The following conversation between Aperture Foundation editor-in-chief, Melissa Harris, and Richard Misrach was recorded at his California studio in March 1992.
Join us this fall for the chance to work side-by-side major with figures in the global photographic community in an intimate and immersive classroom.
A preview of an interview from the fall issue of Aperture magazine, conducted by curator Charlotte Cotton with the legendary documentarian Bruce Davidson.
Aperture magazine’s editors on our Fall 2015 issue and its nine in-depth interviews.
Imaginary Club, last year’s winner of PhotoBook of the Year, sold out within months of winning the award. In this video, Sieber talks about what went into his work.
Diana C. Stoll reviews Ken Abbott’s new exhibition at the Asheville Art Museum, North Carolina, which focuses on the day-to-day of a prominent local farm.
Photobooks from around the world are currently arriving at Aperture’s Chelsea office as entries to this year’s Paris Photo–Aperture Foundation PhotoBook Awards.
The new issue of the Aperture Photography App is now available to download on your iOS device. Every issue of the Aperture Photography App is free on iTunes.
The Flame of Recognition, the classic monograph by Edward Weston, began its life in 1958 as a monographic issue of Aperture magazine in celebration of Weston’s life.
Peggy Roalf talks with Richard Learoyd about his portraits made with a camera obscura. Day For Night, a monograph of his work will be available this Fall.
Krakow Photomonth has grown from a rather rambunctious upstart into one of the most ambitious photography festivals. This year’s edition revolved elegantly around conflict.
Letters from Sally Mann to Melissa Harris, editor-in-chief of Aperture Foundation, about her portraits and her process, originally published as an interview in Aperture #138.
Aperture editors and staff select the photography exhibitions we’re seeing around New York City this summer, from MoMA to the Guggenheim to Chelsea’s galleries.