the aperture blog: web-only reviews, interviews, essays, and foundation news
The story of Hercule Florence, who invented an early form of photography in Brazil while studying the Amazon's birdsong.
Ellie Armon Azoulay on the Henri Cartier-Bresson retrospective at the Centre Pompidou.
Jacob King considers Chinese artist Ai WeiWei's Brooklyn Museum show and his photographic practice, ranging from his work in the '80s to his current Instagram presence.
Diana C. Stoll on Remote Sites of War at Western Carolina University’s Fine Art Museum.
Images from the private launch of Richard Renaldi’s Touching Strangers photobook and exhibition.
Greil Marcus muses on the Soundtrack to Nan Goldin’s The Ballad of Sexual Dependency.
Madeline Coleman on Finding Vivian Maier, a new documentary opening in U.S. theaters on Friday, March 28.
Kira Pollack in conversation with Jonathan D. Woods at Aperture Gallery.
Mary Panzer reviews the Charles Marville exhibition, on view at the Metropolitan Museum of Art until May 4, 2014.
Matt Wolf’s newest documentary Teenage is on tour now, showing in theatres across the United States.
Here’s where The PhotoBook Awards exhibition is headed in Summer/Fall 2014.
An interview with Matthew Pillsbury on the occasion of his City Stages monograph and exhibition.
Matthew Pillsbury discusses City Stages during an artist talk at Aperture Gallery.
Arthur Ou speaks with Eva Respini, curator of Robert Heinecken: Object Matter, about this restless artist’s pioneering work.
From “Documentary, Expanded”, Stephen Mayes reflects on documentary photography’s radically shifting terrain.
SFMOMA to live stream Bearing Witness symposium this Sunday, March 16, 2014.
Isabel Stevens on Whitechapel Gallery’s retrospective exhibition of Dadaist artist Hannah Höch, on view through March 23, 2014.
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