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Archive for the ‘Limited-Edition Photographs’ Category

For Valentines Day a Limited Edition Print by Bruce Davidson

Thursday, February 9th, 2012
Untitled, (Couple on platform) from Subway, 1980

Looking for a Valentine’s day gift for your sweetie?  Why not the beautiful limited edition photograph by Bruce Davidson from his 1980 series Subway, reissued last fall. Untitled, (couple on platform) depicts a public display of personal affection in stunning Kodachrome color–one of his rare forays outside of black and white film.

In this video clip for Aperture, Davidson explains that for the longest time he “found that mostly color is gratuitous, because we have it.”  When he began the project, for about half the time he was shooting in black and white. At one point, he says, “something came over me,” and he loaded that legendary, now-discontinued color film.

To capture the cultural fabric of New York City at that particular time, he needed the extremes of color. “The people in the subway,” he says, “their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks, and closed off from each other.”

Buy the print here for your sweetheart!

New Limited Edition Photograph by Michael Flomen

Monday, February 6th, 2012
New Born, 2010 by Michael Floman

Aperture is pleased to release this special limited-edition 23″ x 18″ print by artist Michael Flomen titled New Born, 2010.  Flomen writes: “for me New Born, is a photographic document of a fragment of evolution. The image represents the birth of a new beginning.” It was made in a pond in Northern Vermont by dipping a glass plate negative into the water at night time.

Flomen’s work is also featured in the publication The Edge of Vision: The Rise of Abstraction in Photography (Aperture, 2009) by Lyle Rexer.  Read an excerpt from the book by Rexer on Flomen here:

takes photography’s desire for the real to its literal extreme, making photographs that are in direct contact with the natural elements he seeks to capture.  Working without a camera, he places sheets of black-and-white photographic paper in snowfields, streams, and other natural settings to register the activity of light in relation to natural phenomena. This environmental romanticism, so closely akin to Talbot’s intuition that photography allows nature to draw itself, represents a new adaptation of the photogram.

For fifteen years, this self-taught artist has collaborated with nature using this camera-less technique. Natural phenomena, he says, are the inspiration to his picture making.

 

New Limited-Edition Print by Hank Willis Thomas

Wednesday, December 21st, 2011

After Identity, What?, 2011 © Hank Willis Thomas

Aperture is pleased to present a new limited-edition photograph by Hank Willis Thomas. After Identity, What? is part of the artist’s 1969 series. MoMA PS1 invited Hank Willis Thomas and other artists to respond to the year 1969, a period marked with revolution and socio-political tumult. The artists made work utilizing images from magazines of the period and juxtaposed them with text derived from the same publications. The resulting pieces demonstrate the concerns and social values of the era and reflect a historical perspective only the passage of time can provide.

Aperture also published Willis Thomas’s first monograph Pitch Blackness (2008), and then released the now sold-out limited-edition photograph, Black Power.

Read FLYP interview with Hank Willis Thomas.

Read an interview with Hank in Art in America Magazine.

Aperture’s Holiday Sale – Last Day for Ground Shipping!

Thursday, December 15th, 2011

Artillery, 2005 © Sarah Pickering

Shop Aperture’s  bookstore to enjoy 30% off books, 15% off prints and 50% off online and in store. Aperture magazine gift subscriptions and pick out the perfect gift for your favorite photography lover. The sale extends until January 5, so start you holiday shopping (and hint dropping) now!

Order today to ensure delivery by December 24 via FedEx Ground!

Charles Lindsay at CPW

Friday, December 9th, 2011

footage from the installation CARBON. © Charles Lindsay

CARBON

Exhibition on view:
November 2, 2011–January 29, 2012

The Center for Photography at Woodstock
59 Tinker Street
Woodstock, NY
(845) 679-9957

 

The Center for Photography at Woodstock (CWP) presents CARBON, a site specific exhibition by the artist Charles Lindsay. Fascinated by space exploration and abstract art, Lindsay created “camera-less photographs” by experimenting with and distorting negatives and carbon based emulsions. The result is an interactive, multi-media installation that fuses sculptures (made with recycled bio-tech equipment), images, videos, and audio recordings. In conjunction with CARBON, the CPW will host the multi-media concert Trout Fishing in Space. The one-night only event will be held on Saturday, December 10 at 7:00 pm and will feature the audio and visual art of five different performers, including Lindsay.

Charles Lindsay is a photographer and musician with a degree in geology. His work explores our modern interactions with the earth. He received a Guggenheim Fellowship for his CARBON project. Aperture offers Lindsay’s limited-edition print Brown Trout, California.

Aperture at SCOPE Miami

Tuesday, November 29th, 2011

Colonel Soleil’s Boys, North Kivu, Eastern Congo (2010) © Richard Mosse

SCOPE Pavilion
Wynwood Arts District
NE 1st Avenue (Midtown Blvd), at NE 30th Street
Miami, Florida
(212) 268-1522

Join Aperture Foundation at SCOPE Miami! Now in its eleventh year, the art fair will present the best of cutting edge contemporary art in Miami’s Wynwood Arts District. Aperture will be joining 80 international galleries to show our very best books and limited editions, including work by artists Penelope Umbrico and Richard Mosse.

