the aperture blog: web-only reviews, interviews, essays, and foundation news
Whether investigations originate in the nineteenth, twentieth, or twenty-first century, the desire to lay bare the unknown is perpetual.
Lisa Oppenheim teases apart the individual steps of picture-making, wringing from the medium’s technical apparatus a surprisingly broad range of meanings.
Photographer Anne Hardy speaks about her new exhibition of photographs and sculptures at Maureen Paley, London.
In this interview, photojournalist Michael Kamber discusses his new book Photojournalists on War: The Untold Stories from Iraq.
Aperture speaks with curator Okwui Enwezor about the exhibition “Rise and Fall of Apartheid” at International Center of Photography.
A look back at Aperture’s top five of 2012.
Photos from special Patron events tied to Aperture’s sixtieth-anniversary weekend.
The Los Angeles–based photographer Zoe Crosher has had quite a big year. Carmen Winant spoke with the artist about her work.
Join Harold Feinstein for a book party and benefit poster sale at Aperture Gallery.
From Aperture 203, Daido Moriyama speaks with Ivan Vartanian about the unending newness of photographs.
In the wake of Tuesday’s New York Post cover, a discussion on NPR considered the ethics of documenting tragedy.
A photo diary chronicling Aperture’s Paris Photo Patron Trip 2012.
Aperture speaks with Galjaard about photographing in Albania, the design process, and self-publishing his first book.
Independent curator Daniel M. Leers reports on the First National Bank Johannesburg Art Fair.
Writer and curator Amanda Hopkinson guides us through the pioneering reinvention of the Fotohof photography gallery which opened in Salzburg, Austria, February 2012.
A talk and signing with Chris Buck, author of Presence: The Invisible Portrait.
An excerpt from Chris Boot’s conversation with 101 Tragedies editor Trisha Ziff.
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