the aperture blog: web-only reviews, interviews, essays, and foundation news
Ellie Armon Azoulay on the Henri Cartier-Bresson retrospective at the Centre Pompidou.
Jacob King considers Chinese artist Ai WeiWei's Brooklyn Museum show and his photographic practice, ranging from his work in the '80s to his current Instagram presence.
Diana C. Stoll on Remote Sites of War at Western Carolina University’s Fine Art Museum.
Announcing Aperture's Fall-Winter 2014 Workshops catalog.
Paula Kupfer speaks with photographer Paolo Woods about his new work from Haiti, currently on view at the Musée de l’Elysée in Lausanne, Switzerland.
Alec Soth speaks on the current state of the photobook at New York Art Book Fair 2013 at MoMA PS1.
Over the weekend of September 14 and 15, workshop students spent a rare eight hours with the Japanese artist, Rinko Kawauchi.
The thirty books shortlisted for the 2013 awards were announced Sept. 20 in New York.
A timeline of collaboration curated by Ariella Azoulay, Wendy Ewald, and Susan Meiselas.
The 2013 Paris Photo–Aperture Foundation PhotoBook Awards is now closed for entries.
Visit Aperture at EXPO CHICAGO, where we will present selections from the limited-edition print program and newly published books.
Lesley A. Martin discusses selections from the PhotoBook Awards submission pool, and the details that compel a juror to take a closer look.
An excerpt from Christopher Phillips’s introduction to Site Specific: Photographs by Olivo Barbieri.
A quick recap, with images, of Aperture’s recent workshop with photographer Shelby Lee Adams.
On the occasion of a traveling exhibition, Diana Stoll meditates on Man Ray’s portraits.
On the occasion of the forthcoming paperback edition, Lyle Rexer discusses The Edge of Vision four years later.
Highlighting a new selection of latest arrivals in the First PhotoBook category.
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