the aperture blog: web-only reviews, interviews, essays, and foundation news
An interview with the Jack Kerouac of photography in France, Bernard Plossu.
Phil Bicker on the pioneering fashion magazines that have fostered the careers of many major photographers and stylists.
Joel Meyerowitz reflects on his time on road trips as a photographer.
A conversation with Paul Martineau, curator of Minor White: Manifestations of the Spirit at the J. Paul Getty Center, Los Angeles
Highlighting a new selection of latest arrivals in the First PhotoBook category.
Sarah James ponders the Mass Observation project, now surveyed at Photographers’ Gallery in London.
From Aperture #206, Sylvia Plachy’s intimate visit with one of the celebrated denizens of New York’s Central Park Zoo, who passed this week at age twenty-seven.
From Aperture #212: Ian Jeffrey on Thomas Mailender’s use of the 1930s-era photographs published as The Night Climbers of Cambridge.
Aperture remembers Juan Garcia de Oteyza, director of Aperture Foundation from 2008 to 2010.
From Aperture #212: Aveek Sen on Italo Calvino’s “The Adventure of a Photographer.”
Prajna Desai reviews the Abelardo Morell retrospective now on view at the Art Institute of Chicago.
The Editors introduce Aperture #212 (Fall 2013), which is organized around the theme of “Playtime.”
Highlighting a selection of the latest arrivals in the PhotoBook of the Year category.
Joanna Fiduccia considers the uses of aerial photography in her review of Jeanne Haffner’s The View from Above.
Chris Wiley reviews A Different Kind of Order, the fourth ICP Triennial, on view in New York through September 22.
Jimena Canales discusses “Doc” Edgerton’s notebooks, in which he explored high-speed photography and strobe technologies.
An on-press look at the Fall 2013 issue of Aperture.
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