, South Africa with 15 HIV positive women being taught the fundamentals of photography. These women were then encouraged to document their lives using the camera as their tool.

The project was then extended to include children in Maputo, Mozambique who had been orphaned by family members with AIDs. Like the women in Cape Town, these children were also given cameras and instruction on how to use them. Their remarkable stories, along with their images, can be viewed here.

This type of project, described by co-creator Neal Baer as “participant photography,” brings a new perspective to traditional photo documentation. The show is an incredible achievement and helps to remind us of how art can make a positive impact on the world.

Attention to a Larger Context

Thursday, September 18th, 2008


Richard Ross: Attention to a Larger Context from Aperture Foundation on Vimeo.

In this video, Richard Ross talks about how images from his project Architecture of Authority attempt to change perceptions of our social surroundings. Using as examples communication rooms in both religious and incarceration spaces, he points out how both evoke feelings of intimacy in order to extract confessions. Ross’s images highlight the manipulative aspect of architecture as it is made to answer various, and often unsaid, goals in every type of space.

The exhibition Architecture of Authority was recently on view at Aperture Gallery and will be opening at The Nerman Museum of Contemporary Art in Overland Park, Kansas on Friday, September 19, 2008. With this body of work American photographer Richard Ross presents unsettling pictures of architectural spaces that each exert a kind of power over the individual. From a Montessori preschool, to churches and mosques, to an interrogation room at Guantánamo and segregation cells at Abu Ghraib, Ross’s photographs reflect the state of our post 9/11 world—one in which he believes the public has become accustomed to the abuse of power, erosion of individual liberty, illegitimate authority, and constant surveillance.

See book here.

Jock Sturges Opening and Book Signing in Santa Fe

Thursday, September 18th, 2008



Jock Sturges: Work From Two New Monographs

Opening Reception and Book Signing: Friday, September 19, 2008, 5-7 pm

Exhibition on view: September 19, 2008-November 1, 2008

photo-eye Gallery
376 Garcia Street, Suite A
Santa Fe, New Mexico

An exhibition celebrating Jock Sturges’s newest monographs will be opening in Santa Fe this Friday. The exhibition at photo-eye’s gallery will showcase images from the upcoming Aperture title Misty Dawn: Portrait of a Muse as well as Life Time published by Steidl.

The images from Misty Dawn feature a young girl throughout twenty-five years of her life. Sturges follows Misty Dawn, his muse, from childhood to adolescence to adulthood capturing the unique relationship between photographer and subject.

Misty Dawn: Portrait of a Muse is one of several books of Jock Sturges’s photographs to be published by Aperture. To learn more about these publications click here.

Additionally, for Jock Sturges’s limited-edition photographs, click here.