Catherine Opie recounts her first meeting and friendship with bookseller Andrew Cahan.
In memory of Amiri Baraka, Aperture republishes Vince Aletti’s article on Baraka’s 1970 book, In Our Terribleness.
From Aperture magazine #213, Britt Salvesen discusses the series inter esse by Maria Sewcz.
From Aperture magazine #213, Chris Boot discusses the work of artist Paul Trevor.
From Aperture magazine #213, Carole Naggar discusses the Roquette Rockers series by photographer Ken Pate.
From Aperture magazine #213, Bronwyn Law-Viljoen discusses the work of Mozambican photojournalist Ricardo Rangel.
Philip Gefter speaks with Museum of Modern Art’s new chief curator of photography, Quentin Bajac.
Brian Dillon considers the diverse, eccentric collection of photography at London’s Archive of Modern Conflict.
In memory of painter and photographer Saul Leiter, Aperture republishes Eric Banks’s article about his visit with Leiter in his East Village studio.