the aperture blog: web-only reviews, interviews, essays, and foundation news
Philip Gefter speaks with Museum of Modern Art’s new chief curator of photography, Quentin Bajac.
Brian Dillon considers the diverse, eccentric collection of photography at London’s Archive of Modern Conflict.
In memory of painter and photographer Saul Leiter, Aperture republishes Eric Banks’s article about his visit with Leiter in his East Village studio.
Isabel Stevens reviews Still: American Silent Motion Picture Photography, David S. Shields’s survey of American photography from cinema’s silent era.
In this video, photographer Barney Kulok offers a look at the process of building his latest monograph.
The LA photographer opens a show of large-scale color photo collages and black & white images.
A behind-the-scenes look at the judging of the best photobooks of the year.
The Photography Changes Everything author speaks at the Atlanta Contemporary Art Center.
A collection of classic Aperture magazine covers, looking at the magazine’s conception and evolution as a forum for photography.
A selection of classic covers from Aperture magazine’s archive.
A behind-the-scenes look the 2012 PhotoBook Awards shortlist jurying.
A discussion with A New American Picture artist Doug Rickard, Tuesday, October 16 at Aperture Gallery.
A new photography exhibition at Aperture Gallery opens Wednesday, October 17.
Looking at the relationship between the work of two influential street photographers.
Order your limited signed edition of Richard Misrach’s acclaimed Golden Gate series.
Aperture’s traveling photography exhibition is now on view at Palau Robert in Barcelona.
Purchase a ticket and get a limited-edition pre-release copy of Parr’s new book, Life’s a Beach.
Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.
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