the aperture blog: web-only reviews, interviews, essays, and foundation news
Aperture magazine’s editors spent three weeks in Tokyo researching and assembling our Summer issue of the magazine, dedicated to photography from Japan.
Aperture magazine launches an exclusive opportunity for photography collectors to own work published in the pages of the magazine.
Announcing the launch of the Aperture Photography App, a brand-new digital digest from Aperture Foundation.
Writer and curator Kevin Moore on Aperture's founding editor Minor White’s convoluted relationship with photography and sexuality.
Erwin Olaf gives a virtual tour of his most recent photobook, Erwin Olaf: Volume II.
Elinor Carucci discusses her approach to teaching photography, and her experience as a workshop instructor at Aperture.
Anne Collier’s new show at the MCA Chicago spans a decade of the photographer’s sly, incisive images.
LaToya Ruby Frazier discusses the creation of her first book, The Notion of Family.
A social media analyst working in private intelligence considers the Islamic State’s use of photography.
An-My Lê talks about her recently published book, Events Ashore at Aperture Gallery.
Editors’ Note from the Winter 2014 issue of Aperture magazine, #217, “Lit.”
From Paris Photo, Aperture announces the winners of the 2014 PhotoBook Awards.
Noemi Smolik reviews Thomas Ruff’s new show at the Kunsthalle Dusseldorf.
Gail Albert Halaban discusses her new book, Paris Views, with Amy Adler at Aperture Gallery.
A conversation with Karl Lagerfeld on fashion and photography, from Aperture magazine issue #122.
Vicki Goldberg assesses the contemporary work of Vadim Guschchin and Nikolai Kulebyakin.
Why “photobooks” now? Author David Campany examines the term for issue 007 of The PhotoBook Review.
Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.
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