Although celebrated for her extraordinary studies of modern dance in the late 1920s and early 1930s, Barbara Morgan enjoyed an artistic career that embraced a wide range of philosophical and aesthetic influences. Her studies of pioneering dancers such as Martha Graham, José Limón, Erik Hawkins, and Merce Cunningham capture the spirituality of a temporal art. She also combined photograms and light drawing to experiment with moving light patterns. A former painter, Morgan used montage and manipulated imagery to express the visual and kinetic energy of New York City.

Included in this volume are the finest examples of Morgan's work: dance photographs, photomontages, light drawings, and other works from a long, varied photographic career. In the accompanying essay, Deba P. Patnaik, photo-historian and Executive Director of the Willard & Barbara Morgan Foundation, provides an overview of the development of Morgan's career and insight into the beliefs that informed her work.