the aperture blog: web-only reviews, interviews, essays, and foundation news
Philip Gefter speaks with Museum of Modern Art’s new chief curator of photography, Quentin Bajac.
Brian Dillon considers the diverse, eccentric collection of photography at London’s Archive of Modern Conflict.
In memory of painter and photographer Saul Leiter, Aperture republishes Eric Banks’s article about his visit with Leiter in his East Village studio.
Isabel Stevens reviews Still: American Silent Motion Picture Photography, David S. Shields’s survey of American photography from cinema’s silent era.
Isabel Stevens reviews Everything Was Moving: Photography from the 60s and 70s at the Barbican Art Gallery, London.
Vik Muniz offers a rare tour of his studio exclusively for Aperture Patrons.
The end of 2012 was a sad one for the photography community with the loss of Trolley Books publisher Gigi Giannuzzi.
The cover of Aperture’s Spring 2013 issue is a detail from a photograph by artist Christopher Williams.
Fourteen shows consider how the camera, rather than just being an instrument of mediation, might sometimes take hold of reality instead.
The Aperture Portfolio Prize 2013 contest is now open for submissions.
Aperture speaks with curator Okwui Enwezor about the exhibition “Rise and Fall of Apartheid” at International Center of Photography.
A look back at Aperture’s top five of 2012.
Photos from special Patron events tied to Aperture’s sixtieth-anniversary weekend.
The Los Angeles–based photographer Zoe Crosher has had quite a big year. Carmen Winant spoke with the artist about her work.
Join Harold Feinstein for a book party and benefit poster sale at Aperture Gallery.
From Aperture 203, Daido Moriyama speaks with Ivan Vartanian about the unending newness of photographs.
In the wake of Tuesday’s New York Post cover, a discussion on NPR considered the ethics of documenting tragedy.
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