the aperture blog: web-only reviews, interviews, essays, and foundation news
Why "photobooks" now? Author David Campany examines the term for issue 007 of The PhotoBook Review.
An excerpt from the Center for the Study of the Drone's newly released Drone Primer.
Marketa Uhlirova on fashion films that push the boundaries of photography.
Vicki Goldberg reports back from a 2013 trip to Russia, about an exhibition of Soviet propaganda.
Visit Aperture at EXPO CHICAGO, where we will present selections from the limited-edition print program and newly published books.
Lesley A. Martin discusses selections from the PhotoBook Awards submission pool, and the details that compel a juror to take a closer look.
An excerpt from Christopher Phillips’s introduction to Site Specific: Photographs by Olivo Barbieri.
A quick recap, with images, of Aperture’s recent workshop with photographer Shelby Lee Adams.
On the occasion of a traveling exhibition, Diana Stoll meditates on Man Ray’s portraits.
On the occasion of the forthcoming paperback edition, Lyle Rexer discusses The Edge of Vision four years later.
Highlighting a new selection of latest arrivals in the First PhotoBook category.
Sarah James ponders the Mass Observation project, now surveyed at Photographers’ Gallery in London.
From Aperture #206, Sylvia Plachy’s intimate visit with one of the celebrated denizens of New York’s Central Park Zoo, who passed this week at age twenty-seven.
From Aperture #212: Ian Jeffrey on Thomas Mailender’s use of the 1930s-era photographs published as The Night Climbers of Cambridge.
Aperture remembers Juan Garcia de Oteyza, director of Aperture Foundation from 2008 to 2010.
From Aperture #212: Aveek Sen on Italo Calvino’s “The Adventure of a Photographer.”
Prajna Desai reviews the Abelardo Morell retrospective now on view at the Art Institute of Chicago.
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