the aperture blog: web-only reviews, interviews, essays, and foundation news
Images of Conviction: The Construction of Visual Evidence, which opened on June 4, presents ten case studies that demonstrate how photography and video have functioned in the evidence of death.
From over five hundred applicants, twenty-four photographers consider the ways in which our current reality might outpace outlandish narratives of science fiction.
An excerpt from a portfolio in Aperture magazine #219, Summer 2015, “Tokyo.”
LaToya Ruby Frazier walks us through her exhibition, LaToya Ruby Frazier: Selected Works at Aperture gallery in New York.
Contemporary fiction writers speak on the role of photography and the image in their writing process.
A review of “Constructing Worlds” at Barbican Art Gallery.
Lesley A. Martin touches base with Alec Soth for issue 007 of The PhotoBook Review.
A look behind our Work Scholar program. Support the next generation at Aperture, with a gift.
Duane Michals’s innovative portraits and narrative photography get a presentation at the Carnegie Museum of Art.
Robin Schwartz and her daughter Amelia discuss Amelia and the Animals.
Kathy Ryan on her book Office Romance, a collection of her Instagram photos taken at her office in the New York Times building.
Aperture Editor Michael Famighetti on work featured during the 2014 FotoFocus Biennial.
A new exhibition at Maureen Paley in London features new work by Morgan Fisher.
Nat Trotman on Erica Baum, whose work investigates the tradition of print and the objectification of language.
Erwin Olaf gives a virtual tour of his most recent photobook, Erwin Olaf: Volume II.
Elinor Carucci discusses her approach to teaching photography, and her experience as a workshop instructor at Aperture.
Anne Collier’s new show at the MCA Chicago spans a decade of the photographer’s sly, incisive images.
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