the aperture blog: web-only reviews, interviews, essays, and foundation news
Philip Gefter speaks with Museum of Modern Art’s new chief curator of photography, Quentin Bajac.
Brian Dillon considers the diverse, eccentric collection of photography at London’s Archive of Modern Conflict.
In memory of painter and photographer Saul Leiter, Aperture republishes Eric Banks’s article about his visit with Leiter in his East Village studio.
Isabel Stevens reviews Still: American Silent Motion Picture Photography, David S. Shields’s survey of American photography from cinema’s silent era.
Lorenzo Durantini discusses Travess Smalley’s productive yet challenging relationship to photography.
Interview with designer Hans Gremmen about Rinko Kawauchi’s new book, Ametsuchi.
What provokes us to pursue something, to want to find out more?
Lisa Oppenheim teases apart the individual steps of picture-making, wringing from the medium’s technical apparatus a surprisingly broad range of meanings.
Images from Martin Parr’s Beach Party and Portrait Shoot at Aperture Gallery.
Photographer Anne Hardy speaks about her new exhibition of photographs and sculptures at Maureen Paley, London.
After lengthy deliberations, Aperture Foundation has selected the winner of the #MyApertureMag Instagram competition.
Photo critic and historian Geoffrey Batchen uses the art of Joachim Schmid to discuss photograph as a medium of exchange.
The Paris Photo—Aperture Foundation PhotoBook Awards are now open for submissions.
In this interview, photojournalist Michael Kamber discusses his new book Photojournalists on War: The Untold Stories from Iraq.
Charlotte Cotton discusses the principles that guided her as she guest-edited Issue 004 of The PhotoBook Review.
Pablo Ortiz Monasterio discusses the process of selecting and sequencing photographs to tell a history of Mexico.
Charlie Engman worked in-situ at Aperture Gallery to create a new artist zine by remixing COMPILATION TOKYO.
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