Aperture recently published Penelope Umbrico’s book Penelope Umbrico (photographs), which offers a radical re-interpretation of everyday consumer and vernacular images. Richard Mosse was featured in Aperture magazine #203, Summer 2011. His work will also be showcased in the upcoming book Infra and the very special collector’s edition of the publication. His limited-edition print Débris, North Kivu, Eastern Congo, 2011 will also be featured. Look for these artists and much more fantastic work at Aperture’s booth.

The fair will take place from Tuesday, November 29, 2011–Sunday, December 4, 2011. Tickets are required.

Tuesday, 4:00 pm–8:00 pm (VIP and press)
Wednesday–Saturday,
11:00 am–7:00 pm
Sunday,
11:00 am–6:00 pm

Saturday, December 3, 4:00 – 5:00 pm
In Conversation: Penelope Umbrico and Brian Ulrich
Soho Beach House
RSVP@aperture.org

Sunday, December 4, 2:00 pm
Infra: Richard Mosse Book Signing
SCOPE Pavilion, booth B31

INFRA: Richard Mosse

Thursday, November 17th, 2011

Débris, North Kivu, Eastern Congo, 2011 © Richard Mosse

Richard Mosse: Infra an exhibition opens tonight at Jack Shainman Gallery. His images of the conflict-torn Congo seem disconnected from reality, due to the bright reds and pinks of the photographer’s distinctive Kodak Aerochrome film. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction, and photojournalism. Infra initiates a dialogue with photography that begins as an intoxicating meditation on a broken genre, but ends as a haunting elegy for a vividly beautiful land touched by unspeakable tragedy.

In addition to the exhibition, Aperture is pleased to announce a new limited-edition photograph by Richard Mosse, Débris, North Kivu, Eastern Congo, 2011. The New Yorker‘s Photo Booth recently published Great Mistakes: Richard Mosse, about the image. View the details here.

Also now available is special pre-release collector’s edition of Richard Mosse’s first monograph Infra, featuring a specially designed cloth cover. Buy the book here, only 500 copies available!

Mosse was recently featured on our Summer 2011 cover of Aperture magazine 201 with the accompanying article Richard Mosse: Sublime Proximity interview with Aaron Schuman.

Exhibition on view: November 17, 2011 – December 23, 2011

Jack Shainman Gallery
513 West 20th Street
New York, New York 10011

Hear Richard speak at SCOPE Miami on Sunday, December 4 at 2:00 pm

Richard Mosse (b. 1980, Ireland) received an MFA in photography from Yale University School of Art and a postgraduate diploma in fine art from Goldsmiths, London. He also holds a first-class BA in English literature from King’s College London and a master’s in cultural studies from the London Consortium (ICA, AA, Tate, Birkbeck). His work has been widely exhibited internationally, including at the Akademie der Künste, Berlin; Barbican Art Gallery, London; Museum of Contemporary Art Chicago; Palais de Tokyo, Paris; Tate Modern, London; Dublin Gallery of Photography; and SFMOMA Artists Gallery. In 2011, Mosse was awarded a John Simon Guggenheim Memorial Foundation Fellowship, with a supplemental stipend from the Leon Levy Foundation. In 2006, he received a Leonore Annenberg Fellowship in the Performing and Visual Arts. Mosse is represented by Jack Shainman Gallery, New York.

Aperture Events at Paris Photo 2011

Wednesday, November 9th, 2011

Aperture will be hosting a multitude of events and book signings at this year’s Paris Photo photography fair. Join us for these special occasions, or stop by Aperture’s booth throughout the fair for a fantastic selection of special editions, prints and books.

BOOK SIGNINGS:

 

 

Friday, November 11, 2011

2:00 pm – Horacio Fernandez The Latin American Photobook
4:30 pm – Hank Willis Thomas Pitch Blackness
6:00 pm – Penelope Umbrico (photographs)

 

 

 

 

Saturday, November 12, 2011

2:00 pm – Richard Mosse Infra
3:30 pm – Brian Ulrich Is This Place Great or What
4:30 pm – Alex Webb and Rebecca Norris Webb The Suffering of Light and Violet Isle
6:00 pm –  Rinko Kawauchi Illuminance

 

 

Sunday, November 13, 2011

2:00 pm – The New York Times Magazine Photographs Signing

APERTURE ALSO PRESENTS:

An exhibition at Boutique Montblanc
Wednesday, November 9 – Sunday, December 18, 2011
7 Rue de la Paix

Launch for the Photobook Review
Thursday, November 10, 10:30 am
Paris Photo Booth E26

Launch for The Latin American Photobook at Le Bal
Thursday, November 10, 2:00 pm
6, Impasse de la Defense

2011 Benefit & Auction Spotlight: Jane Hilton

Friday, September 23rd, 2011

Pat Meinzer, Cowboy, Benjamin, Texas 2009 © Jane Hilton/ Nailya Alexander Gallery

