The moment when still cameras began to include decent video options not only democratized filmmaking, but also marks the history of still images.
Bill Armstrong discusses his work Mandala #450 within the context his Infinity series of abstract, blurred images.
Joel Meyerowitz reads from “The Gravity of Time,” a personal essay from Paul Strand: The Garden at Orgeval, published by Aperture.
Excerpt from an event held at Aperture Gallery on March 18, 2013.
Hank Willis Thomas discusses his series Branded (2011) and Unbranded (2008).
Photographer Bill Armstrong speaks with Aperture about his Infinity series, and his latest exhibition in New York.
Melissa Harris spoke with Daniel Vasella, then of Novartis AG, to understand both his passion and his criteria for commissioning photography.
Aperture speaks with the curator and a participating artist in Color Shift, a show that explores and revisits modernism’s reductive approach to medium, material, and color.
An interview with photographer Laura Letinsky, who has explored the expressive possibilities of still-life photography for fifteen years.