the aperture blog: web-only reviews, interviews, essays, and foundation news
Lesley A. Martin touches base with Alec Soth for issue 007 of The PhotoBook Review.
Duane Michals's innovative portraits and narrative photography get a presentation at the Carnegie Museum of Art.
Kathy Ryan on her book Office Romance, a collection of her Instagram photos taken at her office in the New York Times building.
A new exhibition at Maureen Paley in London features new work by Morgan Fisher.
A social media analyst working in private intelligence considers the Islamic State’s use of photography.
An-My Lê talks about her recently published book, Events Ashore at Aperture Gallery.
Editors’ Note from the Winter 2014 issue of Aperture magazine, #217, “Lit.”
From Paris Photo, Aperture announces the winners of the 2014 PhotoBook Awards.
Noemi Smolik reviews Thomas Ruff’s new show at the Kunsthalle Dusseldorf.
Gail Albert Halaban discusses her new book, Paris Views, with Amy Adler at Aperture Gallery.
A conversation with Karl Lagerfeld on fashion and photography, from Aperture magazine issue #122.
Vicki Goldberg assesses the contemporary work of Vadim Guschchin and Nikolai Kulebyakin.
Why “photobooks” now? Author David Campany examines the term for issue 007 of The PhotoBook Review.
An excerpt from the Center for the Study of the Drone’s newly released Drone Primer.
Vicki Goldberg considers the work of Ukrainian collective Shilo-Group.
Marketa Uhlirova on fashion films that push the boundaries of photography.
Vicki Goldberg reports back from a 2013 trip to Russia, about an exhibition of Soviet propaganda.
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