the aperture blog: web-only reviews, interviews, essays, and foundation news
Why "photobooks" now? Author David Campany examines the term for issue 007 of The PhotoBook Review.
An excerpt from the Center for the Study of the Drone's newly released Drone Primer.
Marketa Uhlirova on fashion films that push the boundaries of photography.
Vicki Goldberg reports back from a 2013 trip to Russia, about an exhibition of Soviet propaganda.
Prajna Desai reviews the Abelardo Morell retrospective now on view at the Art Institute of Chicago.
The Editors introduce Aperture #212 (Fall 2013), which is organized around the theme of “Playtime.”
Highlighting a selection of the latest arrivals in the PhotoBook of the Year category.
Joanna Fiduccia considers the uses of aerial photography in her review of Jeanne Haffner’s The View from Above.
Chris Wiley reviews A Different Kind of Order, the fourth ICP Triennial, on view in New York through September 22.
Jimena Canales discusses “Doc” Edgerton’s notebooks, in which he explored high-speed photography and strobe technologies.
An on-press look at the Fall 2013 issue of Aperture.
Celso Gonzalez-Falla speaks on a recent panel discussion about the market for fine art photography.
In New York? Artist David Horvitz wants to photograph you pretending to be sad or depressed.
Richard Renaldi on recent progress and upcoming plans for the Touching Strangers portrait series.
Susie Linfield reviews Memory of Fire, a new collection of essays and interviews edited by Julian Stallabrass. Updated July 24 with an exchange of letters between the authors.
Another New York, featuring fifteen Brooklyn-based photographers, is now on view at the Barclays Center.
Highlighting a selection of the latest arrivals in the First PhotoBook category.
Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.
547 West 27th Street, 4th Floor
New York, N.Y. 10001
All work is copyright of respective owner, otherwise © 2014 Aperture Foundation.