the aperture blog: web-only reviews, interviews, essays, and foundation news
Philip Gefter speaks with Museum of Modern Art’s new chief curator of photography, Quentin Bajac.
Brian Dillon considers the diverse, eccentric collection of photography at London’s Archive of Modern Conflict.
In memory of painter and photographer Saul Leiter, Aperture republishes Eric Banks’s article about his visit with Leiter in his East Village studio.
Isabel Stevens reviews Still: American Silent Motion Picture Photography, David S. Shields’s survey of American photography from cinema’s silent era.
Jimena Canales discusses “Doc” Edgerton’s notebooks, in which he explored high-speed photography and strobe technologies.
An on-press look at the Fall 2013 issue of Aperture.
Celso Gonzalez-Falla speaks on a recent panel discussion about the market for fine art photography.
In New York? Artist David Horvitz wants to photograph you pretending to be sad or depressed.
Richard Renaldi on recent progress and upcoming plans for the Touching Strangers portrait series.
Susie Linfield reviews Memory of Fire, a new collection of essays and interviews edited by Julian Stallabrass. Updated July 24 with an exchange of letters between the authors.
Another New York, featuring fifteen Brooklyn-based photographers, is now on view at the Barclays Center.
Highlighting a selection of the latest arrivals in the First PhotoBook category.
Curator and art historian Lynne Cooke on Horst Ademeit’s enigmatic photographs.
Penelope Umbrico’s first artist’s ebook is now available as a free download on iTunes.
Fred Ritchin files a dispatch from Les Rencontres d’Arles.
James Welling remembers fellow photographer Sarah Charlesworth.
Japanese photographer Rinko Kawauchi discusses the details of her latest photo book, Ametsuchi.
Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.
547 West 27th Street, 4th Floor
New York, N.Y. 10001
All work is copyright of respective owner, otherwise © 2013 Aperture Foundation.