“I wanted to discover, through the use of images and objects, a way to translate my original experience of these European sites.”
These Cold War objects exerted major influence on the culture of their day. It’s not just coincidence that they happen to look like art.
You may have to develop your own technology for your images. I’m not much interested in “straight” photography anymore.
The moment when still cameras began to include decent video options not only democratized filmmaking, but also marks the history of still images.
Bill Armstrong discusses his work Mandala #450 within the context his Infinity series of abstract, blurred images.
Joel Meyerowitz reads from “The Gravity of Time,” a personal essay from Paul Strand: The Garden at Orgeval, published by Aperture.
Excerpt from an event held at Aperture Gallery on March 18, 2013.
Hank Willis Thomas discusses his series Branded (2011) and Unbranded (2008).
Photographer Bill Armstrong speaks with Aperture about his Infinity series, and his latest exhibition in New York.