the aperture blog: web-only reviews, interviews, essays, and foundation news
At the Brooklyn Brewery, a group of photographers and reporters explored why they report on war.
A new exhibition at the MFA, Boston, sheds light on a forgotten photo essay by Gordon Parks from 1950.
David Campany on the writers that informed the work of Walker Evans.
Contemporary fiction writers speak on the role of photography and the image in their writing process.
From Aperture #212: Aveek Sen on Italo Calvino’s “The Adventure of a Photographer.”
Prajna Desai reviews the Abelardo Morell retrospective now on view at the Art Institute of Chicago.
The Editors introduce Aperture #212 (Fall 2013), which is organized around the theme of “Playtime.”
Highlighting a selection of the latest arrivals in the PhotoBook of the Year category.
Joanna Fiduccia considers the uses of aerial photography in her review of Jeanne Haffner’s The View from Above.
Chris Wiley reviews A Different Kind of Order, the fourth ICP Triennial, on view in New York through September 22.
Jimena Canales discusses “Doc” Edgerton’s notebooks, in which he explored high-speed photography and strobe technologies.
An on-press look at the Fall 2013 issue of Aperture.
Celso Gonzalez-Falla speaks on a recent panel discussion about the market for fine art photography.
In New York? Artist David Horvitz wants to photograph you pretending to be sad or depressed.
Richard Renaldi on recent progress and upcoming plans for the Touching Strangers portrait series.
Susie Linfield reviews Memory of Fire, a new collection of essays and interviews edited by Julian Stallabrass. Updated July 24 with an exchange of letters between the authors.
Another New York, featuring fifteen Brooklyn-based photographers, is now on view at the Barclays Center.
Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.
547 West 27th Street, 4th Floor
New York, N.Y. 10001
All work is copyright of respective owner, otherwise © 2015 Aperture Foundation.