Jane Hilton is one of the many great artists featured in our 2011 Benefit and Auction. Her photograph Pat Meinzer, Cowboy, Benjamin, Texas will be up for bidding during the evening’s Live Auction. Inspired by a commission in 2006 to photograph a 17 year old cowboy, Jeremiah Karsten, who traveled 4,000 miles on horseback from his native Alaska to Mexico, Jane set off on her own four year pilgrimage, criss-crossing the cowboy states of Nevada, Arizona, Utah, Texas, New Mexico and Wyoming to capture America’s 21st century cowboys which has culminated in her recently published book – Dead Eagle Trail. This particular image was nominated for the 2010 Taylor Wessing Photographic Portrait Prize and exhibited at The National Portrait Gallery as a runner up. She writes, of the image:

“This portrait is one of a series of cowboys I photographed in their homes, from the buckaroos of Nevada to the cowpunchers of Arizona and Texas. The paradox of photographing a cowboy at home, and showing their obsession with the lifestyle was much more fascinating to me, than photographing them on a horse.

A window acts as a constant reminder to the outside world. All of them were shocked that I wanted to go inside their houses, and sometimes even their bedrooms where they spend the least time. But it was much more interesting to see them in less familiar territory, revealing their softer and possibly more feminine side. They were always immaculate despite the harshness of their working environment. It is the contradictions that are infinitely more enlightening.

Pate’s bedroom clearly demonstrates a feminine touch by his wife, with their wedding photographs and religious icons on the walls. Most of the cowboys I photographed had a strong sense of spirituality. As one cowboy told me, “I don’t need to go to church. My horse is my church and I am out with God everyday.”

Freedom is a cowboys’ life. Most were brought up on ranches where it was always hard work and never particularly profitable. Even today a cowboy can expect to earn only a few dollars an hour, but this is not what drives them. Real cowboys boast of never having met a stranger, most can’t swim. All of them have a John Wayne story they love to share. This series is a celebration of The West as it is now. Nobody can predict whether in a hundred year’s time the cowboy will still be around.”

Jane Hilton is a photographer and filmmaker living in London. The contradictions in American society and the American dream are recurring themes in her work. She filmed a documentary series for the BBC, “The Brothel / Love For Sale,” as well as a series of exhibitions on desert landscapes, pimps and prostitutes. Jane’s work is regularly published in The Sunday Times Magazine and The Telegraph Magazine.

Click here to preview Auction artworks and to bid online

Click here for more information and to buy tickets to our 2011 Benefit & Auction

2011 Benefit and Auction Spotlight: Doug and Mike Starn

Friday, September 9th, 2011

BBVenice_5.26.11_3851 (2009-11) © Doug and Mike Starn

The 2011 Benefit Patrons’ Weekend on October 15 & 16 features many exciting and exclusive activities including a day trip to Beacon with a director-led tour of Dia:Beacon by Susan Batton and a tour of Doug and Mike Starn‘s laboratory studio at the former Tallix foundry spectacular space! The Starn’s moved to this studio to make the first Big Bambú experiment. This piece is formed by a network of more than 2,000 bamboo poles lashed together and is 40′ across 80 feet long and 50′ high. This installation creates a compelling dialogue with some of their current and early works articulated throughout the working space.

Shown above is a photograph of the Brother’s installation in progress, at the 54th Venice Biennale (May/June 2011). This original artwork is included in our Benefit Live Auction. In Venice, the Starns created a 50′ tall hollow tower of bamboo with a trail within its walls spiraling up to the top. The artists used as stem-cells, some fragments of their installation “Big Bambú: You Can’t, You Don’t, and You Won’t Stop,” which grew over 6 months on the roof of The Metropolitan Museum of Art last summer. That exhibition had ranked 4th in the world in 2010 for total attendance of contemporary art exhibitions and was the 9th most attended exhibition in the Museum’s history. Throughout the Met exhibit, the Starns and their crew of rock climbers continuously lashed and sculpted over 7,000 bamboo poles, a performative architecture of randomly interconnected vectors forming a section of a seascape with a 70-foot cresting wave above Central Park. Big Bambú suggests the complexity and energy of an ever-growing and changing living organism.

Doug and Mike Starn are identical twin American artists. First receiving international attention at the 1987 Whitney Biennial, the Starns are primarily known for working conceptually with photography for the past two and a half decades. They are largely concerned with chaos, interconnection and interdependence, time, and physics, and they continue defying categorization, effectively combining traditionally separate disciplines such as photography, sculpture, architecture and site-specific projects. The Starns were represented by Leo Castelli from 1989 until his death in 1999. Their art has been the object of numerous solo and group exhibitions in museums and galleries worldwide. They have received many honors including two National Endowment for the Arts Grants in 1987 and 1995; The International Center for Photography’s Infinity Award for Fine Art Photography in 1992; and, artists in residency at NASA in the mid-1990′s.

Click here for more information and to buy tickets to our 2011 Benefit & Auction

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