the aperture blog: web-only reviews, interviews, essays, and foundation news
LaToya Ruby Frazier discusses the creation of her first book, "The Notion of Family".
A social media analyst working in private intelligence considers the Islamic State's use of photography.
Why "photobooks" now? Author David Campany examines the term for issue 007 of The PhotoBook Review.
An excerpt from the Center for the Study of the Drone's newly released Drone Primer.
Aperture remembers Juan Garcia de Oteyza, director of Aperture Foundation from 2008 to 2010.
From Aperture #212: Aveek Sen on Italo Calvino’s “The Adventure of a Photographer.”
Prajna Desai reviews the Abelardo Morell retrospective now on view at the Art Institute of Chicago.
The Editors introduce Aperture #212 (Fall 2013), which is organized around the theme of “Playtime.”
Highlighting a selection of the latest arrivals in the PhotoBook of the Year category.
Joanna Fiduccia considers the uses of aerial photography in her review of Jeanne Haffner’s The View from Above.
Chris Wiley reviews A Different Kind of Order, the fourth ICP Triennial, on view in New York through September 22.
Jimena Canales discusses “Doc” Edgerton’s notebooks, in which he explored high-speed photography and strobe technologies.
An on-press look at the Fall 2013 issue of Aperture.
Celso Gonzalez-Falla speaks on a recent panel discussion about the market for fine art photography.
In New York? Artist David Horvitz wants to photograph you pretending to be sad or depressed.
Richard Renaldi on recent progress and upcoming plans for the Touching Strangers portrait series.
Susie Linfield reviews Memory of Fire, a new collection of essays and interviews edited by Julian Stallabrass. Updated July 24 with an exchange of letters between the authors.
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