the aperture blog: web-only reviews, interviews, essays, and foundation news
Philip Gefter speaks with Museum of Modern Art’s new chief curator of photography, Quentin Bajac.
Brian Dillon considers the diverse, eccentric collection of photography at London’s Archive of Modern Conflict.
In memory of painter and photographer Saul Leiter, Aperture republishes Eric Banks’s article about his visit with Leiter in his East Village studio.
Isabel Stevens reviews Still: American Silent Motion Picture Photography, David S. Shields’s survey of American photography from cinema’s silent era.
Photographer Olivo Barbieri speaks about his latest photobook, Site Specific.
Christian Marclay speaks with poet Frances Richard about his snapshots of found musical notations, repurposed and then literally played by musicians.
Todd Hido’s Sources and Influences workshop was held at Aperture Foundation, September 21–22, 2013.
Paris Photo and Aperture announce the final jury for the PhotoBook Awards 2013.
Paula Kupfer speaks with photographer Paolo Woods about his new work from Haiti, currently on view at the Musée de l’Elysée in Lausanne, Switzerland.
Alec Soth speaks on the current state of the photobook at New York Art Book Fair 2013 at MoMA PS1.
Over the weekend of September 14 and 15, workshop students spent a rare eight hours with the Japanese artist, Rinko Kawauchi.
The thirty books shortlisted for the 2013 awards were announced Sept. 20 in New York.
A timeline of collaboration curated by Ariella Azoulay, Wendy Ewald, and Susan Meiselas.
The 2013 Paris Photo–Aperture Foundation PhotoBook Awards is now closed for entries.
Visit Aperture at EXPO CHICAGO, where we will present selections from the limited-edition print program and newly published books.
Lesley A. Martin discusses selections from the PhotoBook Awards submission pool, and the details that compel a juror to take a closer look.
An excerpt from Christopher Phillips’s introduction to Site Specific: Photographs by Olivo Barbieri.
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