the aperture blog: web-only reviews, interviews, essays, and foundation news
Aperture magazine’s editors spent three weeks in Tokyo researching and assembling our Summer issue of the magazine, dedicated to photography from Japan.
Aperture magazine launches an exclusive opportunity for photography collectors to own work published in the pages of the magazine.
Announcing the launch of the Aperture Photography App, a brand-new digital digest from Aperture Foundation.
Writer and curator Kevin Moore on Aperture's founding editor Minor White’s convoluted relationship with photography and sexuality.
An excerpt from Christopher Phillips’s introduction to Site Specific: Photographs by Olivo Barbieri.
A quick recap, with images, of Aperture’s recent workshop with photographer Shelby Lee Adams.
On the occasion of a traveling exhibition, Diana Stoll meditates on Man Ray’s portraits.
On the occasion of the forthcoming paperback edition, Lyle Rexer discusses The Edge of Vision four years later.
Highlighting a new selection of latest arrivals in the First PhotoBook category.
Sarah James ponders the Mass Observation project, now surveyed at Photographers’ Gallery in London.
From Aperture #206, Sylvia Plachy’s intimate visit with one of the celebrated denizens of New York’s Central Park Zoo, who passed this week at age twenty-seven.
From Aperture #212: Ian Jeffrey on Thomas Mailender’s use of the 1930s-era photographs published as The Night Climbers of Cambridge.
Aperture remembers Juan Garcia de Oteyza, director of Aperture Foundation from 2008 to 2010.
From Aperture #212: Aveek Sen on Italo Calvino’s “The Adventure of a Photographer.”
Prajna Desai reviews the Abelardo Morell retrospective now on view at the Art Institute of Chicago.
The Editors introduce Aperture #212 (Fall 2013), which is organized around the theme of “Playtime.”
Highlighting a selection of the latest arrivals in the PhotoBook of the Year category.
Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.
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