Prajna Desai reviews the Abelardo Morell retrospective now on view at the Art Institute of Chicago.
Joanna Fiduccia considers the uses of aerial photography in her review of Jeanne Haffner’s The View from Above.
Chris Wiley reviews A Different Kind of Order, the fourth ICP Triennial, on view in New York through September 22.
Susie Linfield reviews Memory of Fire, a new collection of essays and interviews edited by Julian Stallabrass. Updated July 24 with an exchange of letters between the authors.
Schuyler Duffy reviews Terry Evans’s exhibition The Inhabited Prairie, now on view in New York.
Sarah James reviews a survey of Karl Blossfeldt’s photographs at the Whitechapel Gallery, London.
Artist Barney Kulok considers the relationship between photography and architecture
Tampering with photographs is common practice for artists today; this exhibition demonstrated that the strategy is even more relevant for Middle Eastern photographers.
Willie Doherty’s latest body of work focuses on the sense of alienation to be found in Zurich’s peripheral spaces. Martin Jaeggi assesses the photographs and video.